Soon after the COVID-19 lockdown started, I began doing combined piano and theory lessons with my daughter, who is eleven, and her friend, who is a year or two older, using Skype. I tried to show them a little about some different functions that help to build a piece of music, and in the end […]
I joined King’s College Choir as a boy treble in 1964. This was a time of real energy in the media, recording and concert world, and this possibly brought a different kind of perspective to David’s work with the choir. There were a number of firsts for the choir around this time.
“You’ve got to have technique: composition is like aircraft design; you can’t just go in and do it without training. You’ll never find your voice if you don’t have the technique to express what you want to say.” One of the most prolific of choral music composers, John Rutter is known throughout the world for music which has sustained choirs for almost half a century. Here he is in dialogue with composer Bob Chilcott.