In February 2012 a group of young women wearing balaclavas went into Moscow’s most grandiose Russian Orthodox cathedral and sang about 40 seconds of an anti-Putin song they’d written, before being bodily removed from the premises. Pussy Riot quickly became a household name. The chorus of their “Punk Prayer” prevailed upon the Virgin Mary to kick Putin out of power, and included the line: “Shit, shit, holy shit.”
Whether we like it or not, we are all children of the Reformation. It was a seismic event in history, whose consequences are still working themselves out in Europe and across the world. The protests against the marketing of indulgences staged by the German monk Martin Luther in 1517 belonged to a long-standing pattern of calls for internal reform and renewal in the Christian Church. But they rapidly took a radical and unexpected turn, engulfing first Germany and then Europe as a whole in furious arguments about how God’s will was to be discerned.
If over the holidays you received a book, was it digital or printed on paper? E-books (and devices on which to read them) are multiplying like rabbits, as are the numbers of eReading devotees. It’s easy to assume, particularly in the United States, with the highest level of eBook sales worldwide, that the only way this trend can go is up. Yes, there was triple-digit eBook growth in 2009, 2010, and 2011, though by 2014 those figures had settled down into the single digits.
Since the attacks on Charlie Hebdo on January 7, the saying (wrongly attributed to Voltaire), “I disapprove of what you say, but I will defend to the death your right to say it,” has become the motto against radicalism. Unfortunately, this virtuous defense of freedom of speech is not only inefficient but is backfiring.
We’re excited to announce the launch of the Oxford World’s Classics Reading Group, an online group for everyone who is interested in reading and discussing the classics. The Oxford World’s Classics social media channels will provide a forum for conversation around the chosen book, and every three months we will choose a new work of classic literature for the group to read.
For ballet rehearsals in theatres around the world the piano has long been the musical instrument of choice. To engage orchestras to do the detailed, volatile work required in routine rehearsals would be impractical and prohibitively costly, and only at the dress rehearsal will dancers and the orchestra finally come together. The music at all earlier rehearsals is provided through a specially written version of the score called a ‘piano reduction’.
A few days ago The Hollywood Reporter featured another interesting story concerning Martin Luther King or – to be more precise – his pretty litigious estate. This time the fuss is about already critically acclaimed (The New York Times critic in residence, AO Scott, called it “a triumph of efficient, emphatic cinematic storytelling”) biopic Selma, starring David Oyelowo as the Rev Dr Martin Luther King, Jr.
Four people with radically different outlooks on the world meet on a train and start talking about what they believe. Their conversation varies from cool logical reasoning to heated personal confrontation. Each starts off convinced that he or she is right, but then doubts creep in. During February, we will be posting a series of extracts that cover the viewpoints of all four characters in Tetralogue. What follows is an extract exploring Bob’s perspective.
One of the benefits of contemporary atheism is that it has brought to the forefront of modern consciousness the demand that believers offer some reason for the belief that they have. Of course, this demand is nothing new, and it even has scriptural support behind it, with St. Peter insisting that Christians ought always be prepared to give a reason for their hope (1 Peter 3:15).
Do we have free will? Free will is one of the central topics in philosophy, both historically and in the present. The basic puzzles of this topic are easily felt. For instance, it’s easy to wonder whether factors beyond our control — our genetic constitution, the environment in which we were brought up, and so on — might be among the causes of our behavior. In the light of this, we might wonder whether it’s really possible for us to act freely or, instead, whether everything we do is ultimately shaped by these factors in such a way that undermines our free will.
The Oxford University Press staff is happy that the College Arts Association 2015 Annual Conference (11-14 February 2015) will be held in our backyard: New York City! So we gathered together to discuss what we’re interested in seeing at this year’s conference, as well as some suggestions for those visiting our city.
Winston Churchill’s Victory broadcast of 13 May 1945, in which he claimed that but for Northern Ireland’s “loyalty and friendship” the British people “should have been confronted with slavery or death”, is perhaps the most emphatic assertion that the Second World War entrenched partition from the southern state and strengthened the political bond between Britain and Northern Ireland.
Throughout the month, we’ve examining the myriad aspects of the human voice. But who better to discuss it than a singer herself? We asked Jenny Forsyth, member of the Sospiri choir in Oxford, what it takes to be part of a successful choir.
Not long after the beginning, Genesis tells us that there were two brothers. One killed the other. “And the Lord said, ‘What have you done? Listen; your brother’s blood is crying out to me from the ground’” (Gen. 4:10).
On the 70th anniversary of the liberation of the German Nazi concentration and death camp at Auschwitz, I hope we can keep telling the stories of survival and miracles that the victims experienced. But never shall we forget the six million Jews that were murdered. There are many stories of the Shoah (Holocaust) that are told over and over again by survivors, witnesses, and children of survivors.
This Christmas, London’s Royal Opera House played host to Christopher Wheeldon’s critically acclaimed Alice’s Adventures in Wonderland, performed by the Royal Ballet and with a score by Joby Talbot. Indeed, Lewis Carroll’s seminal work Alice’s Adventures in Wonderland (1865) has long inspired classical compositions, in forms as diverse as ballet, opera, chamber music, song, as well as, of course, film scores.