Seventy-five years ago folk singer Woody Guthrie penned the initial lyrics to “This Land Is Your Land,” considered by many to be the alternative national anthem. Sung in elementary schools, children’s summer camps, around campfires, at rallies, and during concert encores, “This Land Is Your Land” is the archetypal sing-along song, familiar to generations of Americans. But what most do not know is that Guthrie, the “Oklahoma Cowboy,” actually wrote the song in New York and that its production and dissemination were shaped by the city’s cultural institutions.
Imagine the unimaginable. Suffering from Alzheimer’s Disease (AD), the person with whom you shared most of your life has forgotten who you are, and even worse, can no longer remember their own experiences, their relationships, and how to behave appropriately in everyday situations. But although most of their long-term memory is heavily impaired, they may continue to relate astonishingly well to autobiographically relevant pieces of music.
Perhaps Dickens’s best-loved work, Great Expectations tells the story of Pip, a young man with few prospects for advancement until a mysterious benefactor allows him to escape the Kent marshes for a more promising life in London.
In the months leading up to the 2012 presidential election between Barack Obama and Mitt Romney, a few media outlets reinforced the public perception that Mormons (members of the Church of Jesus Christ of Latter-day Saints) were mostly white. Jimmy Kimmel asked on Jimmy Kimmel Live!, “Are there black Mormons? I find that hard to believe.”
Since the promulgation of the revised missal, popularly known as the Novus Ordo by Pope Paul VI, with the Apostolic Constitution Missale Romanun in 1969, a growing call for either a return to the Tridentine Mass or recognition of the legitimate place of such a rite alongside the Novus Ordo has gained an international status.
Fifty years ago, at the height of the British Invasion, The Yardbirds released “Heart Full of Soul” (28 May 1965) and The Kinks, “See My Friends” (30 July 1965). Both attempted to evoke something exotic, mysterious, and distinctly different from the flood of productions competing for consumer attention that summer. Drawing on Britain’s long fascination with “The Orient,” these recordings started sixties British pop down a path that proved both rewarding and problematic.
Can a fashion retailer take a photograph of a celebrity, print it on a t-shirt and sell it without the celebrity’s approval? Yes, but sometimes no – not when the retailer has previously gone out of its way to draw a connection between its products and that celebrity, in this case Robyn Fenty, aka Rihanna. How did this begin?
Here I want to present a novel version of a paradox first formulated by José Bernardete in the 1960s – one that makes its connections to the Yablo paradox explicit by building in the latter puzzle as a ‘part’. This is not the first time connections between Yablo’s and Bernardete’s puzzles have been noted (in fact, Yablo himself has discussed such links). But the version given here makes these connections particularly explicit.
How The Light Gets In (named, aptly, in honour of a Leonard Cohen song) has taken the festival world by storm with its yearly celebration of philosophy and music. We spoke to founder and festival organiser Hilary Lawson, who is a full-time philosopher, Director of the Institute of Art and Ideas, and someone with lots to say about keepings things equal and organising a great party.
Our two most ambitious and sublime authors remain Walt Whitman and Herman Melville. Whitman creates from the powerful press of himself; Melville taps his pen deeply into the volcanic force of William Shakespeare.
Though many of us are familiar with the use of fresh fruits in desserts, flavorings in candy, and other ubiquitous ingredients, a great deal are unusual. They’re unusual in the sense that they’re “not commonly occurring,” or that we believe them to be so. With that, here are five ingredients you might find, but not expect, in your next dessert.
A few months ago I took part in a discussion of Kafka on Melvyn Bragg’s radio programme In Our Time. One of the other participants asserted that Kafka’s style describes horrific events in the emotionally deadpan tone of a bureaucrat report. This struck me immediately as wrong in lots of ways. I didn’t disagree, because time was short, and because I wouldn’t want to seem to be scoring points of a colleague. But it occurred to me that the speaker, a professor of English Literature, had probably only read Kafka in English, and only the old translations by W. and E. Muir.
Every day during the ninth month of the Islamic lunar calendar, Ramadan observers spend their daylight hours fasting. During Ramadan, a sense of belonging, social cohesion, and togetherness is reinforced among community members. There is no eating or drinking from sunrise to sunset. Observers also abstain from sexual activity. At the end of the fast, delicious meals are shared with family and friends. Eid al-Fitr, a three-day festival, awaits observers at the end of Ramadan.
Many, perhaps most people listen to music with the hope that it permits them to step outside of the world as it usually is, the demands it places on us and the ugliness that so obviously mars it. People gravitate to music’s bright melodies, infectious rhythms, and perhaps especially to lyrics that, whether Beethoven’s or Beyoncé’s, give us some kind of life-raft or a phrase that clarifies our condition.
According to George Orwell, the biggest problem with Dickens is that he simply doesn’t know when to stop. Every sentence seems to be on the point of curling into a joke; characters are forever spawning a host of eccentric offspring. “His imagination overwhelms everything”, Orwell sniffed, “like a kind of weed”.
In celebration of The BBC Proms 120th anniversary we have created a comprehensive reading list of books, journals, and online resources that celebrate the eight- week British summer season of orchestral music, live performances, and late-night music and poetry.