What in this galaxy is waterphone? You’ve might have not seen one, but if you’ve watched a horror or science fiction movie, chances are you’ve heard the eerie sounds of the waterphone. With Halloween around the corner and a spooky soundtrack required, I toured through Grove Music Online to learn more about the monolithic, acoustic instrument.
From eighteenth century Gothic novels to contemporary popular culture, the tropes and sacred culture of Catholicism endure as themes in entertainment. OUP author Diana Walsh Pasulka sat down with The Conjuring (2013) screenwriters Chad Hayes and Carey Hayes to discuss their cinematic focus on “the Catholic Supernatural” and the enduring appeal of Catholic culture to moviegoers.
Throughout history, some people have chosen to take huge risks. What can we learn from their experiences? Extreme activities, such as polar exploration, deep-sea diving, mountaineering, space faring, and long-distance sailing, create extraordinary physical and psychological demands. The physical risks, such as freezing, drowning, suffocating or starving, are usually obvious. But the psychological pressures are what make extreme environments truly daunting.
People have enjoyed the horror genre for centuries, reveling in the spooky, toe-curling, hair-raising feelings this genre elicits—perfect for Halloween! Whether you’re trick-or-treating, attending a costume party, or staying home, we’ve put together a list of Oxford World’s Classics that will put you in the mood for this eerie night.
My father, Paul Bullard, was a landscape and portrait painter, and on family holidays he would sit and sketch, sometimes with me by his side, filling my music manuscript paper. As a child, I used to think that his task was easier than mine: all he had to do was to put on paper what he could see in front of him, whereas on the other hand I had to imagine a whole sound world, hearing music in my head, and then put it down on paper.
With nearly 200 countries in the world, the vast number and variety of dishes is staggering, which goes to show just how diverse your food can get. Which countries’ foods do you enjoy? Is there a particular characteristic of your favorite food that can’t be found anywhere else? Explore (just some) of the world’s different cuisines discussed in The Oxford Companion to Food, from Afghanistan to Yemen, with our interactive map.
Today, 27 October sees the centenary of the birth of the poet, Dylan Marlais Thomas. Born on Cwmdonkin Drive, Swansea, and brought up in the genteel district of Uplands, Thomas’s childhood was suburban and orthodox — his father an aspirational but disappointed English teacher at the local grammar school.
What is jihad? What do fundamentalists want? How will moderate Islamists react? These are questions that should be discussed. We may not have easy answers, but if we do not start a dialogue, we may miss an opportunity to curtail horror.
On 27th October 1914 Dylan Thomas was born in Swansea, South Wales. He is widely regarded as one the most significant Welsh writers of the 20th century.Thomas’s popular reputation has continued to grow after his death on 9th November, 1953, despite some critics describing his work as too ‘florid’. He wrote prolifically throughout his lifetime but is arguably best known for his poetry. His poem The hand that signed the paper is taken from Jon Stallworthy’s edited collection The Oxford Book of War Poetry.
If you think about big public health challenges of our day — the Ebola virus in Africa, the rising rates of suicide among the middle-aged in the United States, the HIV epidemic everywhere — religions are playing a role. When I speak, I ask audiences, “What was the first thing you heard about the Ebola crisis?”, and they always say “The missionaries who got it were taken to Emory.”
From the narrow twisting streets of the old town centre to the shady docklands, Copenhagen Tales captures the essence of Copenhagen and its many faces. Through seventeen tales by some of the very best of Denmark’s writers past and present, we travel the length and breadth of the Danish capital examining famous sights from unique perspectives. A guide book usefully informs a new visitor to Copenhagen but these stories allow the reader to experience the city and its history from the inside.
There is a quarrel inside me about fairies, and the form of literature their presence helps to define. I have never tried to see a fairy, or at least not since I was five years old. The interest of Casimiro Piccolo reveals how attitudes to folklore belong to their time: he was affected by the scientific inquiry into the paranormal which flourished – in highly intellectual circles – from the late l9th century and into the twentieth. But he also presents a test case, I feel, for the questions that hang around fairies and fairy tales in the twenty-first century .What is the point of them?
We’re getting ready for Halloween this month by reading the classic horror stories that set the stage for the creepy movies and books we love today. Every Friday this October we’ve unveiled a part of Fitz-James O’Brien’s tale of an unusual entity in What Was It?, a story from the spine-tingling collection of works in Horror Stories: Classic Tales from Hoffmann to Hodgson, edited by Darryl Jones. Last we left off the narrator, Harry, tried to fight off a mysterious creature fighting him in his bed. His friend Hammond had just come to his rescue.
Angus studied at the Canterbury School of Art, Christchurch (1927–33). In 1930 she married the artist Alfred Cook (1907–70) and used the signature Rita Cook until 1946; they had separated in 1934. Her painting Cass (1936; Christchurch, NZ, A.G.) is representative of the regionalist school that emerged in Canterbury during the late 1920s, with the small railway station visualizing both the isolation and the sense of human progress in rural New Zealand.
We have all experienced the effect music can have on our emotions and state of mind. We have felt our spirit lift when a happy song comes on the radio, or a pinging sense of nostalgia when we hear the songs of our childhood. While this link between music and emotion has long been a part of human life, only in recent decades have we had the technology and foundational knowledge to understand music’s effect on our brains in concrete terms.
I’m writing from Palermo where I’ve been teaching a course on the legacy of Troy. Myths and fairy tales lie on all sides in this old island. It’s a landscape of stories and the past here runs a live wire into the present day. Within the same hour, I saw an amulet from Egypt from nearly 3000 years ago, and passed a young, passionate balladeer giving full voice in the street to a ballad about a young woman – la baronessa Laura di Carini – who was killed by her father in 1538. He and her husband had come upon her alone with a man whom they suspected to be her lover.