Every Friday this October we’ve unveiled a part of Fitz-James O’Brien’s tale of an unusual entity in What Was It?, a story from the spine-tingling collection of works in Horror Stories: Classic Tales from Hoffmann to Hodgson, edited by Darryl Jones. Today we’re wrapping up the story with the final installment. Last we left off the narrator, Harry, and his friend, Hammond, tied up an invisible entity, shocking the boarders of the haunted home where they had been staying. Will they learn more about the mysterious creature?
People have enjoyed the horror genre for centuries, reveling in the spooky, toe-curling, hair-raising feelings this genre elicits—perfect for Halloween! Whether you’re trick-or-treating, attending a costume party, or staying home, we’ve put together a list of Oxford World’s Classics that will put you in the mood for this eerie night.
A human eyeball shoots out of its socket, and rolls into a gutter. A child returns from the dead and tears the beating heart from his tormentor’s chest. A young man has horrifying visions of his mother’s decomposing corpse. A baby is ripped from its living mother’s womb. A mother tears her son to pieces, and parades around with his head on a stick.
We’re getting ready for Halloween this month by reading the classic horror stories that set the stage for the creepy movies and books we love today. Check in every Friday this October as we tell Fitz-James O’Brien’s tale of an unusual entity in What Was It?, a story from the spine-tingling collection of works in Horror Stories: Classic Tales from Hoffmann to Hodgson, edited by Darryl Jones. Last we left off the narrator was headed to bed after a night of opium and philosophical conversation with Dr. Hammond, a friend and fellow boarded at the supposed haunted house where they are staying.
Marcus Aurelius’s Meditations is a remarkable phenomenon, a philosophical diary written by a Roman emperor, probably in 168-80 AD, and intended simply for his own use. It offers exceptional insights into the private thoughts of someone who had a very weighty public role, and may well have been composed when he was leading a military campaign in Germany.
Last we left off the narrator had moved into a reported haunted boarding house. After a month of waiting for something eerie to happen, the boarders were beginning to believe there was nothing supernatural at all in the residence…
We’re getting ready for Halloween this month by reading the classic horror stories that set the stage for the creepy movies and books we love today. Check in every Friday this October as we tell Fitz-James O’Brien’s tale of an unusual entity in What Was It?, a story from the spine-tingling collection of works in Horror Stories: Classic Tales from Hoffmann to Hodgson, edited by Darryl Jones.
This year is the 250th anniversary of Horace Walpole’s The Castle of Otranto, first published on Christmas Eve 1764 as a seasonal ghost story. The Castle of Otranto is often dubbed the “first Gothic novel” due to Walpole describing it as a “Gothic story,” but for him the Gothic meant very different things from what it might do today.
In a week’s time, the residents of Scotland (not the Scottish people: Scots resident south of the border are ineligible to vote) will decide whether or not to destroy the UK as currently constituted. The polls are on a knife edge; and Alex Salmond, the leader of the separatists, has a track record as a strong finisher. If he gets his way, the UK will lose 8% of its citizens and a third of its land mass; and Scotland, cut off, at least initially, from every international body (the UN Security Council, NATO, the EU) and every UK institution (the Bank of England, the pound sterling, the BBC, the security services), will face a bleak and uncertain future.
As the first year of the World War I centenary continues, here is a selection of classic literature inspired by the conflict. Some of it was written in the years after the war, while some of it was completed as the conflict was in progress.
With carefree summer winding to a close, we’ve pulled together some reading recommendations to put you in a studious mood. Check out these Oxford World’s Classics suggestions to get ready for another season of books and papers. Even if you’re no longer a student, there’s something on this list for every literary enthusiast.
Browsing my parents’ bookshelves recently, in the dog days that followed sending Anna Karenina off to press, I found myself staring at a row of small hardback volumes all the same size. One in particular, with the words Romola and George Eliot embossed in gold on the dark green spine, caught my attention.
The horror of the First World War produced an extraordinary amount of poetry, both during the conflict and in reflection afterwards. Professor Tim Kendall’s anthology, Poetry of the First World War, brings together work by many of the well-known poets of the time, along with lesser-known writing by civilian and women poets and music hall and trench songs.
On Tuesday 19 August 2014, Garnette Cadogan, freelance writer and co-editor of the forthcoming Oxford Handbook of the Harlem Renaissance, leads a discussion on Frederick Douglass’s Narrative of the Life of Frederick Douglass, an American Slave.Each summer, Oxford University Press USA and Bryant Park in New York City partner for their summer reading Word for Word Book Club.
In the England of the past archery was the basis of military and political power, most famously enabling the English to defeat the French at Agincourt. In the later nineteenth century it is now a leisure pursuit for upper-class women.
On Tuesday 5 August 2014, Ammon Shea, author of Reading the OED and Bad English, leads a discussion on Shakespeare’s King Lear. Each summer, Oxford University Press USA and Bryant Park in New York City partner for their summer reading series Word for Word Book Club.