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A thought on poets, death, and Clive James. And heroism.

By Andrew Taylor

Whatever else we think of poets, we don’t tend to see them as heroes.

Gold fountain pen on hand written letterThere are exceptions, of course – Wilfred Owen and Siegfried Sassoon famously won the Military Cross, and some three hundred years earlier, Sir Philip Sidney was praised for his dash and gallantry at the Battle of Zutphen; then there’s Keith Douglas from World War II, one of the few deserters ever to abandon his post to get into a battle, who was killed shortly after the D-Day invasion.

It’s not a long list, and those on it performed their acts of heroism in, so to speak, their time off. They were heroes who happened to be poets as well. Poetry, by and large, is a solitary craft: it’s not easy to perform acts of derring-do when you’re hunched on your own over a desk. The greatest battle most poets fight is the unequal struggle against a blank sheet of paper.

But there’s another sort of heroism that poets can achieve, in honour of their talent and their craft – the courage to stare death in the face, and to keep on writing, honestly and truthfully.

Vernon Scannell managed it. After months of illness, shuffling from room to room and from oxygen cylinder to oxygen cylinder, he gave up and took to his bed — often, in the sick and ailing, a sure sign that death is approaching. Instead, he started writing again, and produced Last Post, maybe the best volume of his life:

“There’s something valedictory in the way
My books gaze down on me from where they stand
In disciplined disorder and display
The same goodwill that wellwishers on land
Convey to troops who sail away to where
Great danger waits …”

A couple of months later, he was dead.

And now there’s Clive James. Poems like Sentenced to Life and Holding Court chart James’s progress towards what he calls “dropping off the twig” with clear-eyed courage. There’s sadness and regret, but not a shred of self-pity. Approaching death, he seems to say, brings its compensations:

“Once, I would not have noticed; nor have known

The name for Japanese anemones,

So pale, so frail. But now I catch the tone
Of leaves. No birds can touch down in the trees

Without my seeing them. I count the bees.”

The Daily Mirror, never far from the front of the pack in the race to find a crass and clumsy phrase, quotes James (inaccurately, as far as I can see) as saying that he has “lost his battle with cancer”. Not so.

We all, as one of Shakespeare’s less well known characters points out, owe God a death, and getting better from cancer can only ever put off the final reckoning. But facing it down, as Scannell did and as James is doing – sending back poems like dispatches from the last frontier any of us will ever cross – is the only battle we can win. Catching the tone of leaves as the world closes in is what a real poet does, and if it’s not heroism, then I don’t know what is.

This article originally appeared on andrewtaylor.uk.net.

Andrew Taylor is the author of ten books, including Walking Wounded: The Life and Poetry of Vernon Scanell, biographies of the Arabian traveller Charles Doughty and the 16th Century cartographer Gerard Mercator, as well as books on language, literature, poetry and, history. He studied English Literature at Oxford University and worked as a Fleet Street and BBC television journalist in London and the Middle East before returning to Britain in the 1990s to concentrate on his writing career.

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Image credit: Selective focus on gold pen over hand written letter. Focus on tip of pen nib. © AmbientIdeas via iStockphoto.

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