More than half a century after its founding, Motown is still remembered by fans, musicians, and historians as the mover and shaker of its generation. From The Temptations’ “My Girl” to Marvin Gaye’s “I Heard It Through The Grapevine,” its reverberating influence is recognized even today, echoed in modern hits like Mark Ronson and Bruno Mars’ wildly popular “Uptown Funk.”
As the holiday season is upon us, we thought we would recognize a tradition often lost in the hustle and bustle: Festivus. We’ve compiled our favorite, slightly more obscure seasonal tunes to wish you all a very merry Festivus season.
Christmas is the busiest time of year by far for the Oxford hire library. Oxford University Press publishes most of the carols the world knows and loves – the one that has just popped into your head is probably one of ours – with newly-composed Christmas titles added every year.
In celebration of the recently published biography, Elvis Presley: A Southern Life by Joel Williamson, I thought I would share some memories of Christmas past. In the 1970s we listened to Elvis on vinyl. Every December when it was time to decorate the tree you could hear the deep dulcet warbling of Elvis coming from the hi-fi.
When one thinks of traditional Scottish music, one instrument usually comes to mind: the bagpipe. Although bagpipes are prominent in traditional music from Scotland, Scottish music branches far out beyond that. In light of Scotland receiving the title of Place of the Year for 2014, we’ve put together a brief playlist of music from Scotland, from chamber music to modern classical.
The last Thursday of November freshmen are returning home to reunite with their high school sweethearts. Except not all are as sweet as they once were. Your old flame may show up with a new admirer or give you trouble because you didn’t spend enough time on Skype on Saturday nights while away at college.
This week, we bring you an interview with activist and historian Jeffrey W. Pickron. He and three other scholars spoke about their experiences as academics and activists on a riveting panel at the recent Oral History Association Annual Meeting. In this podcast, Pickron talks to managing editor Troy Reeves about his introduction to both oral history and activism, and the risks and rewards of speaking out.
Today, 27 October sees the centenary of the birth of the poet, Dylan Marlais Thomas. Born on Cwmdonkin Drive, Swansea, and brought up in the genteel district of Uplands, Thomas’s childhood was suburban and orthodox — his father an aspirational but disappointed English teacher at the local grammar school.
World Anaesthesia Day commemorates the first successful demonstration of ether anaesthesia at the Massachusetts General Hospital on 16 October 1846. This was one of the most significant events in medical history, enabling patients to undergo surgical treatments without the associated pain of an operation. To celebrate this important day, we are highlighting a selection of British Journal of Anaesthesia podcasts so you can learn more about anaesthesia practices today.
This week, we have a special podcast with managing editor Troy Reeves and Oral History Review 41.2 contributor Amy Starecheski. Her article, “Squatting History: The Power of Oral History as a History-Making Practice,” explores the ways in which an in intergenerational group of activists have used oral history to pass on knowledge through public discussions about the past
Martin Partington discussed a range of careers in his podcasts yesterday. Today, he tackles how new legal issues and developments in the professional environment have in turn changed organizational structures, rules and regulations, and aspects of legal education.
What range of career options are out there for those attending law school? In this series of podcasts, Martin Partington talks to influential figures in the law about topics ranging from restorative justice to legal journalism.
In 1701, one year before Princess Anne succeeded to the throne, musicians from London traveled to Windsor to perform a special ode composed for her birthday by the gifted young composer Jeremiah Clarke. The anonymous poet addressed part of his poem to the performers, taking note of Anne’s keen interest in music.
By Caitlin Tyler-Richards
It’s been awhile, but the Oral History Review on OUPblog podcast is back! Today’s episode features OHR contributors Drs. Linda Crane and Tracy McDonough answering OHR Managing Editor Troy Reeves’s questions about the Schizophrenia Oral History Project and their article, “Living with Schizophrenia: Coping, Resilience, and Purpose,” which appears in the most recent Oral History Review.
How do you hear the call of the poet to the Muse that opens every epic poem? The following is extract from Barry B. Powell’s new free verse translation of The Odyssey by Homer. It is accompanied by two recordings: one of the first 105 lines in Ancient Greek, the other of the first 155 lines in the new translation. How does your understanding change in each of the different versions?
Compiled by Taylor Coe Now that summer is finally here — dog-eared paperbacks and sunglasses dusted off and put to good use — it’s also time to figure out what we should be listening to as we loll about in the sun.