The first time I held a mandolin was at a rehearsal for Mozart’s opera Don Giovanni. In the second act, the Don is trying to seduce the maid Zerlina by singing a serenade under her mistress’ window (the canzonetta “Deh, vieni alla finestra”).
Whether you think the Tony Awards is the epitome of Broadway talent or just another marketing device, it’s a night where everyone has a front row seat to the creative, the lively, the emotional moments that have made a home on the Great White Way.
Often described as ‘business in front, party in the back,’ most everyone is familiar with this infamous hairstyle, which is thought to have been popularized in the 1980s. How, then, could the term have originated as early as 1393, centuries before David Bowie ever rocked it? We embarked on an etymological journey, figuratively traveling back in time to answer what seemed like a simple question: What, exactly, is a mullet? And does it really mean what we think it means?
Incorporating the idea of sweetness in songs is nothing new to the music industry. Ubiquitous terms like “sugar” and “honey” are used in ways of both endearment and condescension, love and disdain. Among the (probably) hundreds of songs about sweets, Aaron Gilbreath, essayist and journalist from Portland, Oregon, curated a list of 50 songs, which is included in The Oxford Companion of Sugar and Sweets.
As 2.6 million men and women return home from war, the prevalence of veteran suicide and post-traumatic stress is something that is frequently discussed by civilians, politicians, and the media, but seldom understood. These changes extend beyond psychological readjustment, physical handicap, and even loss of life. The greatest wounds, in fact, may not even be visible to the naked eye. While the traditional dialogue concerning veteran assistance typically involves the availability of institutional services, military hospitals, and other resources, there is an increasing need to address what many call the “moral injuries” sustained by soldiers during combat.
Whether they be songs about angels or demons, Heaven or Hell, the theme of the afterlife has inspired countless musicians of varying genres and has embedded itself into the lyrics of many popular hits. Though their styles may be different, artists show that our collective questions and musings about the afterlife provide us with a common thread across humanity. Here are some of the songs that best represent this wide range of emotions that many people have about what lies beyond.
Recently reading through the Notes and Discographies section of Greil Marcus’s book Mystery Train (first published in 1975), I was struck by Marcus’s meticulousness when it came to recommending records.
Established in 2001, Jazz Appreciation Month celebrates the rich history, present accolades, and future growth of jazz music. Spanning the blues, ragtime, dixieland, bebop, swing, soul, and instrumentals, there’s no surprise that jazz music has endured the test of time from its early origins amongst African-American slaves in the late 19th century to its growth today.
In honor of the countless phenomenal women who have shaped the music industry, we’ve pulled together a playlist highlighting our favorite boldest and brightest female voices who have made a lasting impression in music.
This week, we’re excited to bring you another podcast, featuring Mark Cave, Stephen M. Sloan, and Managing Editor Troy Reeves. Cave and Sloan are the editors of a recently published book, Listening on the Edge: Oral History in the Aftermath of Crisis, which includes stories of practicing oral history in traumatic situations from around the world.
After a long hiatus, we’re excited to announce the re-launch of The Oxford Comment, a podcast originally created by OUP’s very own Lauren Appelwick and Michelle Rafferty in September 2010. In this month’s episode, Max Sinsheimer, a Trade & Reference Editor at the New York office, chats with a few authors to discuss their work on The Oxford Companion to Sugar and Sweets.
More than half a century after its founding, Motown is still remembered by fans, musicians, and historians as the mover and shaker of its generation. From The Temptations’ “My Girl” to Marvin Gaye’s “I Heard It Through The Grapevine,” its reverberating influence is recognized even today, echoed in modern hits like Mark Ronson and Bruno Mars’ wildly popular “Uptown Funk.”
As the holiday season is upon us, we thought we would recognize a tradition often lost in the hustle and bustle: Festivus. We’ve compiled our favorite, slightly more obscure seasonal tunes to wish you all a very merry Festivus season.
Christmas is the busiest time of year by far for the Oxford hire library. Oxford University Press publishes most of the carols the world knows and loves – the one that has just popped into your head is probably one of ours – with newly-composed Christmas titles added every year.
In celebration of the recently published biography, Elvis Presley: A Southern Life by Joel Williamson, I thought I would share some memories of Christmas past. In the 1970s we listened to Elvis on vinyl. Every December when it was time to decorate the tree you could hear the deep dulcet warbling of Elvis coming from the hi-fi.
When one thinks of traditional Scottish music, one instrument usually comes to mind: the bagpipe. Although bagpipes are prominent in traditional music from Scotland, Scottish music branches far out beyond that. In light of Scotland receiving the title of Place of the Year for 2014, we’ve put together a brief playlist of music from Scotland, from chamber music to modern classical.