The horror of the First World War produced an extraordinary amount of poetry, both during the conflict and in reflection afterwards. Professor Tim Kendall’s anthology, Poetry of the First World War, brings together work by many of the well-known poets of the time, along with lesser-known writing by civilian and women poets and music hall and trench songs.
On Tuesday 19 August 2014, Garnette Cadogan, freelance writer and co-editor of the forthcoming Oxford Handbook of the Harlem Renaissance, leads a discussion on Frederick Douglass’s Narrative of the Life of Frederick Douglass, an American Slave.Each summer, Oxford University Press USA and Bryant Park in New York City partner for their summer reading Word for Word Book Club.
In the England of the past archery was the basis of military and political power, most famously enabling the English to defeat the French at Agincourt. In the later nineteenth century it is now a leisure pursuit for upper-class women.
On Tuesday 5 August 2014, Ammon Shea, author of Reading the OED and Bad English, leads a discussion on Shakespeare’s King Lear. Each summer, Oxford University Press USA and Bryant Park in New York City partner for their summer reading series Word for Word Book Club.
On Tuesday 22 July 2014, Jenny Davidson, Professor of English at Columbia University, leads a discussion on Jane Austen’s Mansfield Park. Each summer, Oxford University Press USA and Bryant Park in New York City partner for their summer reading series Word for Word Book Club.
How much do you know about the works of one of our best-loved classic authors? What really motivates the characters, and what is going on beneath the surface of the story? Using So You Think You Know Jane Austen? A Literary Quizbook by John Sutherland and Deirdre La Faye, we’ve selected twelve questions covering all six of Austen’s major novels for you to pit your wits against.
Whether your version of the perfect summer read gives your cerebrum a much needed breather or demands contemplation you don’t have time for in everyday life, here is a mix of both to consider for your summer reading this year.
On Tuesday 8 July 2014, Rebecca Mead, author of My Life in Middlemarch, leads a discussion on George Eliot’s Middlemarch. Each summer, Oxford University Press USA and Bryant Park in New York City partner for their summer reading series Word for Word Book Club.
By Maura Kelly
Great Expectations is arguably Charles Dickens’s finest novel – it has a more cogent, concise plot and a more authentic narrator than the other contender for that title, the sprawling masterpiece Bleak House. It may also enjoy another special distinction – Best Title for Any Novel Ever. Certainly, it might have served as the name for any of Dickens’s other novels, as the critic G. K. Chesterson has noted before me.
The Three Musketeers, by Alexandre Dumas, celebrates its 170th birthday this year. The classic story of friendship and adventure has been read and enjoyed by many generations all over the world, and there have been dozens of adaptations, including the classic silent 1921 film, directed by Fred Niblo, and the recent BBC series. Take our quiz to find out how much you know about the book, its author, and the time at which it was written.
By Maggie Belnap
Short stories populate many childhoods, trying to instill morals and virtues in undeveloped and wandering minds. Whether it’s the tale of Rumpelstiltskin or the boy who cried wolf, these tales make a powerful impression. Check out the short story quiz and see if you really know your short stories.
Jean de La Fontaine’s verse fables turned traditional folktales into some of the greatest, and best-loved, poetic works in the French language. His versions of stories such as The Shepherd and the Sea” and “The Hen that Laid the Eggs of Gold” are witty and sophisticated, satirizing human nature in miniature dramas in which the outcome is unpredictable. Here we compare La Fontaine’s versions of the popular tales, to the enduring tradition of Aesop’s fables from the Oxford World’s Classics edition.
By Kirsty Doole
As Mother’s Day approaches in the United States, we decided to reflect on some of the mothers to be found between the pages of some of our classic books.
By Mark Davie
Torquato Tasso desperately wanted to write a classic. The son of a successful court poet who had been brought up on the Latin classics, he had a lifelong ambition to write the epic poem which would do for counter-reformation Italy what Virgil’s Aeneid had done for imperial Rome.
By Kirsty Doole
Religion has provided the world with some of the most influential and important written works ever known. This reading list is made up of just a small selection of the texts we carry in the series, covering religions across the globe
By Valerie Minogue
Money is a tricky subject for a novel, as Zola in 1890 acknowledged: “It’s difficult to write a novel about money. It’s cold, icy, lacking in interest…” But his Rougon-Macquart novels, the “natural and social history” of a family in the Second Empire, were meant to cover every significant aspect of the age, from railways and coal-mines to the first department stores.