I had a rather unexpected start for the OUPblog. I spent my first day getting to grips with all the customizations and plugins of the blogging platform. I was armed with quite possibly the most amazing exit memo ever written (thank you Lauren). I was fully confident that a smooth transition was underway.
The creation of the OUPblog in 2005 marked our first foray into the world of social media. A decade later, more than 8,000 articles have been published and we’ve evolved into one of the most widely-read academic blogs today, offering daily commentary from authors, staff, and friends of Oxford University Press on everything from data privacy to the science of love. While eagerly anticipating our next chapter, we would be remiss in not taking a moment to reflect on our own story.
The OUPblog has been a part of my working life for something like eight years. These days I am mainly ‘just’ a reader, but for a long time, the blog was something I worked with on a daily basis.
I was late turning in this reflection. Do you know how embarrassing that is? The former Editor missing a deadline to the current Editor? Apparently blogging muscles atrophy after you adapt to writing mostly in 140-character sprints.
For over 100 years, Oxford University Press has been publishing scholarly editions of major works. Prominent scholars reviewed and delivered authoritative versions of authors’ work with notes on citations, textual variations, references, and commentary added line by line—from alternate titles for John Donne’s poetry to biographical information on recipients of Adam Smith’s correspondence.
Today we speak to Rebecca Bernstein (aka Becca Ford) who served as OUPblog Editor from 2006-2010. No OUPblog editor has had a longer tenure and she shepherded the blog through its early years and many of its growing pains.
From our first tweet in 1587 to Oxford Fortune Cookie by signal flag, social media is part of the long history and tradition of Oxford University Press.
Yesterday we shared 34 selections of the OUPblog’s best work as judged by sharp editorial eyes and author favorites. However, only one of those selections coincides with the most popular posts according to pageviews. Does Google Analytics know something that our editors do not? Do these articles simply “pop” (and promptly deflate)? Or are there certain questions to which people always demand an answer?
Wednesday, 22 July 2015, marks the tenth anniversary of the OUPblog. In one decade our authors, staff, and friends have contributed over 8,000 blog posts, from articles and opinion pieces to Q&As in writing and on video, from quizzes and polls to podcasts and playlists, from infographics and slideshows to maps and timelines. Anatoly Liberman alone has written over 490 articles on etymology. Sorting through the finest writing and the most intriguing topics over the years seems a rather impossible task.
In support of Independent Bookshop Week, a campaign run by the Booksellers Association that supports independent bookstores, we asked the Oxford University Press UK office what their favorite independent bookstores were.
From time to time, we try to give you a glimpse into our offices around the globe. This week, we are excited to introduce three members of our Institutional Marketing team for Latin America. Seth, Molly, and Juan work with libraries and other institutions around the world, from setting up educational webinars to holding Library Advisory councils, from updating librarians on new journals and websites to providing them with tools to help faculty and students.
Please welcome another newbie to the Social Media team at Oxford University Press, Yasmin Coonjah, who joined the gang in May 2015 as an OUPblog Editor and Social Media Marketing Assistant!
From time to time, we try to give you a glimpse into our offices around the globe. This week, we are excited to bring you an interview with Scott Morales, a US Stock Planning & Publications Coordinator in New York. Scott has been working at the Oxford University Press since July 2008.
Bob Chilcott, as conductor, and John Rutter, as producer and engineer, join forces with some talented freelance professional singers in a church in Highgate, London every February. For three days these singers become The Oxford Choir, formed to record Oxford University Press’s latest choral publications so that choral directors worldwide can discover new repertoire.
From time to time, we try to give you a glimpse into our offices around the globe. This week, we are excited to bring you an interview with Sara McNamara, an Associate Editor on our Journals team in New York. Sara has been working at the Oxford University Press since September 2012.
Since 1873, Grove Music has expanded from one piece of hardbound reference detailing the work and lives of musicians to becoming a powerful online encyclopedic database that serves to educate the world about music. George Grove, founder of the Grove dictionaries, was motivated by the lack of music reference works available to scholars and music professionals.