Has Congo finally found peace? If so, a look at what must be done to keep things on track.
The quiet and cowardly way that Sudan chose to restart the genocide.
The game of switching stances continues in countries around the Horn.
An excerpt from Tom Lodge’s critical biography ‘Mandela’
The date-line is 2014. An outbreak of a deadly disease in a remote region, beyond the borders of a complacent Europe. Local deaths multiply. The risk does not end with death, either, because corpses hold the highest risk of contamination and you must work to contain their threat. All this is barely even reported at first, until the health of a Western visitor, a professional man, breaks down.
By Martin Sorrell
Among the enfants terribles of literature, Rimbaud holds a pre-eminent place. But he’s been made famous against his will. If he had his way, everything he wrote — save perhaps his factual letters from Africa and elsewhere about trade and the dodgy deals he was trying to clinch – would have been destroyed. All the astonishing poetry that has made him an icon burnt on a bonfire of vanities, but fortunately it was saved.
October 2012 marked the 100th anniversary of the first publication, in the pulp-fiction magazine All-Story, of Edgar Rice Burroughs’ best known novel, Tarzan of the Apes. The complete novel published in the October 1912 issue, was given the cover image (where it was described as “A Romance of the Jungle”), and became an immediate hit among the All-Story’s readers. In the months following Tarzan’s appearance, dozens of readers’ letters were published, many of which asked for (or even demanded) a sequel, a request Burroughs would fulfill, eventually writing over two-dozen Tarzan novels.
A closer look at Philip Glass.
By Kirsty Doole
As Mother’s Day approaches in the United States, we decided to reflect on some of the mothers to be found between the pages of some of our classic books.
Recently, I was discussing my academic interest with an acquaintance from my elementary school days. On revealing that I have researched and written about the Rastafarian movement, I was greeted with a look of incredulity. He followed this look with a question: “How has Rastafari assisted anyone to progress in life?”
By Kirsty Doole
March is International Women’s History Month, so what better time to suggest some feminist-friendly classics from our Oxford World’s Classics series? Below you’ll find a mixture of fiction, politics, and religion, and while some will probably be familiar, I’ve thrown in a couple of less conventional choices for a feminist list. Agree with these choices? Disagree? What have I missed out? Let us know in the comments.
As voting continues on the longlist for Place of the Year 2014, we decided to take a look at the past and present of each of the nominees. Check out the images in the slideshow to see.
People have enjoyed the horror genre for centuries, reveling in the spooky, toe-curling, hair-raising feelings this genre elicits—perfect for Halloween! Whether you’re trick-or-treating, attending a costume party, or staying home, we’ve put together a list of Oxford World’s Classics that will put you in the mood for this eerie night.
The Venezuelan youth orchestra scheme El Sistema is perhaps the world’s most famous music education program today. It’s lauded as a revolutionary social program that has rescued hundreds of thousands of Venezuela’s poorest children. Simon Rattle has called it “the most important thing happening in music anywhere in the world.” Classical music education is back in vogue, now aligned with the rhetoric of social justice.
The Harp is a string instrument of very ancient lineage that is synonymous with classical music and cupid’s lyre. Over the years, the harp has morphed from its primitive hunting bow shape to its modern day use in corporate branding. Across the globe, each culture has its own variation of this whimsical soft-sounding instrument. Check out these ten fun facts about the harp.
In this month’s Oxford World’s Classics reading list, we decided to celebrate National Poetry Month by selecting some of our bilingual poetry editions. In each of the below books, the poems are laid out as parallel texts, with the original language on the left and the English translation on the right. This means that you can enjoy the works either in the original language, in translation, or even compare the two.