Everyone knows that aerobic exercise is good for the body, but is it always as good for brain? Furthermore, is exercise better than eating lots of chocolate for the aging brain? A recent study published in the journal Nature Neuroscience by a group of scientists from Columbia University and NYU gave a large daily dose […]
To celebrate Women in Philosophy as part of Women’s History Month, we have created a reading list of books, journals, and online resources that explore significant female philosophers and feminist philosophy in general. Recommendations range from general interest books to biographies to advanced reader books and more.
Since Beethoven’s death on this day 188 years ago, debate has raged as to the cause of his deafness, generating scores of diagnoses ranging from measles to Paget’s disease. If deafness had been his only problem, diagnosing the disorder might have been easier, although his ear problem was of a strange character no longer seen. It began ever so surreptitiously and took over two decades to complete its destruction of Beethoven’s hearing.
“Blurred Lines” and Thicke’s overwhelming success have been eclipsed by the popularity of the recent federal court case, in which a jury decided that its creators infringed upon the copyright of Marvin Gaye’s 1977 Billboard Hot 100 chart topper, “Got to Give It Up.”
Supplementing real dogs with digital animation produces performances that have benefits on many different levels. Firstly, they are much more effective dramatically because they can become more anthropomorphically expressive to suit the needs of the story. Economically they are less time-consuming and therefore less expensive because the performance is no longer determined by the unpredictable or intractable volition of real animals, however ‘well-trained’. The problems that arise even when working with ‘professional’ dog actors can be exasperating.
The Renaissance vision of Jerome (c. 347-420 AD), as depicted by Albrecht Dürer in a world-famous engraving of 1514, seems to represent an ideal type of the scholar: secluded in the desert, far removed from the bustle of ordinary life (with a lion to prove it), well-established in his institution (as shown by the cardinal’s hat), and devoted to his studies.
What were the first musical instruments to be regularly played in public concerts by entire orchestras of British women? The answer may surprise you. From the mid-1880s until the First World War, hundreds of “Ladies’ Guitar and Mandolin Bands” flourished throughout Britain, including several consisting entirely of female members of the aristocracy.
In order to celebrate the launch of The Oxford Companion to Children’s Literature in March, we invited OUP staff to dress up as their favourite characters from children’s books. The result was one surreal day during which our Oxford offices were overrun with children’s literature characters, ranging from the Cat in the Hat to Aslan, from Pippi Longstocking to the Tiger Who Came to Tea, and from Little Red Riding Hood to the Very Hungry Caterpillar. It was a brilliant and brave effort by all those who attended. Particularly those who commuted to and from work in their costumes!
In the 1940s and early 1950s, the avant-garde art world of New York was a small, clubby place, similar in many ways to the tight (and equally contentious) circle of the New York intelligentsia. Many artists rented cheap downtown Manhattan industrial loft spaces with rudimentary plumbing and heat.
Morality is a funny thing. On the one hand, it stands as a normative boundary – a barrier between us and the evils that threaten our lives and humanity. It protects us from the darkness, both outside and within ourselves. And it structures and guides our conception of what it is to be good (decent, honorable, honest, compassionate) and to live well.
“I think I’ve just got an exclusive interview with the new Royal Bank of Scotland chief executive Stephen Hester.” These were the words I told my editor after a couple of years in the newspaper game. He was obviously pleased. This is the kind of thing editors constantly want from reporters: an ability to dig out a story or to see something not everyone else will spot.
The much anticipated Valentine’s Day release 50 Shades of Gray set off a flurry of activity on social media sites, with bloggers lining up to cajole, shame, reason or plead with women to resist temptation and abstain from viewing the film. In a case of strange bedfellows, if you will, conservative Christians and liberal feminists alike castigated the film for its packaging of abuse as mainstream entertainment.
In the 1960s British comedy radio show, Beyond Our Ken, an old codger would, in answer to various questions wheel out his catchphrase—in a weary, tremulous groan—‘Thirty Five Years!’ I was reminded of this today when I realized that it is exactly 35 years ago that my first book on privacy was published. And how the world has changed since then!
Fifty-nine years ago this month, My Fair Lady made its debut on Broadway to a rapturous critical response. It became the longest-running musical to date, and was a landmark in the genre.
This story may or may not be a fairy tale, though there are certainly fairies in it. However, unlike any of his Victorian forebears or most of his contemporaries, Machen manages to achieve, only a few years before the comfortably kitsch flower fairies of Cicely Mary Barker, the singular feat of rendering fairies terrifying. With James Hogg’s ‘Confessions of a Justified Sinner’, Robert Louis Stevenson’s ‘Thrawn Janet’ and several of M. R. James’s marvellous ghost stories, ‘The White People’ is one of only a handful of literary texts that have genuinely unnerved me.
As we approach 26 March 2015, the centenary of the publication of Virginia Woolf’s first novel, The Voyage Out, it seems apposite to consider how her writing resonates in the twenty-first century. In the performing and filmic arts, there certainly seems to be something lupine in the air.