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Getting to know Grove Music Associate Editor Meghann Wilhoite

Since joining the Grove Music editorial team, Meghann Wilhoite has been a consistent contributor to the OUPblog. Over the years she has shared her knowledge and insights on topics ranging from football and opera to Monteverdi and Bob Dylan, so we thought it was about time to get to know her a bit better.

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UK National Libraries Day 2014: “Why we love libraries”

Today is National Libraries Day in the United Kingdom, and hundreds of activities and events are taking place in public libraries of all shapes and sizes — from the multi-million pound Library of Birmingham, to the tiniest local libraries run by volunteers — in order to celebrate our wonderful librarians, and the libraries they run. To celebrate National Libraries Day, we asked a few of our staff what they love about public libraries.

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Eponymous Instrument Makers

By Meghann Wilhoite
The 6th of November is Saxophone Day, a.k.a. the birthday of Adolphe Sax, which inspired us to think about instruments that take their name in some way from their inventors (sidenote: for the correct use of eponymous see this informative diatribe in the New York Times).

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Exploring the seven principles of Kwanzaa: a playlist

by Tim Allen and Meghann Wilhoite
Beginning the 26th of December, a globe-spanning group of millions of people of African descent will celebrate Kwanzaa, the seven-day festival of communitarian values created by scholar Maulana Karenga in 1966. The name of the festival is adapted from a Swahili phrase that refers to “the first fruits,” and is meant to recall ancient African harvest celebrations.

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Penderecki, then and now

By Meghann Wilhoite
Polish composer Krzysztof Penderecki (pronunciation here) celebrated his 80th birthday over the weekend. As Tom Service has pointed out in the past, you’ve probably already heard some of Penderecki’s famous pieces from the 1960s, which feature in several films from directors such as David Lynch, Stanley Kubrick, and Martin Scorsese.

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Benjamin Britten, revisited

By Heather Wiebe
When I was charged with the task of updating the article on Benjamin Britten in Grove Music Online, I thought it would be a relatively simple matter. As Britten’s centenary year approached, it seemed an opportune moment, and the article was one I admired.

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Sofia Gubaidulina, light and darkness

By Meghann Wilhoite Today is the birthday of a composer who writes in a radically different musical style than many of us are accustomed to hearing on a day-to-day basis, as we sit on hold with the doctor’s office or hum along with the music piped into the aisles of the grocery store. Our composer […]

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Francesca Caccini, the composer

By Meghann Wilhoite
In my last post I wrote about little known composer Sophie Elisabeth. Today’s subject, Francesca Caccini, is somewhat better known. The last decade or so has seen a renewed interest in her work.

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Sophie Elisabeth, not an anachronism

By Meghann Wilhoite
An intriguing post popped up in my Tumblr feed recently, called “The all-white reinvention of Medieval Europe” from the blog Medieval POC. Both in this post and generally throughout the blog the author makes the point that “People of Color are not an anachronism.”

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Songs of summer, OUP style

Compiled by Natasha Zaman
It’s finally summer — the perfect time to spend with family and friends, enjoy the weather, gardens and parks, and to create fond memories. What better way to create those summer memories than have our favorite songs playing in the background?

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Lullaby for a royal baby

By Meghann Wilhoite
Not only does Will and Kate’s royal wee one now have an ASDA parking spot, there’s another nice surprise awaiting his or her arrival: a specially-composed lullaby, called “Sleep On”. It’s a sweet little tune, written by Welsh composer Paul Mealor.

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One hundred years of The Rite of Spring

By Meghann Wilhoite
The centenary of the 29 May 1913 premiere of Igor Stravinsky’s The Rite of Spring is being celebrated by numerous orchestras and ballet companies this year, which is always worth mentioning when that first performance incited a riot. The ballet (also performed as an orchestra piece) depicts a collection of pagan spring rituals involving fortune telling, holy processions, and culminating in l’élue (the elected one) dancing herself to death.

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