Composer, cosmopolite, cultural force, Nicolas Nabokov (1903-1978), first cousin of Vladimir Nabokov (the author of Lolita), came to prominence in Paris in the late 1920s with Diaghilev’s Ballets Russes. He then emigrated to America, returning to Europe in postwar Germany and subsequently as head of the Congress Cultural Freedom, for which he organized groundbreaking festivals. A tireless promoter of international cultural exchange, he was also remarkable for the range of his friendships, from Balanchine to Stravinsky and from Auden to Oppenheimer.
Philosophy is one of the oldest fields of study in the world, branching out to various areas. How well do you know the writings of the most influential philosophers? Do you know the difference between sayings from Kant, Nietzsche, and Locke? Take the quiz below to see how well read you are in philosophy.
Although occultists like the antiquarian Montague Summers would like to claim that the belief in vampires is global and transhistorical (and therefore probably true), the vampire is a thoroughly modern being. Like the Gothic genre itself, stories of vampires emerge in the Age of Enlightenment, as instances of primitive superstition that help define the rational scepticism of northern, Protestant Europe.
John Coltrane’s A Love Supreme, which the famed saxophonist performed live only once, has the distinction of being one of jazz’s most widely celebrated yet imperfectly understood recordings. At its half-century, the devotional piece is seen as the culmination of Coltrane’s “dark night of the soul,” the sound of his heroic overcoming, and his personal entreaty to the divine.
The last three decades have seen arguably the most fertile periods in the history of children’s literature, across the field. The phenomenon that is Harry Potter, the rise of YA, and books that tackle difficult subjects for younger readers are just a few examples of the material included in the new edition of The Oxford Companion to Children’s Literature by Daniel Hahn.
One of the most important and unremarked effects of the revolution in information technology is not to do with information services at all. It is the transformation of manufacturing. After a period of two or three hundred years in which manufacturing consolidated into larger and larger enterprises, technology is restoring opportunities for the lone craftsman making things at home.
Stanley Wells’ latest book, Great Shakespeare Actors, offers a series of beautifully written, illuminating, and entertaining accounts of many of the most famous stage performers of Shakespeare from his time to ours. In a video interview, Wells revealed some of the ‘lesser’ remembered actors of the past he would have loved to have seen perform live on stage. The edited transcript below offers an insight into three of these great Shakespeare actors.
The news this week that Jeremy Clarkson’s contract with the BBC will not be renewed might be bad news for Top Gear fans but could it be good news for politics? Probably not… I wonder what Jeremy Clarkson is up to as you read this blog.
Caffeine is the world’s most commonly abused brain stimulant. Daily caffeine consumption by adolescents (ages 9-17 years) has been rapidly increasing most often in the form of soda, energy drinks, and coffee. A few years ago, a pair of studies documented that caffeine consumption in young adults directly correlated with increased illicit drug use and generally […]
The collection of infinite Yabloesque sequences that contain both infinitely many Y-all sentence and infinitely many Y-exists sentences, however, is a much larger collection. It is what is called continuum-sized, and a collection of this size is not only infinite, but strictly larger than any countably infinite collection. Thus, although the simplest cases of Yabloesque sequence – the Yablo Paradox itself and its Dual – are paradoxical, the vast majority of mixed Yabloesque sequences are not!
As is well known, the death of Jesus was a problem. How do you explain that your elevated hero ended up dead on a Roman cross? Or, as Paul famously put it, “we proclaim Christ crucified, a stumbling block to Jews and foolishness to gentiles.” Trying to reconstruct in any detail the historical realities which may (or may not) have generated the story of the Passion is extremely difficult.
I have ambivalent feelings about Easter. I am sure I am not alone in this attitude towards the greatest of events on the Christian calendar, especially among people who grew up, as I did, in intensely religious (and loving) families but who have long put their Christian beliefs behind them. As it happens, my family were Quakers and that religion does not mark out the church festivals. But I went to a school that had a great musical tradition and each year there was a performance of one of the Bach Passions, alternating the St Matthew with the St John.
One of the more affordable forms in which it is possible to acquire the manuscript signatures of Victorian writers today is the used cheque. Quantities of these minor, sometimes biographically revealing, documents left the archives of banks and went onto the open market in the 1990s; they now circulate through the catalogues of manuscript dealers and in the online pages of eBay, some of them leaving traceable e-narratives of their patterns of ownership.
There are scenes in the Bible that cause a visceral reaction for even the most disinterested reader. As we view the Garden of Gethsemane in our mind’s eye, we see one of Jesus’ closest companions, Judas Iscariot, leading a band of men. He smiles broadly, “Rabbi!,” greeting Jesus with a kiss. The kiss, that universal sign of intimacy and affection, lands on Jesus like a knife twisting in the back.
Easter, commemorating the Resurrection of Jesus Christ, is historically the most important of all Christian festivals, even though in some Western countries it has largely lost the religious significance it retains amongst the Orthodox; nevertheless it merits discussion in a broader context not only because it is often a public as well as a religious holiday, or indeed because even Christians may be baffled by its apparently capricious incidence, but because the history of its calculation illustrates many complexities of time-reckoning.
How do you create a repertoire for all levels of learning in music education? Kathy and David Blackwell’s repertoire for beginner to intermediate string players covers a huge range of styles whilst introducing new technical points in a step by step way. Their Fiddle Time, Viola Time, and Cello Time series offer attractive tunes that are fun to learn and provide quality teaching material. Find out how and why they wrote their very first tunes for young string players: