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	<title>OUPblog &#187; Serial Blogging</title>
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	<itunes:subtitle>Lauren and Michelle talk to smart people and hope it rubs off.</itunes:subtitle>
	<itunes:summary>The Oxford Comment. Get it? Lauren and Michelle talk to smart people and hope it rubs off.</itunes:summary>
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		<title>Introducing The Historical Thesaurus of the Oxford English DictionaryHistorical Thesaurus Week</title>
		<link>http://blog.oup.com/2009/10/historical-thesaurus/</link>
		<comments>http://blog.oup.com/2009/10/historical-thesaurus/#comments</comments>
		<pubDate>Mon, 26 Oct 2009 17:56:25 +0000</pubDate>
		<dc:creator>Kirsty</dc:creator>
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		<category><![CDATA[Dictionaries]]></category>
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		<description><![CDATA[The Timeline for the HTOED.]]></description>
			<content:encoded><![CDATA[<blockquote><p>Welcome to <em>Historical Thesaurus Week</em> on the OUPblog!  Every day this week we will be looking at the first historical thesaurus to be written for any of the world&#8217;s languages, the <a href="http://www.amazon.com/Historical-Thesaurus-Oxford-English-Dictionary/dp/0199208999" target="_blank">Historical Thesaurus of the Oxford English Dictionary</a>.  Conceived and complied by the <a href="http://libra.englang.arts.gla.ac.uk/WebThesHTML/homepage.html" target="_blank">English Language Department of the University of Glasgow</a>, and based on the <a href="http://www.oed.com/" target="_blank">Oxford English Dictionary</a>, it is the result of over <strong>40 years</strong> of scholarly labor.  To kickoff our celebration I have posted the timeline of the HTOED below, it is a good way to understand what a true labor of love this project has been.  Be sure to check back <a href="http://blog.oup.com/?s=%22Historical+Thesaurus+of+the+Oxford+English+Dictio&amp;Submit.x=0&amp;Submit.y=0" target="_blank">all week</a> to learn more about the HTOED.</p></blockquote>
<p><strong><span style="text-decoration: underline;">Timeline for the <em>Historical Thesaurus of the Oxford English Dictionary<span id="more-6028"></span></em></span></strong><br />
<strong><em><span style="text-decoration: underline;"> </span></em></strong></p>
<table border="1" cellspacing="0" cellpadding="0">
<tbody>
<tr>
<td width="95" valign="top">1965</td>
<td width="387" valign="top">Announcement by <a href="http://www.universitystory.gla.ac.uk/biography/?id=WH2254&amp;type=P" target="_blank">Michael Samuels</a>, Professor of English Language at the   University of Glasgow – at a lecture to the Philological Society -  that his department intends to   undertake production of a historical thesaurus of English.</p>
<p>Work on the <em>Historical Thesaurus</em> begins. The focus is on data collection and the entries are compiled using   paper slips to record data (in the same way as the <a href="http://www.oed.com/" target="_blank"><em>OED</em></a>).</td>
</tr>
<tr>
<td width="95" valign="top">1969</td>
<td width="387" valign="top">When the scale of the project became   apparent, a successful application for funding led to the employment of Irene   Wotherspoon and Christian Kay as research assistants, mainly collecting data.</p>
<p>A number of volunteers begin to work on the project in Glasgow,   Germany, and Canada.</td>
</tr>
<tr>
<td width="95" valign="top">1978</td>
<td width="387" valign="top">The project faces many challenges during the 1970s, the most   significant being a major fire which threatened to destroy the entire archive   of paper slips.</p>
<p>All material subsequently microfilmed and copies kept at different   locations in the UK.</p>
<p>During the 1970s classifying the data becomes the main focus.   Postgraduate students are recruited. A decision is also taken to include   material from the Supplements, and the forthcoming Second Edition and   Additions Series of the <em>OED</em>. This   enriches, but also slows down, the project.</p>
<p>During the 1980s Old English material   entered into electronic databases developed in London.</td>
</tr>
<tr>
<td width="95" valign="top">1981</td>
<td width="387" valign="top">Talks with Oxford University Press on publishing the project.</p>
<p>During the 1980s  the UK   government sponsors programme to train people in editing and data entry   skills. The trainees help to edit and input the bulk of the <em>Historical Thesaurus</em> data into an   electronic system.</td>
</tr>
<tr>
<td width="95" valign="top">1984</td>
<td width="387" valign="top">Department of English Language moves into its current site at Glasgow   University. A kitchen is converted into a fire-proof archive.</td>
</tr>
<tr>
<td width="95" valign="top">1989</td>
<td width="387" valign="top">Christian Kay becomes Director of the project.</td>
</tr>
<tr>
<td width="95" valign="top">1995</td>
<td width="387" valign="top">The Old English material published in the <em>Thesaurus of Old English</em> by Roberts and Kay. Material from this   publication entered into the <em>Historical   Thesaurus</em> in simplified form.</p>
<p>Programme of updating the early sections of classification in   progress.</p>
<p>Material from the Second Edition plus the Additions Series continues   to be cross-checked with the original First Edition material.</td>
</tr>
<tr>
<td width="95" valign="top">2008</td>
<td width="387" valign="top">The last entries in the <em>Historical   Thesaurus</em> completed.</td>
</tr>
<tr>
<td width="95" valign="top">2009</td>
<td width="387" valign="top">Publication of the <em>Historical   Thesaurus of the Oxford English Dictionary</em></td>
</tr>
</tbody>
</table>
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		<title>Reading Spines</title>
		<link>http://blog.oup.com/2008/10/book_spine/</link>
		<comments>http://blog.oup.com/2008/10/book_spine/#comments</comments>
		<pubDate>Thu, 09 Oct 2008 14:59:51 +0000</pubDate>
		<dc:creator>Kirsty</dc:creator>
				<category><![CDATA[*Featured]]></category>
		<category><![CDATA[Dictionaries]]></category>
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		<category><![CDATA[ammon shea]]></category>
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		<description><![CDATA[Ammon Shea tells us why book spines inspire him.]]></description>
			<content:encoded><![CDATA[<blockquote><p><a href="http://ammonshea.com/oed.html">Ammon Shea</a> recently spent a year of his life reading the <a href="http://www.borders.com/online/store/TitleDetail?sku=0198611862" target="_blank">OED</a> from start to finish.  Over the next few months he will be posting <a href="http://blog.oup.com//?s=ammon+shea&amp;Submit.x=0&amp;Submit.y=0">weekly blogs</a> about the insights, gems, and thoughts on language that came from this experience. His book, <a href="http://www.amazon.com/Reading-OED-One-Year-Pages/dp/0399533982">Reading the OED</a>, has been published by <a href="http://us.penguingroup.com/static/html/aboutus/adult/perigee.html">Perigee</a>, so go check it out in your local bookstore. In the post below Ammon looks find inspiration on the spines of books.</p></blockquote>
<p>I like to reread my books.  Usually, but not always, I’ll do this by actually reading them.  There are a number of books that I’ve enjoyed repeatedly enough that I can pick one up and open it to any spot to begin reading, comfortably slipping into text I’d not seen for years as though there has been but a brief conversational pause.<span id="more-2184"></span></p>
<p>But sometimes I’ll reread my books without actually taking them down from the shelf.  I can easily while away an hour or more simply sitting in front of a row of books and allowing my eyes to flit from title to title.  The spines, names, and content of these works have resonance enough in my head that the words contained within the covers almost feel superfluous.  As I gaze at these books I remember not only their stories, but also my experiences of how old I was when I first read it, what I was doing and feeling at the time, and all the other hazy peripherals that such memories hold.</p>
<p>Given that I can find myself so engaged in experiencing books I’ve read without opening them I find that I’m curious as to whether this will work with books that I haven’t yet read.  And so today I’m in the stacks of a library, wandering slowly through and not reading the books, only their spines.  For the most part this is a frustrating endeavor &#8211; the books I don’t yet know fail to speak to me in any substantial way, except to tempt me to stop walking about and to sit down for a read.</p>
<p>But then I happen across the section of the library where all the multi-volume reference sets are kept, and suddenly it is once again possible to enjoy the books without reading them.  The abbreviated information on the spines of these encyclopedias and compendiums serves not only to give necessary information about what is in them, but also sparks my imagination about many other things that doubtless are not.</p>
<p>When looking across the rows and rows of books in these sets I feel as though they are telling me some unintentional story, one that doubtless exists only in my own imagination.  The truncated titles of the Encyclopedia Americana suggest to me the plot of some mildly racy old Western page-turner, one in which Franco-Goethals (the writing on volume 12) is a 19th century railroad magnate who is trying to break up the romance between two doughty and rugged pioneers on the frontier, Indian-Jeffers (vol. 15) and Pumps-Russell (vol. 23).</p>
<p>Looking next to the Encyclopedia Britannica I find a fairly standard cloak and dagger tale of wartime espionage, in which a pair of mismatched agents in Britain’s spy service of WWII, Garrison-Halibut and Edward-Extract (vols. 10 and <img src='http://blog.oup.com/wp-includes/images/smilies/icon_cool.gif' alt='8)' class='wp-smiley' /> match their wits against the nefarious Razor-Schurz (vol. 19), a German counter-espionage agent of unparalleled cunning.</p>
<p>I ended my peregrinations through the stacks of the library standing in front of the American National Biography, and the story on the spines of that august work seemed to tell a rather more tawdry story, with some tale of unrequited love between Jeremiah-Kurtz (vol. 12) and Gilbert-Hand (vol. 8 ), foiled by the machinations of the evil doctor, Kurtzman-Lovejoy (vol.13).</p>
<p>I have no interest in writing fiction, but should I ever find myself with such a yen I think that this is where I would go to find inspiration for a story.  And until that day I will take comfort in the fact that there is yet one more way in which a book can tell a story, even if it’s not intending to.</p>
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		<title>Hinche, Haiti</title>
		<link>http://blog.oup.com/2008/02/hinche/</link>
		<comments>http://blog.oup.com/2008/02/hinche/#comments</comments>
		<pubDate>Tue, 26 Feb 2008 19:11:03 +0000</pubDate>
		<dc:creator>Kirsty</dc:creator>
				<category><![CDATA[*Featured]]></category>
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		<description><![CDATA[Ben Keene looks at Hinche, Haiti.]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a title="bens-place.jpg" href="http://blog.oup.com/wp-content/uploads/2007/04/bens-place.jpg"><img class="centered" src="http://blog.oup.com/wp-content/uploads/2007/04/bens-place.jpg" alt="bens-place.jpg" /></a></p>
<p><a href="http://www.americatravelling.net/haiti/hinche/hinche.htm">Hinche, Haiti</a></p>
<p>Coordinates: 19  9 N 72  1 W</p>
<p>Population: 23,599 (2003 est.)</p>
<p>People travel for many reasons, but a chance to sample local or “authentic” cuisine often weighs heavily in the decision-making process. In my own peregrinations I’ve sampled stir-fried <a href="http://images.google.com/imgres?imgurl=http://www.life.uiuc.edu/ib/109/Lab/Edible%2520Insects/edible%2520insects%2520lab/silkworm%2520stir-fry%25201.JPG&amp;imgrefurl=http://www.life.uiuc.edu/ib/109/Lab/Edible%2520Insects/edible%2520insect%2520lab%2520photos.html&amp;h=864&amp;w=1152&amp;sz=260&amp;hl=en&amp;start=2&amp;sig2=aQ-cPbl78XbYnjXO1iFhew&amp;um=1&amp;tbnid=5HwbQZhGwqGk2M:&amp;tbnh=112&amp;tbnw=150&amp;ei=a2LER8L1MafEepPh6ecN&amp;prev=/images%3Fq%3Dstir%2Bfried%2Binsects%2Bthailand%26um%3D1%26hl%3Den%26client%3Dfirefox-a%26rls%3Dorg.mozilla:en-US:official%26sa%3DG">insects</a> in Thailand, <a href="http://images.google.com/imgres?imgurl=http://photos.igougo.com/images/p299042-Reykjavik-Whale_carpaccio.jpg&amp;imgrefurl=http://photos.igougo.com/pictures-photos-j66397-s2-p299042-Whale_carpaccio.html&amp;h=311&amp;w=415&amp;sz=376&amp;hl=en&amp;start=1&amp;sig2=US1kCbjgkPhNZ6JgaoQFGA&amp;um=1&amp;tbnid=CBA8zB7RxOjv5M:&amp;tbnh=94&amp;tbnw=125&amp;ei=vGLER7-3LYTOeNfo5fEN&amp;prev=/images%3Fq%3Dwhale%2Bcarpaccio%26um%3D1%26hl%3Den%26client%3Dfirefox-a%26rls%3Dorg.mozilla:en-US:official%26sa%3DN">whale carpaccio</a> in Norway, and <a href="http://images.google.com/imgres?imgurl=http://lh3.google.com/_bx3RZz4e0lk/RpCkLu3c0NI/AAAAAAAAAJ8/DkcHFxbZagI/s800/IMG_0694.JPG&amp;imgrefurl=http://picasaweb.google.com/lh/photo/KSZt1frh7XTSnU_1TpjFtQ&amp;h=600&amp;w=800&amp;sz=79&amp;hl=en&amp;start=1&amp;sig2=WqSvgRgxhhXUUtqmozxQsQ&amp;um=1&amp;tbnid=z2wy1mESMgivsM:&amp;tbnh=107&amp;tbnw=143&amp;ei=4GLER47LHKSaeZr5seoN&amp;prev=/images%3Fq%3Dstink%2Btofu%2B%26um%3D1%26hl%3Den%26client%3Dfirefox-a%26rls%3Dorg.mozilla:en-US:official%26sa%3DN">stink tofu </a>in Taiwan: all things that are harder to come by in the U. S. of A. An uncommon foodstuff that I haven’t tried however, can be purchased for next to nothing in the impoverished Caribbean nation of Haiti. <span id="more-1570"></span>Struggling to survive on as little as two dollars a day, many people in urban slums consume cookies made of salt, water, vegetable shortening, and dirt trucked in from the town of Hinche. Located on a fertile central plain northeast of the capital and close to the Dominican border, Hinche is also surrounded by farms that produce coffee, sugar cane, sisal, cotton, and tropical fruit. The practice of eating dirt is called <a href="http://geography.about.com/cs/culturalgeography/a/geophagy.htm">geophagy</a>.</p>
<p><a title="9780195334005.jpg" href="http://blog.oup.com/wp-content/uploads/2007/08/9780195334005.jpg"><img class="alignleft" src="http://blog.oup.com/wp-content/uploads/2007/08/9780195334005.thumbnail.jpg" alt="9780195334005.jpg" align="left" /></a></p>
<hr />Ben Keene is the editor of <span style="text-decoration: underline;"><a href="http://www.amazon.com/gp/product/0195220455">Oxford Atlas of the World</a></span>. Check out some of his <a href="http://www.amazon.com/Oxford-Atlas-World-University-Press/dp/0195334000/ref=ed_oe_h/105-0339059-9067621">previous places of the week</a>.</p>
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		<title>Dumbing down the Declaration of Independence</title>
		<link>http://blog.oup.com/2007/08/art/</link>
		<comments>http://blog.oup.com/2007/08/art/#comments</comments>
		<pubDate>Thu, 02 Aug 2007 16:33:49 +0000</pubDate>
		<dc:creator>Kirsty</dc:creator>
				<category><![CDATA[Blogs]]></category>
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		<description><![CDATA[Michael Ravitch looks at The Declaration of Independences.  ]]></description>
			<content:encoded><![CDATA[<blockquote><p><a href="http://www.moreintelligentlife.com/photos/uncategorized/2007/07/27/ravitchjackmiller.jpg"></a>Today we have posted part 4 in the series we are co-posting with <a href="http://www.moreintelligentlife.com/moreover/">Moreover</a>.  Diane and Michael Ravitch are the authors of &#8220;<a href="http://www.amazon.com/English-Reader-Every-Literate-Person/dp/0195077296">The English Reader: What Every Literate Person Needs To Know</a>&#8220;. Diane is Professor of Education at the Steinhardt School of Education, New York University. Her books include &#8220;The American Reader&#8221;, &#8220;The Language Police&#8221;, &#8220;Left Back&#8221; and &#8220;The Troubled Crusade&#8221;. Michael Ravitch is a freelance critic and writer, his work has appeared in the<em> New Republic, Yale Review </em>and other publications.  Be sure to check out parts <a href="http://www.moreintelligentlife.com/moreover/2007/07/guest-post-2.html"></a><a href="http://www.moreintelligentlife.com/moreover/2007/07/guest-post-1.html">one, </a>two and <a href="http://www.moreintelligentlife.com/moreover/2007/08/when-relevance-.html">three </a>also. <span id="more-1041"></span></p></blockquote>
<p>A few years ago I read a story about an industrious high-school teacher in the Midwest who had taken it upon herself to revise the Declaration of Independence. The original version, she claimed, was too challenging for her students, the language too inaccessible. She hoped that her newly simplified version would sweep the nation’s schools, and after that success, she planned to move onto the Constitution and beyond.</p>
<p>It’s amazing how cavalier we are about language. If we were to wake up one day and discover that an alien force had pillaged and emptied the world’s art museums, there would certainly be an indignant public outcry and a huge sense of loss. But the vanishing of our literary classics has hardly been noticed, or if noticed at all, greeted with a certain smug contempt.</p>
<p>What counts as a &#8220;classic&#8221; has always been in dispute. Literary reputations rise and fall; individual tastes vary. What is new, however, is the idea that these books shouldn’t be studied at all, that the transmission of culture from one generation to the next is a waste of time.</p>
<p>After all, goes the argument, in a world in which entertainment has the highest value, how can we dare allow education to be less than entertaining for even a moment? And accustomed as they are to the passive stupefication of pop culture, how can students be expected to rise to the challenge of mastering something difficult? So why not translate our most sacred documents into the most rudimentary language?</p>
<p>While we may think we are liberating ourselves from the artificial and the old-fashioned, we are in fact impoverishing ourselves. We are whittling down our language to the lowest common denominator and, along with it, our possibilities.</p>
<p>The authors of the Declaration of Independence had the cadences and structure of great poetry ringing in their ears. The nobility of the document&#8217;s ideas are inseparable from the grandeur of its language.</p>
<p>Of course language evolves, a fact that we understand as natural and right. But that does not mean we have to sacrifice the ideal of literature. Our greatest writers know that language can shock and inspire and soar; this is the true meaning of poetry, and it is a meaning we still need today.</p>
<p>By Michael Ravitch</p>
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		<title>Friday Procrastination: Link Love</title>
		<link>http://blog.oup.com/2007/06/link_love-2/</link>
		<comments>http://blog.oup.com/2007/06/link_love-2/#comments</comments>
		<pubDate>Fri, 08 Jun 2007 12:09:47 +0000</pubDate>
		<dc:creator>Kirsty</dc:creator>
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		<description><![CDATA[Lots of Friday link love!]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.oup.com/?s=%22evan+schnittman%22&amp;Submit.x=45&amp;Submit.y=5">Evan Schnittman</a> (an OUPblogger) gets <a href="http://blog.oup.com/wp-admin/%20interviewed%20at%20BEA%20on%20NPR%E2%80%99s%20All%20Things%20Considered">interviewed at BEA on NPR’s All Things Considered.</a></p>
<p>Have an itch for prank calls?  Have <a href="http://www.nancydrewcallsyou.com/">Nancy Drew call your friends</a>. (Yes, someone did have Nancy Drew call me.  Was it you?)<span id="more-902"></span></p>
<p><a href="http://www.lifehacker.com/software/firefox-tip/paste-multiple-lines-to-input-boxes-266870.php">A firefox tip</a> to simplify your life.</p>
<p><a href="http://publishing2.com/2007/06/07/publishing-20-steals-page-views-from-wall-street-journal/">Scott Karp questions his increased traffic</a> and finds The Wall Street Journal as the source.  Which makes him wonder how, &#8220;creators of original content&#8230; maximize the value of linking to other people’s original content.&#8221;</p>
<p>Elizabeth Lopatto has turned over the reigns at <a href="http://kenyonreview.org/blog/?p=442" target="_blank">The Kenyon Review</a>.</p>
<p>Congratulations to John Evans of <a href="http://www.lemuriabooks.com/">Lemuria Books</a> in Jackson, MS who won the OED giveaway from BEA!</p>
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		<title>Journalism Past and Present An Email Dialogue Between Marion Rodgers and Donald Ritchie Day Two</title>
		<link>http://blog.oup.com/2006/10/journalism_past_2/</link>
		<comments>http://blog.oup.com/2006/10/journalism_past_2/#comments</comments>
		<pubDate>Fri, 13 Oct 2006 14:01:00 +0000</pubDate>
		<dc:creator>Kirsty</dc:creator>
				<category><![CDATA[Biography]]></category>
		<category><![CDATA[Law & Politics]]></category>
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		<guid isPermaLink="false">http://216.110.190.15/2006/10/journalism_past_and_present_an_email_dialogue_between_marion_rodgers_and_donald_ritchie_day_two/</guid>
		<description><![CDATA[Until the age of 50, Mencken was called "America's Foremost Bachelor," praised for being the patron saint of single men. When H. L. Mencken married Sara Powell Haardt in 1930, the press concluded that the author of "In Defense of Women" was probably in the most embarassing position of any fiancee in recent years. They were bent in trotting out the old quotes. How, reporters insisted with glee, will Mencken explain that he had once said "A man may be a fool and not know it --but not if he's married." Long before, he had defined love as "the delusion that one woman differs from another." To these queries Mencken replied; "I formerly was not as wise as I am now....the wise man frequently revises his opinions. The fool, never."]]></description>
			<content:encoded><![CDATA[<blockquote><p><a href="http://sixthousand.blogspot.com/2006/02/marion-elizabeth-rodgers.html">Marion Rodgers</a>, author of <u><a href="http://www.powells.com/partner/30735/biblio/0195072383">Menken: The American Iconoclast</a></u>, and <a href="http://www.nationalreview.com/interrogatory/ritchie200506011009.asp">Donald Ritchie</a>, author of <u> <a href="http://www.powells.com/biblio/0195178610?&amp;PID=30735">Reporting From Washington: A History of the Washington Press Corps</a></u> discuss their books, journalist <a href="http://www.io.com/~gibbonsb/mencken.html">Henry Louis Mencken</a>, and the state of journalism today.  Read yesterday&#8217;s post <a href="http://blog.oup.com/wp-content/oupblog/2006/10/ritchie_rodgers.html">here</a></p></blockquote>
<p><strong>Donald Ritchie:</strong><a href="http://blog.oup.com/wp-content/archived_images/photos/uncategorized/ritchiecover_1.jpg"><img src="http://blog.oup.com/wp-content/oupblog/images/ritchiecover_1.jpg" alt="Ritchiecover_1" title="Ritchiecover_1" style="margin: 0px 5px 5px 0px; float: left" border="0" height="151" width="100" /></a></p>
<p><font color="#000080">Yes, as king of the print generation H.L. Mencken would surely have shuddered over the ephemeral nature of cyberspace, but I can’t help thinking that he would have admired the bloggers’ linguistic creativity and their penchant for poking holes in the establishment’s pretensions. </font></p>
<p><span id="more-382"></span></p>
<p><font color="#000080">As for wartime journalism, Mencken also experienced that first-hand during the First World War when he was perceived as being too sympathetic to Germany, even for an iconoclast, and had to withdraw from news commentary until after the war.  I ended Reporting from Washington in the aftermath of September 11th 2001, when the terrorist attacks both revived public interest in news from Washington and put pressure on the press corps for more overt patriotism.  Public attitudes limited the reporters’ usual skepticism about the government’s actions and motives.  Earlier in the study of twentieth-century news reporting, I found instances where there isolationist Chicago Tribune published classified information about the government’s contingency war plans–just days before the Pearl Harbor attack–and midway through the war revealed that the U.S. had broken the Japanese naval codes.  The Navy wanted to sue the Tribune for its breach of national security, until it realized that the Japanese had not changed their codes, suggesting that they had not read the Chicago newspaper.  To avoid attracting their attention, no suit was filed.  The Tribune came in for considerable criticism at the time, although its ace Washington correspondent Walter Trohan noted that some of the harshest critics later published the Pentagon Papers.</font></p>
<p><font color="#000080">These instances show that the tension between national security and the public’s right to know isn’t a new phenomenon.  Reporters have to balance the demand to provide relevant information for their readers with the concern not to hinder the nation’s war effort.  The usual practice is for reporters to rally ‘round the flag at the beginning of a war, and then slowly regain their professional detachment as the war progresses, especially if news from the battlefield contradicts what the government is saying.  And today it’s even harder for the mainstream media to censor themselves.  whatever they try to suppress will find an abundance of alternative outlets online.</font></p>
<p><font color="#000080">Mencken was a man of such strong opinions, who rarely hesitated to write what he thought.  Are there any examples of him admitting that he got something wrong and changing his position?</font></p>
<p><strong>Marion Rodgers:</strong><a href="http://blog.oup.com/wp-content/archived_images/photos/uncategorized/rodgersbook_jacket_1.jpg"><img src="http://blog.oup.com/wp-content/oupblog/images/rodgersbook_jacket_1.jpg" alt="Rodgersbook_jacket_1" title="Rodgersbook_jacket_1" style="margin: 0px 5px 5px 0px; float: left" border="0" height="151" width="100" /></a></p>
<p><font color="#008000">There are not many instances of this. But  here is one that comes to mind: when Mencken married. Until the age of 50, Mencken was called &#8220;America&#8217;s Foremost Bachelor,&#8221; praised for being the patron saint of single men.  When H. L. Mencken married Sara Powell Haardt in 1930, the press concluded that the author of &#8220;In Defense of Women&#8221; was probably in the most embarassing position of any fiancee in recent years. They were bent in trotting out the old quotes. How, reporters insisted with glee, will Mencken explain that he had once said &#8220;A man may be a fool and not know it &#8211;but not if he&#8217;s married.&#8221; Long before, he had defined love as &#8220;the delusion that one woman differs from another.&#8221; To these queries Mencken replied; &#8220;I formerly was not as wise as I am now&#8230;.the wise man frequently revises his opinions. The fool, never.&#8221;</font></p>
<p><font color="#008000">My question to you, Don is twofold:</font></p>
<p><font color="#008000">1) Is there any modern journalist that you have written about that comes close to being another H. L. Mencken?</font></p>
<p><font color="#008000">2) You have such a busy schedule, as Senate historian, as author of many books, not to mention your other activities, speech giving included. Tell us about how you do you your work, so you are able to achieve a balance at work and at home, how you find time to produce so many fine books. They are packed with information, yet always readable, with impeccable scholarship.</font></p>
<p><strong>Donald Ritchie:</strong></p>
<p><font color="#000080">I should have realized that the laws of matrimony applied even to H.L. Mencken.  Only his wife Sara could have gotten him to eat his words.</font></p>
<p><font color="#000080">I don’t see any single journalist or media personality standing as the modern day equivalent of H.L, Mencken.  Perhaps a Dr. Frankenstein could assemble one from various parts: a little of  Tom Wolfe’s wordplay, Maureen Dowd’s humor, Frank Rich’s criticism, Helen Thomas’ questioning, George Will’s analysis, William Safire’s lexicon, and Rush Limbaugh’s invective.  The result would surely shock and awe readers as much as Mencken used to by himself.</font></p>
<p><font color="#000080">As for writing books, for me it is a labor that occupies some part almost every evening and weekend.  A subject has to be compelling enough to consume so much free time, but one hopes that interest will transfer to the readers as well.  Public historians are not awarded sabbaticals or summers off between semesters, but those of us who work in Washington are compensated by access to the enormous research resources of the Library of Congress and National Archives.  </font></p>
<p><font color="#000080">While writing about Washington news reporters, I had the added advantage of having them call and visit the Senate Historical Office in search of historical background for their own news stories.  Almost daily contact with reporters made me curious about the accuracy of their “first rough draft” of history, and how they went about collecting it.  I set out to write their history and did much of my research by reading their memoirs, oral histories, and news stories, but got a lot of other insights by interviewing them after they had finished interviewing me.  One of my functions at the Senate is to conduct an oral history program, and one of my books is a manual on Doing Oral History (Oxford, 2003).  My research–and writing–is always improved when I have the chance to talk with those who participated in the events of the past, and record their often colorful descriptions and candid assessments.  I wish that I could have had the opportunity to interview H.L. Mencken, but reading your biography was almost like meeting him personally.</font></p>
<hr />Want to read more by Rodgers and Ritchie? Check out some of their past posts on the OUP blog.</p>
<ul>Rodgers</p>
<li><a href="http://blog.oup.com/wp-content/oupblog/2006/01/save_the_mencke.html">Save the Mencken House!</a></li>
<li><a href="http://blog.oup.com/wp-content/oupblog/2006/03/mencken_is_an_l.html">Mencken is an LATimes Book Prize Finalist</a></li>
<li><a href="http://blog.oup.com/wp-content/oupblog/2005/11/why_is_hl_menck.html">Why is H.L. Mencken relevant today?</a></li>
</ul>
<ul>Ritchie</p>
<li><a href="http://blog.oup.com/wp-content/oupblog/2006/03/top_ten_congres.html">Congressional Lobbying Scandals: A Top Ten List</a></li>
<li><a href="http://blog.oup.com/wp-content/oupblog/2005/11/bob_woodward_an.html">Bob Woodward and the Perils of Anonymous Sources </a></li>
<li><a href="http://blog.oup.com/wp-content/oupblog/2005/10/the_cia_leak_ca.html">The CIA Leak Case: A Historical Object Lesson</a></li>
</ul>
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		<title>Johnson &amp; Boswell in Scotland, Part 6</title>
		<link>http://blog.oup.com/2006/06/johnson_boswell5/</link>
		<comments>http://blog.oup.com/2006/06/johnson_boswell5/#comments</comments>
		<pubDate>Fri, 09 Jun 2006 14:47:00 +0000</pubDate>
		<dc:creator>Rebecca Ford</dc:creator>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Literature]]></category>
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		<description><![CDATA[Continued from last week&#8217;s post: Boswell: Thursday, 2 September

Johnson: Edinburgh 
We now returned to Edinburgh, where I passed some days with men of learning, whose names want no advancement
from my commemoration, or with women of elegance, which perhaps disclaims a
pedant&#8217;s praise.
The
conversation of the Scots grows every day less unpleasing to the English; their
peculiarities wear fast [...]]]></description>
			<content:encoded><![CDATA[<p><font size="1">Continued from last week&#8217;s post: <a href="http://blog.oup.com/wp-content/oupblog/2006/06/johnson_boswell.html"><em>Boswell: Thursday, 2 September</em></a><br />
</font></p>
<p><em><strong>Johnson</strong>: Edinburgh </em></p>
<p>We now returned to Edinburgh, where I passed some days with men of learning, whose names want no advancement<br />
from my commemoration, or with women of elegance, which perhaps disclaims a<br />
pedant&#8217;s praise.</p>
<p>The<br />
conversation of the Scots grows every day less unpleasing to the English; their<br />
peculiarities wear fast away; their dialect is likely to become in half a<br />
century provincial and rustic, even to themselves. The great, the learned, the<br />
ambitious, and the vain, all cultivate the English phrase, and the English pronunciation,<br />
and in splendid companies Scotch is not much heard, except now and then from an<br />
old lady.</p>
<p>There<br />
is one subject of philosophical curiosity to be found in Edinburgh, which no<br />
other city has to show; a college of the deaf and dumb, who are taught to<br />
speak, to read, to write, and to practise arithmetic, by a gentleman whose name<br />
is Braidwood.* The number which attends him is, I think, about twelve, which he<br />
brings together into a little school, and instructs according to their several<br />
degrees of proficiency.</p>
<p>I<br />
do not mean to mention the instruction of the deaf as new. Having been first<br />
practised upon the son of a Constable of Spain, it was afterwards cultivated<br />
with much emulation in England, by Wallis and Holder, and was lately professed<br />
by Mr Baker,* who once flattered me with hopes of seeing his method published.<br />
How far any former teachers have succeeded, it is not easy to know; the<br />
improvement of Mr Braidwood&#8217;s pupils is wonderful. They not only speak, write,<br />
and understand what is written, but if he that speaks looks towards them, and<br />
modifies his organs by distinct and full utterance, they know so well what is<br />
spoken, that it is an expression scarcely figurative to say, they hear with the<br />
eye. That any have attained to the power mentioned by Burnet,* of feeling<br />
sounds, by laying a hand on the speaker&#8217;s mouth, I know not; but I have seen so<br />
much that I can believe more; a single word, or a short sentence, I think, may<br />
possibly be so distinguished.</p>
<p>It<br />
will readily be supposed by those that consider this subject, that Mr<br />
Braidwood&#8217;s scholars spell accurately. Orthography is vitiated among such as<br />
learn first to speak, and then to write, by imperfect notions of the relation<br />
between letters and vocal utterance; but to those students every character is<br />
of equal importance; for letters are to them not symbols of names, but of<br />
things; when they write they do not represent a sound, but delineate a form.</p>
<p>This<br />
school I visited, and found some of the scholars waiting for their master, whom<br />
they are said to receive at his entrance with smiling countenances and<br />
sparkling eyes, delighted with the hope of new ideas. One of the young ladies<br />
had her slate before her, on which I wrote a question consisting of three figures,<br />
to be multiplied by two figures. She looked upon it, and quivering her fingers in<br />
a manner which I thought very pretty, but of which I know not whether it was<br />
art or play, multiplied the sum regularly in two lines, observing the decimal<br />
place; but did not add the two lines together, probably disdaining so easy an<br />
operation. I pointed at the place where the sum total should stand, and she<br />
noted it with such expedition as seemed to show that she had it only to write.</p>
<p>It<br />
was pleasing to see one of the most desperate of human calamities capable of so<br />
much help: whatever enlarges hope will exalt courage; after having seen the<br />
deaf taught arithmetic, who would be afraid to cultivate the Hebrides?</p>
<p>Such are the things which this journey has given me an<br />
opportunity of seeing, and such are the reflections which that sight has raised.<br />
Having passed my time almost wholly in cities, I may have been surprised by<br />
modes of life and appearances of nature that are familiar to men of wider<br />
survey and more varied conversation. Novelty and ignorance must always be<br />
reciprocal, and I cannot but be conscious that my thoughts on national manners<br />
are the thoughts of one who has seen but little.</p>
<hr />
<a href="http://www.powells.com/partner/30735/biblio/0192840517"><img src="http://blog.oup.com/wp-content/archived_images/photos/uncategorized/travelwriting_johnson_boswell_0192840517.jpg" alt="Travelwriting_johnson_boswell_0192840517" title="Travelwriting_johnson_boswell_0192840517" style="margin: 0px 5px 5px 0px; float: left" border="0" /></a>A young and enthusiastic James Boswell befriended Samuel Johnson (1709-84), England&#8217;s most famous man of letters, in London in 1763. Soon Boswell was urging Johnson to accompany him on a tour to the Hebrides, reviving the fascination inspired in Johnson by a childhood reading of Martin Martin. The two men went to Scotland in the late summer and autumn of 1773, riding north from Edinburgh to Inverness and then westward through the Great Glen and across the mountains to the coast. Johnson published A Journey to the Western Islands of Scotland two years later. Johnson published A Journey to the Western Islands of Scotland two years later. These excerpts from <a href="http://www.powells.com/partner/30735/biblio/0192840517">Travel Writing, 1700-1830: An Anthology</a>, are presented here as part of our <a href="http://blog.oup.com/wp-content/oupblog/serial_blogging/index.html">Serial Blogging series</a>.<a href="http://blog.oup.com/wp-content/oupblog/2006/05/serial_travelin.html">Click here to read from the beginning of this series.</a></p>
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		<title>Johnson &amp; Boswell in Scotland, Part 5</title>
		<link>http://blog.oup.com/2006/06/johnson_boswell4/</link>
		<comments>http://blog.oup.com/2006/06/johnson_boswell4/#comments</comments>
		<pubDate>Fri, 02 Jun 2006 14:43:00 +0000</pubDate>
		<dc:creator>Rebecca Ford</dc:creator>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Serial Blogging]]></category>

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		<description><![CDATA[Continued from last week&#8217;s post: Boswell: Wednesday, 1 September

Boswell: Thursday, 2 September.
I
had slept ill. Mr Johnson&#8217;s anger had affected me much. I considered that, without any bad intention,
I might suddenly forfeit his friendship. I was impatient to see him this
morning. I told him how uneasy he had made me by what he had said. He [...]]]></description>
			<content:encoded><![CDATA[<p><font size="1">Continued from last week&#8217;s post: <a href="http://blog.oup.com/wp-content/oupblog/2006/05/johnson_boswell_1.html"><strong><em>Boswell</em></strong><em>: Wednesday, 1 September</em></a><br />
</font></p>
<p><em><strong>Boswell</strong>: Thursday, 2 September.</em></p>
<p>I<br />
had slept ill. Mr Johnson&#8217;s anger had affected me much. I considered that, without any bad intention,<br />
I might suddenly forfeit his friendship. I was impatient to see him this<br />
morning. I told him how uneasy he had made me by what he had said. He owned it<br />
was said in passion; that he would not have done it; that if he had done it, he<br />
would have been ten times worse than me. That it would indeed, as I said, be<br />
&#8216;limning in water&#8217;, should such sudden breaks happen (or something to that effect); and said he, &#8216;Let&#8217;s think no<br />
more on&#8217;t.&#8217; BOSWELL. &#8216;Well then, sir, I shall be easy. Remember, I am to have<br />
fair warning in case of any quarrel. You are never to spring a mine upon me. It<br />
was absurd in me to believe you.&#8217; JOHNSON. &#8216;You deserved about as much as to<br />
believe it from night to morning.&#8217; Mr MacLeod of Drynoch, to whom we had a<br />
letter from Kenneth Macaulay, breakfasted with us.</p>
<p>A<br />
quarter before nine we got into a boat for Skye. It rained much when we set off, but cleared up as we advanced. One<br />
of the boatmen who spoke English said that a mile at land was two miles at sea.<br />
I then said to him that from Glenelg to Armadale in Skye, which was our sail<br />
this morning and is called twelve, was only six miles. But this he could not<br />
understand. &#8216;Well,&#8217; said Mr Johnson, &#8216;never talk to me of the native good sense<br />
of the Highlanders. Here is a fellow who calls one mile two, and yet cannot<br />
comprehend that twelve such miles make but six.&#8217; It was curious to think that<br />
now at last Mr Johnson and I had left the mainland of Scotland and were sailing to the Hebrides, one of which was close in our view; and I had besides a<br />
number of youthful ideas, that is to say, ideas which I have had from my youth<br />
about the Isle of Skye. We were shown the land of Moidart where Prince Charles first<br />
landed.* That stirred my mind.</p>
<p>As we sat at Sir<br />
Alexander&#8217;s table, we were entertained, according to the ancient usage of the<br />
North, with the melody of the bagpipe. Everything in those countries has its<br />
history. As the bagpiper was playing, an elderly gentleman informed us that in<br />
some remote time, the Macdonalds of Glengary having been injured, or offended by the inhabitants of<br />
Culloden, and resolving to have justice or vengeance, came to Culloden on a<br />
Sunday where, finding their enemies at worship, they shut them up in the church,<br />
which they set on fire; and this, said he, is the tune that the piper played<br />
while they were burning.</p>
<p>Narrations<br />
like this, however uncertain, deserve the notice of a traveller, because they<br />
are the only records of a nation that has no historians, and afford the most genuine representation<br />
of the life and character of the ancient Highlanders.</p>
<p>Under<br />
the denomination of &#8216;Highlander&#8217; are comprehended in Scotland all that now<br />
speak the Erse language, or retain the primitive manners, whether they live<br />
among the mountains or in the islands; and in that sense I use the name, when<br />
there is not some apparent reason for making a distinction.</p>
<p>In<br />
Skye I first observed the use of brogues, a kind of artless shoes, stitched with<br />
thongs so loosely, that though they defend the foot from stones, they do not<br />
exclude water. Brogues were formerly made of raw hides, with the hair inwards,<br />
and such are perhaps still used in rude and remote parts; but they are said not<br />
to last above two days. Where life is somewhat improved, they are now made of<br />
leather tanned with oak bark, as in other places, or with the bark of birch, or<br />
roots of tormentil, a substance recommended in defect of bark, about forty<br />
years ago, to the Irish tanners, by one to whom the parliament of that kingdom<br />
voted a reward. The leather of Sky is not completely penetrated by vegetable matter,<br />
and therefore cannot be very durable.</p>
<p>My<br />
inquiries about brogues gave me an early specimen of Highland information. One<br />
day I was told that to make brogues was a domestic art, which every man<br />
practised for himself, and that a pair of brogues was the work of an hour. I<br />
supposed that the husband made brogues as the wife made an apron, till next day<br />
it was told me that a brogue-maker was a trade, and that a pair would cost half<br />
a crown. It will easily occur that these representations may both be true, and<br />
that, in some places, men may buy them, and in others, make them for<br />
themselves; but I had both the accounts in the same house within two days.</p>
<p>Many<br />
of my subsequent inquiries upon more interesting topics ended in the like<br />
uncertainty. He that travels in the Highlands may easily saturate his soul with<br />
intelligence, if he will acquiesce in the first account. The Highlander gives to<br />
every question an answer so prompt and peremptory, that scepticism itself is<br />
dared into silence, and the mind sinks before the bold reporter in unresisting<br />
credulity; but, if a second question be ventured, it breaks the enchantment;<br />
for it is immediately discovered, that what was told so confidently was told at<br />
hazard, and that such fearlessness of assertion was either the sport of<br />
negligence, or the refuge of ignorance.</p>
<p>If individuals are thus at variance with themselves, it can<br />
be no wonder that the accounts of different men are contradictory. The traditions of an ignorant<br />
and savage people have been for ages negligently heard, and unskilfully<br />
related. Distant events must have been mingled together, and the actions of one<br />
man given to another. These, however, are deficiencies in story, for which no<br />
man is now to be censured. It were enough, if what there is yet opportunity of<br />
examining were accurately inspected, and justly represented; but such is the<br />
laxity of Highland conversation that the inquirer is kept in continual<br />
suspense, and by a kind of intellectual retrogradation, knows less as he hears<br />
more.</p>
<hr />
<a href="http://www.powells.com/partner/30735/biblio/0192840517"><img src="http://blog.oup.com/wp-content/archived_images/photos/uncategorized/travelwriting_johnson_boswell_0192840517.jpg" alt="Travelwriting_johnson_boswell_0192840517" title="Travelwriting_johnson_boswell_0192840517" style="margin: 0px 5px 5px 0px; float: left" border="0" /></a>A young and enthusiastic James Boswell befriended Samuel Johnson (1709-84), England&#8217;s most famous man of letters, in London in 1763. Soon Boswell was urging Johnson to accompany him on a tour to the Hebrides, reviving the fascination inspired in Johnson by a childhood reading of Martin Martin. The two men went to Scotland in the late summer and autumn of 1773, riding north from Edinburgh to Inverness and then westward through the Great Glen and across the mountains to the coast. Johnson published A Journey to the Western Islands of Scotland two years later. Johnson published A Journey to the Western Islands of Scotland two years later. These excerpts from <a href="http://www.powells.com/partner/30735/biblio/0192840517">Travel Writing, 1700-1830: An Anthology</a>, are presented here as part of our <a href="http://blog.oup.com/wp-content/oupblog/serial_blogging/index.html">Serial Blogging series</a>.<a href="http://blog.oup.com/wp-content/oupblog/2006/05/serial_travelin.html">Click here to read from the beginning of this series.</a></p>
<p>Next week: <em><strong>Johnson</strong>: Edinburgh </em></p>
]]></content:encoded>
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		<title>Johnson &amp; Boswell in Scotland, Part 4</title>
		<link>http://blog.oup.com/2006/05/johnson_boswell3/</link>
		<comments>http://blog.oup.com/2006/05/johnson_boswell3/#comments</comments>
		<pubDate>Fri, 26 May 2006 15:02:00 +0000</pubDate>
		<dc:creator>Rebecca Ford</dc:creator>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Serial Blogging]]></category>

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		<description><![CDATA[Continued from last week&#8217;s post: Boswell: Monday, 30 August 1773

Boswell: Wednesday, 1 September 
We came to a rich green valley, comparatively speaking, and stopped at
Auchnashiel, a kind of rural village, a number of cottages being built
together, as we saw all along in the Highlands. We passed many many miles today
without seeing a house, but only [...]]]></description>
			<content:encoded><![CDATA[<p><font size="1">Continued from last week&#8217;s post: <a href="http://blog.oup.com/wp-content/oupblog/2006/05/boswell_monday_.html">Boswell: Monday, 30 August 1773</a><br />
</font></p>
<p><a href="http://blog.oup.com/wp-content/oupblog/2006/05/johnson_boswell_1.html"><em><strong>Boswell</strong>: Wednesday, 1 September </em></a></p>
<p>We came to a rich green valley, comparatively speaking, and stopped at<br />
Auchnashiel, a kind of rural village, a number of cottages being built<br />
together, as we saw all along in the Highlands. We passed many many miles today<br />
without seeing a house, but only little summer-huts or <em>shielings</em>. Ewan<br />
Campbell, servant to Mr Murchison, factor to the Laird of MacLeod in Glenelg,<br />
ran along with us today. He was a fine obliging little fellow. At this<br />
Auchnashiel, we sat down on a green turf seat at the end of a house, and they<br />
brought us out two wooden dishes of milk. One of them was frothed like a<br />
syllabub. I saw a woman preparing it with such a stick as is used for<br />
chocolate, and in the same manner. That dish fell to my share; but I put by the<br />
froth and took the cream with some wheat-bread which Joseph had brought for us<br />
from Fort Augustus. Mr Johnson imagined my dish was better than his, and<br />
desired to taste it. He did so, and was convinced that I had no advantage over<br />
him. We had there in a circle all about us, men, women and children, all<br />
Macraes, Lord Seaforth&#8217;s people. Not one of them could speak English. I said to<br />
Mr Johnson &#8217;twas the same as being with a tribe of Indians. &#8216;Yes,&#8217; said he,<br />
&#8216;but not so terrifying.&#8217; I gave all who chose it snuff and tobacco. Governor Trapaud had<br />
made us buy a quantity at Fort Augustus* and put them up in small parcels. I<br />
also gave each person a bit of wheat-bread, which they had never tasted. I then<br />
gave a penny apiece to each child. I told Mr Johnson of this, upon which he<br />
called for change for a shilling, and declared that he would distribute among<br />
the children. Upon this there was a great stir: not only did some children come<br />
running down from neighbouring huts, but I observed one blackheaded man, who<br />
had been among us all along, coming carrying a very young child. Mr Johnson<br />
then ordered the children to be drawn up in a row, and he distributed his<br />
copper and made them and their parents all happy. The poor Macraes, whatever<br />
may be their present state, were much thought of in the year 1715, when there<br />
was a line in a song,</p>
<blockquote><p>And aw&#8217; the brave McCraas is coming.</p></blockquote>
<p>There was great diversity in the faces of the circle around us. Some were as black and wild in their appearance as any American savages whatever. One woman was as comely as the figure of Sappho, as we see it painted. We asked the old woman, the mistress of the house where we had the milk (which, by the by, Mr Johnson told me, for I did not observe it myself, was built not of turf but of stone), what we should pay. She said, what we pleased. One of our guides asked her in Erse if a shilling was enough. She said, &#8216;Yes.&#8217; But some of the men bid her ask more. This vexed me, because it showed a desire to impose upon strangers, as they knew that even a shilling was high payment. The woman, however, honestly persisted in her first price. So I gave her half-a-crown. Thus we had one good scene of uncommon life to us. The people were very much pleased, gave us many blessings, and said they had not had such a day since the old Laird of MacLeod&#8217;s time.</p>
<p>Mr<br />
Johnson was much refreshed by this repast. He was pleased when I told him he<br />
would make a good chief. He said if he were one, he would dress his servants<br />
better than himself, and knock a fellow down if he looked saucy to a Macdonald<br />
in rags.* But he would not treat men as brutes. He would let them know why all<br />
of his clan were to have attention paid to them. He would tell his upper<br />
servants why, and make them tell the others.</p>
<p>We<br />
rode on well till we came to the high mountain called the Rattachan, by which<br />
time both Mr Johnson and the horses were a good deal fatigued. It is a terrible<br />
steep to climb, notwithstanding the road is made slanting along. However, we<br />
made it out. On the top of it we met Captain MacLeod of Balmeanach (a Dutch officer come from Skye) riding with his<br />
sword slung about him. He asked, &#8216;Is this Mr Boswell?&#8217; which was a proof that<br />
we were expected. Going down the hill on the other side was no easy task. As Mr<br />
Johnson was a great weight, the two guides agreed that he should ride the<br />
horses alternately. Hay&#8217;s were the two best, and Mr Johnson would not ride but<br />
upon one or other of them, a black or a brown. But as Hay complained much after<br />
ascending the Rattachan, Mr Johnson was prevailed with to mount one of Vass&#8217;s<br />
greys. As he rode upon it downhill, it did not go well, and he grumbled. I<br />
walked on a little before, but was excessively entertained with the method<br />
taken to keep him in good humour. Hay led the horse&#8217;s head, talking to Mr<br />
Johnson as much as he could; and just when Mr Johnson was uttering his<br />
displeasure, the fellow says, &#8216;See such pretty goats.&#8217; Then <em>whu! </em>he whistled,<br />
and made them jump. Little did he conceive what Mr Johnson was. Here was now a<br />
common ignorant horse-hirer imagining that he could divert, as one does a<br />
child, <em>Mr Samuel Johnson!</em> The ludicrousness, absurdity, and<br />
extraordinary contrast between what the fellow fancied and the reality was as<br />
highly comic as anything that I ever witnessed. I laughed immoderately, and<br />
must laugh as often as I recollect it.</p>
<p>It<br />
grew dusky; and we had a very tedious ride for what was called five miles, but I<br />
am sure would measure ten. We spoke none. I was riding forward to the inn at<br />
Glenelg;* that I might make some kind of preparation, or take some proper<br />
measures, before Mr Johnson got up, who was now advancing in silence, with Hay<br />
leading his horse. Mr Johnson called me back with a tremendous shout, and was<br />
really in a passion with me for leaving him. I told him my intentions. But he<br />
was not satisfied, and said, &#8216;Do you know, I should as soon have thought of<br />
picking a pocket as doing so.&#8217; &#8216;I&#8217;m diverted with you,&#8217; said I. Said he, &#8216;I could never be diverted<br />
with incivility.&#8217; He said doing such a thing made one lose confidence in him who<br />
did it, as one could not tell what he would do next. I justified myself but<br />
lamely to him. But my intentions were not improper. I wished to be forward to<br />
see if Sir A. Macdonald* had sent his boat; and if not, how we were to sail,<br />
and how we were to lodge, all which I thought I could best settle myself,<br />
without his having any trouble. To apply his great mind to minute particulars<br />
is wrong. It is like taking an immense balance, such as you see on a quay for<br />
weighing cargoes of ships, to weigh a guinea. I knew I had neat little scales<br />
which would do better. That his attention to everything in his way, and his<br />
uncommon desire to be always in the right, would make him weigh if he knew of<br />
the particulars; and therefore it was right for me to weigh them and let him<br />
have them only in effect. I kept by him, since he thought I should.</p>
<p>As<br />
we passed the barracks at Bernera, I would fain have put up there; at least I<br />
looked at them wishfully, as soldiers have always everything in the best order.<br />
But there was only a sergeant and a few men there. We came on to the inn at<br />
Glenelg. There was nothing to give the horses, so they were sent to grass with<br />
a man to watch them. We found that Sir Alexander had sent his boat to a point<br />
which we had passed, at Kintail, or more properly at the King&#8217;s houseâ€“â€“that it<br />
had waited several days till their provisions ran short, and had returned only<br />
this day. So we had nothing to say against that Knight. A lass showed us<br />
upstairs into a room raw and dirty; bare walls, a variety of bad smells, a<br />
coarse black fir greasy table, forms of the same kind, and from a wretched bed<br />
started a fellow from his sleep like Edgar in <em>King Lear</em>: &#8216;Poor Tom&#8217;s<br />
a-cold.&#8217; *</p>
<p>The<br />
landlord was one Munro from Fort Augustus. He pays Â£ïœ¸ to MacLeod for the shell<br />
of the house, and has not a bit of land in lease. They had no bread, no eggs,<br />
no wine, no spirits but whisky, no sugar but brown grown black. They prepared<br />
some mutton-chops, but we would not have them. They killed two hens. I made<br />
Joseph broil me a bit of one till it was black, and I tasted it. Mr Johnson<br />
would take nothing but a bit of bread, which we had luckily remaining, and some<br />
lemonade which he made with a lemon which Joseph had for him, and he got some<br />
good sugar; for Mr Murchison, factor to MacLeod in Glenelg, sent us some, with<br />
a bottle of excellent rum, letting us know he was very sorry that his servant<br />
had not come and informed him before we passed his house; that we might have<br />
been there all night, and that if he were not obliged to set out early next day<br />
for Inverness, he would come down and wait upon us.</p>
<p>I<br />
took some rum and water and sugar, and grew better; for after my last bad night<br />
I hoped much to be well this, and being disappointed, I was uneasy and almost<br />
fretful. Mr Johnson was calm. I said he was so from vanity. &#8216;No,&#8217; said he,<br />
&#8221;tis from philosophy.&#8217; It was a considerable satisfaction to me to see that<br />
the Rambler could practise what he nobly teaches.</p>
<p>I<br />
resumed my riding forward, and wanted to defend it. Mr Johnson was still<br />
violent upon that subject, and said, &#8216;Sir, had you gone on, I was thinking that<br />
I should have returned with you to Edinburgh and then parted, and never spoke<br />
to you more.&#8217;</p>
<p>I sent for fresh hay, with which we made beds to ourselves,<br />
each in a room equally miserable. As Wolfe said in his letter from Quebec, we had &#8216;choice of difficulties&#8217;.* Mr. Johnson made things<br />
better by comparison. At Macqueen&#8217;s last night he observed that few were so<br />
well lodged in a ship. Tonight he said we were better than if we had been upon<br />
the hill. He lay down buttoned up in his greatcoat. I had my sheets spread on<br />
the hay, and having stripped, I had my clothes and greatcoat and Joseph&#8217;s<br />
greatcoat laid upon me, by way of blankets. Joseph lay in the room by me, upon<br />
a bed laid on the floor.</p>
<hr />
<a href="http://www.powells.com/partner/30735/biblio/0192840517"><img src="http://blog.oup.com/wp-content/archived_images/photos/uncategorized/travelwriting_johnson_boswell_0192840517.jpg" alt="Travelwriting_johnson_boswell_0192840517" title="Travelwriting_johnson_boswell_0192840517" style="margin: 0px 5px 5px 0px; float: left" border="0" /></a>A young and enthusiastic James Boswell befriended Samuel Johnson (1709-84), England&#8217;s most famous man of letters, in London in 1763. Soon Boswell was urging Johnson to accompany him on a tour to the Hebrides, reviving the fascination inspired in Johnson by a childhood reading of Martin Martin. The two men went to Scotland in the late summer and autumn of 1773, riding north from Edinburgh to Inverness and then westward through the Great Glen and across the mountains to the coast. Johnson published A Journey to the Western Islands of Scotland two years later. Johnson published A Journey to the Western Islands of Scotland two years later. These excerpts from <a href="http://www.powells.com/partner/30735/biblio/0192840517">Travel Writing, 1700-1830: An Anthology</a>, are presented here as part of our <a href="http://blog.oup.com/wp-content/oupblog/serial_blogging/index.html">Serial Blogging series</a>.<a href="http://blog.oup.com/wp-content/oupblog/2006/05/serial_travelin.html">Click here to read from the beginning of this series.</a></p>
<p>Next week: <a href="http://blog.oup.com/wp-content/oupblog/2006/06/johnson_boswell.html"><em><strong>Boswell</strong>: Thursday, 2 September.</em></a></p>
]]></content:encoded>
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		<title>Johnson &amp; Boswell in Scotland, Part 3</title>
		<link>http://blog.oup.com/2006/05/johnson_boswell2/</link>
		<comments>http://blog.oup.com/2006/05/johnson_boswell2/#comments</comments>
		<pubDate>Fri, 19 May 2006 14:50:00 +0000</pubDate>
		<dc:creator>Rebecca Ford</dc:creator>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Serial Blogging]]></category>

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		<guid isPermaLink="false">http://216.110.190.15/2006/05/johnson_boswell_in_scotland_part_3/</guid>
		<description><![CDATA[Continued from last week&#8217;s post: Johnson: &#8216;Loch Ness&#8217;
Boswell: Monday, 30 August 1773
This day we were to begin our equitation, as I said, for I would
needs make a word too. We might have taken a chaise to Fort Augustus. But we could not find horses after Inverness, so we resolved to begin here to ride. We
should [...]]]></description>
			<content:encoded><![CDATA[<p><font size="1">Continued from last week&#8217;s post: <a href="http://blog.oup.com/wp-content/oupblog/2006/05/johnson_boswell.html">Johnson: &#8216;Loch Ness&#8217;</a></font></p>
<p><em><strong>Boswell</strong>: Monday, 30 August 1773</em></p>
<p>This day we were to begin our equitation, as I said, for <em>I</em> would<br />
needs make a word too. We might have taken a chaise to Fort Augustus. But we could not find horses after Inverness, so we resolved to begin here to ride. We<br />
should have set out at seven. But one of the horses needed shoeing; the smith<br />
had got drunk the night before at a wedding and could not rise early; so we did<br />
not get off till nine. We had three horses for<br />
Mr Johnson, myself, and Joseph,* and one which carried our portmanteaus; and<br />
two Highlanders who walked with us, John Hay and Lauchlan Vass. Mr Johnson rode<br />
very well.</p>
<p>A little above Inverness, I fancy<br />
about three miles, we saw just by the road a very complete Druid&#8217;s temple; at<br />
least we took it to be so. There was a double circle of stones, one of very<br />
large ones and one of smaller ones. Mr Johnson justly observed that to go and<br />
see one is only to see that it is nothing, for there is neither art nor power<br />
in it, and seeing one is as much as one would wish.</p>
<p>It was a delightful day. Loch Ness,<br />
and the road upon the side of it, between birch trees, with the hills above,<br />
pleased us much. The scene was as remote and agreeably wild as could be<br />
desired. It was full enough to occupy our minds for the time.</p>
<p>To see Mr Johnson in any new<br />
situation is an object of attention to me. As I saw him now for the first time<br />
ride along just like Lord Alemoor,* I thought of <em>London</em><em>, a Poem</em>,<br />
of the <em>Rambler</em>, of <em>The False Alarm,</em>* and I cannot express the<br />
ideas which went across my imagination.</p>
<p>A<br />
good way up the Loch, I perceived a little hut with an oldish woman at the door<br />
of it. I knew it would be a scene for Mr Johnson. So I spoke of it. &#8216;Let&#8217;s go<br />
in,&#8217; said he. So we dismounted, and we and our guides went in. It was a<br />
wretched little hovel, of earth only, I think; and for a window had just a hole<br />
which was stopped with a piece of turf which could be taken out to let in<br />
light. In the middle of the room (or space which we entered) was a fire of peat,<br />
the smoke going out at a hole in the roof. She had a pot upon it with goat&#8217;s flesh<br />
boiling. She had at one end, under the same roof but divided with a kind of<br />
partition made of wands, a pen or fold in which we saw a good many kids.</p>
<p>Mr<br />
Johnson asked me where she slept. I asked one of the guides, who asked her in<br />
Erse. She spoke with a kind of high tone. He told us she was afraid we wanted<br />
to go to bed to her. This coquetry, or whatever it may be called, of so<br />
wretched a like being was truly ludicrous. Mr Johnson and I afterwards made<br />
merry upon it. I said it was he who alarmed the poor woman&#8217;s virtue. &#8216;No, sir,&#8217;<br />
said he. &#8216;She&#8217;ll say, &#8220;There came a wicked young fellow, a wild young dog, who<br />
I believe would have ravished me had there not been with him a grave old<br />
gentleman who repressed him. But when he gets out of the sight of his tutor,<br />
I&#8217;ll warrant you he&#8217;ll spare no woman he meets, young or old.&#8221;&#8216; &#8216;No,&#8217; said I. &#8216;She&#8217;ll say, &#8220;There was a terrible ruffian<br />
who would have forced me, had it not been for a gentle, mild-looking youth,<br />
who, I take it, was an angel.&#8221;&#8216;</p>
<p>Mr<br />
Johnson would not hurt her delicacy by insisting to &#8217;see her bedchamber&#8217;, like<br />
Archer in <em>The Beaux&#8217; Stratagem.</em>* But I was of a more ardent curiosity,<br />
so I lighted a piece of paper and went into the place where the bed was. There<br />
was a little partition of wicker, rather more neatly done than the one for the<br />
fold, and close by the wall was a kind of bedstead of wood with heath upon it<br />
for a bed; and at the foot of it I saw some sort of blankets or covering rolled<br />
up in a heap. The woman&#8217;s name was Fraser. So was her husband&#8217;s. He was a man<br />
of eighty. Mr Fraser of Balnain allows him to live in this hut and to keep<br />
sixty goats for taking care of his wood. He was then in the wood. They had five<br />
children, the oldest only thirteen. Two were gone to Inverness to buy meal. The<br />
rest were looking after the goats. She had four stacks of barley, twenty-four<br />
sheaves in each. They had a few fowls. They will live all the spring without<br />
meal upon milk and curd, etc., alone. What they get for their goats, kids, and<br />
hens maintains them. I did not observe how the children lay.</p>
<p>She asked us to sit down and take a dram. I saw one chair.<br />
She said she was as happy as any woman in Scotland. She could hardly speak any<br />
English, just detached words. Mr Johnson was pleased at seeing for the first<br />
time such a state of human life. She asked for snuff. It is her luxury. She uses a great<br />
deal. We had none, but gave her sixpence apiece. She then brought out her<br />
whisky bottle. I tasted it, and Joseph and our guides had some. So I gave her<br />
sixpence more. She sent us away with many prayers in Erse.</p>
<hr />
<a href="http://www.powells.com/partner/30735/biblio/0192840517"><img src="http://blog.oup.com/wp-content/archived_images/photos/uncategorized/travelwriting_johnson_boswell_0192840517.jpg" alt="Travelwriting_johnson_boswell_0192840517" title="Travelwriting_johnson_boswell_0192840517" style="margin: 0px 5px 5px 0px; float: left" border="0" /></a>A young and enthusiastic James Boswell befriended Samuel Johnson (1709-84), England&#8217;s most famous man of letters, in London in 1763. Soon Boswell was urging Johnson to accompany him on a tour to the Hebrides, reviving the fascination inspired in Johnson by a childhood reading of Martin Martin. The two men went to Scotland in the late summer and autumn of 1773, riding north from Edinburgh to Inverness and then westward through the Great Glen and across the mountains to the coast. Johnson published A Journey to the Western Islands of Scotland two years later. Johnson published A Journey to the Western Islands of Scotland two years later. These excerpts from <a href="http://www.powells.com/partner/30735/biblio/0192840517">Travel Writing, 1700-1830: An Anthology</a>, are presented here as part of our <a href="http://blog.oup.com/wp-content/oupblog/serial_blogging/index.html">Serial Blogging series</a>.<a href="http://blog.oup.com/wp-content/oupblog/2006/05/serial_travelin.html">Click here to read from the beginning of this series.</a></p>
<p>Next week: <em><strong>Boswell</strong>: Wednesday, 1 September </em></p>
]]></content:encoded>
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		</item>
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		<title>Johnson &amp; Boswell in Scotland</title>
		<link>http://blog.oup.com/2006/05/johnson_boswell1/</link>
		<comments>http://blog.oup.com/2006/05/johnson_boswell1/#comments</comments>
		<pubDate>Fri, 12 May 2006 16:45:00 +0000</pubDate>
		<dc:creator>Rebecca Ford</dc:creator>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Serial Blogging]]></category>

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		<description><![CDATA[Continued from last week&#8217;s post: Johnson: &#8216;Inverness&#8217;
Johnson: &#8216;Loch Ness&#8217; 
Near the way, by the water
side, we espied a cottage. This was the first Highland hut that I had seen; and
as our business was with life and manners, we were willing to visit it. To
enter a habitation without leave seems to be not considered here as [...]]]></description>
			<content:encoded><![CDATA[<p><font size="1">Continued from last week&#8217;s post: <a href="http://blog.oup.com/wp-content/oupblog/2006/05/serial_travelin.html">Johnson: &#8216;Inverness&#8217;</a></font></p>
<p><em><strong>Johnson</strong>: &#8216;Loch Ness&#8217; </em></p>
<p>Near the way, by the water<br />
side, we espied a cottage. This was the first Highland hut that I had seen; and<br />
as our business was with life and manners, we were willing to visit it. To<br />
enter a habitation without leave seems to be not considered here as rudeness or<br />
intrusion. The old laws of hospitality still give this licence to a stranger.</p>
<p>A<br />
hut is constructed with loose stones, ranged for the most part with some<br />
tendency to circularity. It must be placed where the wind cannot act upon it<br />
with violence, because it has no cement; and where the water will run easily<br />
away, because it has no floor but the naked ground. The wall, which is commonly<br />
about six feet high, declines from the perpendicular a little inward. Such<br />
rafters as can be procured are then raised for a roof, and covered with heath,<br />
which makes a strong and warm thatch, kept from flying off by ropes of twisted heath, of which<br />
the ends, reaching from the centre of the thatch to the top of the wall, are<br />
held firm by the weight of a large stone. No light is admitted but at the<br />
entrance, and through a hole in the thatch, which gives vent to the smoke. This<br />
hole is not directly over the fire, lest the rain should extinguish it; and the<br />
smoke therefore naturally fills the place before it escapes. Such is the general<br />
structure of the houses in which one of the nations of this opulent and<br />
powerful island has been hitherto content to live. Huts however are not more<br />
uniform than palaces; and this which we were inspecting was very far from one<br />
of the meanest, for it was divided into several apartments; and its inhabitants<br />
possessed such property as a pastoral poet might exalt into riches.</p>
<p>When we entered, we found an old<br />
woman boiling goat&#8217;s-flesh in a kettle. She spoke little English, but we had<br />
interpreters at hand; and she was willing enough to display her whole system of<br />
economy. She has five children, of which none are yet gone from her. The eldest,<br />
a boy of thirteen, and her husband, who is eighty years old, were at work in<br />
the wood. Her two next sons were gone to Inverness to buy &#8216;meal&#8217;, by which<br />
oatmeal is always meant. Meal she considered as expensive food, and told us<br />
that in spring, when the goats gave milk, the children could live without it.<br />
She is mistress of sixty goats, and I saw many kids in an enclosure at the end<br />
of her house. She had also some poultry. By the lake we saw a potato-garden,<br />
and a small spot of ground on which stood four shucks, containing each twelve<br />
sheaves of barley. She has all this from the labour of their own hands, and for<br />
what is necessary to be bought, her kids and her chickens are sent to market.</p>
<p>With the true pastoral hospitality,<br />
she asked us to sit down and drink whisky. She is religious, and though the<br />
kirk is four miles off, probably eight English miles, she<br />
goes thither every Sunday. We gave her a shilling, and she begged snuff; for snuff is the luxury of a Highland cottage.</p>
<hr />
<a href="http://www.powells.com/partner/30735/biblio/0192840517"><img src="http://blog.oup.com/wp-content/archived_images/photos/uncategorized/travelwriting_johnson_boswell_0192840517.jpg" alt="Travelwriting_johnson_boswell_0192840517" title="Travelwriting_johnson_boswell_0192840517" style="margin: 0px 5px 5px 0px; float: left" border="0" /></a>A young and enthusiastic James Boswell befriended Samuel Johnson (1709-84), England&#8217;s most famous man of letters, in London in 1763. Soon Boswell was urging Johnson to accompany him on a tour to the Hebrides, reviving the fascination inspired in Johnson by a childhood reading of Martin Martin. The two men went to Scotland in the late summer and autumn of 1773, riding north from Edinburgh to Inverness and then westward through the Great Glen and across the mountains to the coast. Johnson published A Journey to the Western Islands of Scotland two years later. Johnson published A Journey to the Western Islands of Scotland two years later. These excerpts from <a href="http://www.powells.com/partner/30735/biblio/0192840517">Travel Writing, 1700-1830: An Anthology</a>, are presented here as part of our <a href="http://blog.oup.com/wp-content/oupblog/serial_blogging/index.html">Serial Blogging series</a>.<a href="http://blog.oup.com/wp-content/oupblog/2006/05/serial_travelin.html">Click here to read from the beginning of this series.</a></p>
<p>Next week: <a href="http://blog.oup.com/wp-content/oupblog/2006/05/boswell_monday_.html">&#8220;Boswell: Monday, August 30, 1773&#8243;</a></p>
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		<title>Serial Traveling: Johnson &amp; Boswell in Scotland</title>
		<link>http://blog.oup.com/2006/05/serial_travelin/</link>
		<comments>http://blog.oup.com/2006/05/serial_travelin/#comments</comments>
		<pubDate>Fri, 05 May 2006 14:52:00 +0000</pubDate>
		<dc:creator>Rebecca Ford</dc:creator>
				<category><![CDATA[Anthropology]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Serial Blogging]]></category>

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		<description><![CDATA[Samuel Johnson, A Journey to the Western
Islands of Scotland (1775); James Boswell, The Journal of a Tour
to the Hebrides with Samuel Johnson, LL.D. (1773; ed. F. A. Pottle, 1961) 

A young and enthusiastic James Boswell befriended Samuel Johnson (1709-84), England&#8217;s most famous man of letters, in London in 1763. Soon Boswell was urging Johnson to [...]]]></description>
			<content:encoded><![CDATA[<p><b>Samuel Johnson</b>, <i>A Journey to the Western<br />
Islands of Scotland</i> (1775); <b>James Boswell</b>, <i>The Journal of a Tour<br />
to the Hebrides with Samuel Johnson, LL.D.</i> (1773; ed. F. A. Pottle, 1961) </p>
<p><a href="http://www.powells.com/partner/30735/biblio/0192840517"><img alt="Travelwriting_johnson_boswell_0192840517" title="Travelwriting_johnson_boswell_0192840517" src="http://blog.oup.com/wp-content/archived_images/photos/uncategorized/travelwriting_johnson_boswell_0192840517.jpg" border="0" style="float: left; margin: 0px 5px 5px 0px;" /></a>
<p>A young and enthusiastic James Boswell befriended Samuel Johnson (1709-84), England&#8217;s most famous man of letters, in London in 1763. Soon Boswell was urging Johnson to accompany him on a tour to the Hebrides, reviving the fascination inspired in Johnson by a childhood reading of Martin Martin. The two men went to Scotland in the late summer and autumn of 1773, riding north from Edinburgh to Inverness and then westward through the Great Glen and across the mountains to the coast. Johnson published <i>A Journey to the Western Islands of Scotland </i>two years later. In his masterpiece of philosophical tourism Johnson analyses the disintegration of traditional Highland society and attacks the authenticity of James Macpherson&#8217;s translations of the Gaelic bard &#8216;Ossian&#8217;, which founded the Romantic image of Scotland as a lost world of ghosts and heroes. Boswell edited his journal of their tour after Johnson&#8217;s death (it was published in 1785), as a preview of the full-scale biography he was planning. While Johnson makes his travelogue the occasion for a wide-ranging inquiry into the nature of historical change, Boswell dramatizes a Scottish Enlightenment ethos of sociability and conversation. In the following excerpts, Johnson pauses on the verge of the Highlands to reflect on British imperial history; both travelers describe their encounter with an old woman on the banks of Loch Ness; Boswell narrates a quarrel and its sequel; Johnson deplores &#8216;the laxity of Highland conversation&#8217;; but finds an emblem of hope for the future in Edinburgh. </p>
<hr />
<p><i><b>Johnson</b>: &#8216;Inverness&#8217;</i></p>
<p>Inverness was the last place which had a<br />
regular communication by high roads with the southern counties. All the ways<br />
beyond it have, I believe, been made by the soldiers in this century. At<br />
Inverness therefore Cromwell, when he subdued Scotland,* stationed a garrison,<br />
as at the boundary of the Highlands. The soldiers seem to have incorporated<br />
afterwards with the inhabitants, and to have peopled the place with an English<br />
race; for the language of this town has been long considered as peculiarly<br />
elegant. </p>
<p >Here<br />
is a castle, called the castle of Macbeth, the walls of which are yet standing.<br />
It was no very capacious edifice, but stands upon a rock so high and steep, that<br />
I think it was once not accessible, but by the help of ladders, or a bridge.<br />
Over against it, on another hill, was a fort built by Cromwell, now totally<br />
demolished; for no faction of Scotland loved the name of Cromwell, or had any<br />
desire to continue his memory. </p>
<p>Yet<br />
what the Romans did to other nations, was in a great degree done by Cromwell to<br />
the Scots; he civilized them by conquests, and introduced by useful violence<br />
the arts of peace. I was told at Aberdeen that the people learned from<br />
Cromwell&#8217;s soldiers to make shoes and to plant kail. </p>
<p>How<br />
they lived without kail, it is not easy to guess. They cultivate hardly any<br />
other plant for common tables, and when they had not kail they probably had<br />
nothing. The numbers that go barefoot are still sufficient to show that shoes may be<br />
spared. They are not yet considered as necessaries of life; for tall boys, not<br />
otherwise meanly dressed, run without them in the streets; and in the islands<br />
the sons of gentlemen pass several of their first years with naked feet. </p>
<p>I<br />
know not whether it be not peculiar to the Scots to have attained the liberal,<br />
without the manual arts, to have excelled in ornamental knowledge, and to have<br />
wanted not only the elegancies, but the conveniencies of common life.<br />
Literature soon after its revival found its way to Scotland, and from the<br />
middle of the sixteenth century, almost to the middle of the seventeenth, the<br />
politer studies were very diligently pursued. The Latin poetry of <i>Deliciae<br />
Poetarum Scotorum </i>would have done honour to any nation, at least till the<br />
publication of May&#8217;s <i>Supplement</i>* the English had very little to oppose. </p>
<p>Yet<br />
men thus ingenious and inquisitive were content to live in total ignorance of<br />
the trades by which human wants are supplied, and to supply them by the<br />
grossest means. Till the Union made them acquainted with English manners, the<br />
culture of their lands was unskilful, and their domestic life unformed; their<br />
tables were coarse as the feasts of Eskimos, and their houses filthy as the<br />
cottages of Hottentots. </p>
<p >Since<br />
they have known that their condition was capable of improvement, their progress<br />
in useful knowledge has been rapid and uniform. What remains to be done they<br />
will quickly do, and then wonder, like me, why that which was so necessary and<br />
so easy was so long delayed. But they must be for ever content to owe to the<br />
English that elegance and culture, which, if they had been vigilant and active,<br />
perhaps the English might have owed to them. </p>
<p>Here<br />
the appearance of life began to alter. I had seen a few women with plaids at Aberdeen; but at Inverness the Highland manners are common. There is I think a kirk, in<br />
which only the Erse language* is used. There is likewise an English chapel, but<br />
meanly built, where on Sunday we saw a very decent congregation. </p>
<p>We<br />
were now to bid farewell to the luxury of travelling, and to enter a country<br />
upon which perhaps no wheel has ever rolled. We could indeed have used our<br />
post-chaise one day longer, along the military road to Fort Augustus, but we could have hired no horses beyond Inverness, and we were not so sparing of<br />
ourselves, as to lead them, merely that we might have one day longer the<br />
indulgence of a carriage. </p>
<p>At Inverness therefore we procured three horses for<br />
ourselves and a servant, and one more for our baggage, which was no very heavy<br />
load. We found in the course of our journey the convenience of having disencumbered<br />
ourselves, by laying aside whatever we could spare; for it is not to be<br />
imagined without experience how, in climbing crags, and treading bogs, and<br />
winding through narrow and obstructed passages, a little bulk will hinder, and<br />
a little weight will burden; or how often a man that has pleased himself at<br />
home with his own resolution will, in the hour of darkness and fatigue, be<br />
content to leave behind him everything but himself. </p>
<hr />
From <a href="http://www.powells.com/partner/30735/biblio/0192840517">Travel Writing 1700-1830: An Anthology</a>, edited by Elizabeth A. Bohls.</p>
<p>Next week&#8230;<a href="http://blog.oup.com/wp-content/oupblog/2006/05/johnson_boswell.html"><i>Loch Ness</i></a></p>
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		<title>Serial Blogging: &#8220;Copycat&#8221; &#8211; Part 6</title>
		<link>http://blog.oup.com/2006/04/serial_blogging/</link>
		<comments>http://blog.oup.com/2006/04/serial_blogging/#comments</comments>
		<pubDate>Fri, 14 Apr 2006 14:11:00 +0000</pubDate>
		<dc:creator>Rebecca Ford</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Serial Blogging]]></category>

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		<description><![CDATA[This Friday on Serial Blogging, we&#8217;re proud to present the finale of Jeffery Deaver&#8217;s &#8220;Copycat,&#8221; which was first published in A New Omnibus of Crime. Read from the beginning of the story by clicking here!

&#160; &#160;&#160; &#160;&#160; &#160;XIII
&#160; &#160;His book had saved his life, the author was explaining with a laugh that turned into a [...]]]></description>
			<content:encoded><![CDATA[<p>This Friday on Serial Blogging, we&#8217;re proud to present the finale of <a href="http://www.jefferydeaver.com/index.html" target="_new">Jeffery Deaver</a>&#8217;s &#8220;Copycat,&#8221; which was first published in <A HREF="http://service.bfast.com/bfast/click?bfmid=2181&#038;sourceid=41583844&#038;bfpid=0195182146&#038;bfmtype=book" TARGET="_top">A New Omnibus of Crime</a>. Read from the beginning of the story by <a href="http://blog.oup.com/wp-content/oupblog/2006/03/serial_blogging.html">clicking here!</a><br />
<span id="more-213"></span><br />
<FONT FACE="Arial" SIZE=2><P ALIGN="CENTER">&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;XIII</P><br />
&nbsp; &nbsp;His book had saved his life, the author was explaining with a laugh that turned into a wince. &nbsp;<br />
&nbsp; &nbsp;It was the next morning, and Quentin Altman and Carter’s wife—a handsome, middle-aged blonde—were standing at his bedside in Greenville Hospital. Fletcher’s bullet had missed vital organs but had snapped a rib and the author was in major pain despite the happy pills he’d been given. &nbsp;<br />
&nbsp; &nbsp;Carter told them what had happened last evening: &#8220;Fletcher says let’s go to dinner—he knew some good barbecue place in the country. We were driving along this deserted road and I was talking about <I>Two Deaths </I>and said that this was just the sort of road I had in mind when I wrote that scene where the Hunter was stalking the first victim after he sees her at McDonalds. Then, Fletcher said that <I>he </I>pictured that road being in cornfields, not forests.&#8221; &nbsp;<br />
&nbsp; &nbsp;&#8221;But he said he hadn’t read the book,&#8221; Altman said. &nbsp;<br />
&nbsp; &nbsp;&#8221;Exactly&#8230;.He realized he’d screwed up. He got real quiet for a minute, and I was thinking something’s wrong. I was even going to jump out of the car. But then he pulls his gun out and I grab it but he still shoots me. I reach over with my foot and slam on the brake. We go off the road and he slams his head into the window or something. I grab the gun and roll out of the car. I’m heading for the bushes to hide in but I see him getting the shotgun from the trunk. He starts toward me and I shoot him.&#8221; He shook his head. &#8220;Man, if it hadn’t been for the book, what he said about it, I never would’ve known what he was going to do.&#8221; &nbsp;<br />
&nbsp; &nbsp;Since Altman was involved in the incident, the investigation of the shooting went to another detective, who reported that the forensics bore out Carter’s story. There was GSR—gunshot residue—on Fletcher’s hand, which meant he’d fired the pistol, and a bullet with Carter’s blood on it embedded in the cruiser passenger door. Evidence also proved that Fletcher was indeed the Greenville Strangler. The sergeant’s fingerprints were all over the mallet and a search of the sergeant’s house revealed several items—stockings and lingerie— that had been taken from the homes of the victims. Murdering Howard Desmond and trying to murder Andy Carter—well, those had been to cover up his original crimes. But what had been the sergeant’s motive for killing the two women in Greenville? Maybe the anger at being left by his wife had boiled over. Maybe he’d had a secret affair with one of the victims, which had turned sour, and he’d decided to stage her death as a random act of violence. Maybe some day an answer would come to light. &nbsp;<br />
&nbsp; &nbsp;Or maybe, Altman reflected, unlike in a mystery novel, they’d never know what had driven the man to step over the edge into the dark world of the killers he’d once hunted. &nbsp;<br />
&nbsp; &nbsp;It was then that Wallace Gordon loped into the hospital room &#8220;Hot off the presses.&#8221; He handed a copy of the <I>Tribune </I>to Carter. On the front page was Wallace’s story about the solving of the Greenville Strangler case. &nbsp;<br />
&nbsp; &nbsp;&#8221;Keep that,&#8221; Wallace said. &#8220;A souvenir.&#8221; &nbsp;<br />
&nbsp; &nbsp;Thanking him, Carter’s wife folded the paper up and set it aside with the stiff gesture of someone who has no interest in memorabilia about a difficult episode in one’s life. &nbsp;<br />
&nbsp; &nbsp;Quentin Altman walked to the door and, just as he was about to leave, paused. He turned back. &#8220;Oh, one thing, Andy—how’s that book of yours end? Do the police ever find the Hunter?&#8221; &nbsp;<br />
&nbsp; &nbsp;Carter caught himself as he was about to answer. The author gave a grin. &#8220;You know, detective—you want to find that out, I’m afraid you’re just going to have to buy yourself a copy.&#8221; &nbsp;<br />
<P ALIGN="JUSTIFY">&nbsp;</P><br />
<P ALIGN="CENTER">&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;XIV </P><br />
&nbsp; &nbsp;Several days later Andrew Carter slipped out of his bed, where he’d lain, wideawake, for the past three hours. It was two A.M. &nbsp;<br />
&nbsp; &nbsp;He glanced at the quiescent form of his sleeping wife and—with the help of his cane—limped to the his closet, where he found and pulled on an old pair of faded jeans, sneakers and a Boston University sweatshirt—his good-luck writing clothes, which he hadn’t donned in well over a year. &nbsp;<br />
&nbsp; &nbsp;Still in pain from the gunshot, he walked slowly down the hall to his office and went inside, turning on the light. Sitting at his desk, he clicked on his computer and stared at the screen for a long moment. &nbsp;<br />
&nbsp; &nbsp;Then suddenly he began to write. His keyboarding was clumsy at first, his fingers jabbing two keys at once or missing the intended one altogether. Still, as the hours passed, his skill as a typist returned and soon the words were pouring from his mind onto the screen flawlessly and fast. &nbsp;<br />
&nbsp; &nbsp;By the time the sky began to glow with pink-gray light and a morning bird’s cell-phone trill sounded from the crisp holly bush outside his window he’d finished the story completely—thirty-nine double-spaced pages. &nbsp;<br />
&nbsp; &nbsp;He moved the cursor to the top of the document, thought about an appropriate title and typed: <I>Copycat</I>. &nbsp;<br />
&nbsp; &nbsp;Then Andy Carter sat back in his comfortable chair and carefully read his work from start to finish. &nbsp;<br />
&nbsp; &nbsp;The story opened with a reporter finding a suspense novel that contained several circled passages, which were strikingly similar to two real-life murders that had occurred earlier. The reporter takes the book to a detective, who concludes that the man who circled the paragraphs is the perpetrator, a copycat inspired by the novel to kill. &nbsp;<br />
&nbsp; &nbsp;Reviving the case, the detective enlists the aid of the novel’s author, who reluctantly agrees to help and brings the police some fan letters, one of which leads to the suspected killer. &nbsp;<br />
&nbsp; &nbsp;But when the police track the suspect to his summer home they find that <I>he’s </I>been murdered too. He wasn’t the killer at all but had presumably circled the passages only because he, like the reporter, was struck by the similarity between the novel and the real-life crimes. &nbsp;<br />
&nbsp; &nbsp;Then the detective gets a big shock: On the fan’s body he finds clues that prove that a local police sergeant is the real killer. The author, who happens to be with this very officer at that moment, is nearly killed but manages to wrestle gun away and shoot the cop in self-defense. &nbsp;<br />
&nbsp; &nbsp;Case closed. &nbsp;<br />
&nbsp; &nbsp;Or so it seems. . . . &nbsp;<br />
&nbsp; &nbsp;But Andy Carter hadn’t ended the story there. He added yet another twist. Readers learn at the very end that the sergeant was innocent. He’d been set up as a fall guy by the real Strangler. &nbsp;<br />
&nbsp; &nbsp;Who happened to be the author himself. &nbsp;<br />
&nbsp; &nbsp;Racked by writer’s block after his first novel was published, unable to follow it up with another, the author had descended into madness. Desperate and demented, he came to believe that he might jumpstart his writing by actually re-enacting scenes from his novel so he stalked and strangled two women, exactly as his fictional villain had done. &nbsp;<br />
&nbsp; &nbsp;The murders hadn’t revived his ability to write, however, and he slumped further into depression. And then, even more troubling, he heard from the fan who’d grown suspicious about the similarities between certain passages in the novel and the real crimes. The author had no choice: he met with the fan at his lakeside cottage and beat him to death, hiding the body in the garage and covering up the disappearance by pretending to be the fan and telling his boss and landlord that he was leaving town unexpectedly. &nbsp;<br />
&nbsp; &nbsp;The author believed he was safe. But his contentment didn’t last. Enter the reporter who’d found the underlined passages, and the investigation started anew; the police called, asking him for fan letters. The author knew the only way to be safe was to give the police a scapegoat. So he agreed to meet with the police—but in fact he’d arrived in town a day before his planned meeting with the detective. He broke into the police sergeant’s house, planted some incriminating clothing he’d taken from the dead women’s houses and stole one of the cop’s mallets and a business card. He then went out to the dead fan’s lake house, where he’d hidden the body, and used the tool to crush the skull of the decomposed body and hid the mallet, along with some of the dead man’s hairs, in an oil drum. The card he slipped into the wallet. The next day he showed up at the police station with the fan letter that led to the cottage—and ultimately to the sergeant. &nbsp;<br />
&nbsp; &nbsp;The author, who’d asked the unsuspecting sergeant to drive to dinner, grabbed his gun, made him stop the car and get out. Then he shot him, rested the pistol near the dead cop’s hands and fired it into the woods to get gunshot residue on the man’s finger (writers know as much about forensics as most cops). The author had gotten the shotgun from the trunk, left it with the sergeant and then climbed back into the squad car, where he’d taken a deep breath and shot himself in the belly—as superficially as he could. &nbsp;<br />
&nbsp; &nbsp;He’d then crawled onto the road to wait for a passing car to come to their aid. &nbsp;<br />
&nbsp; &nbsp;The police bought the entire story. &nbsp;<br />
&nbsp; &nbsp;In the final scene the author returned home to try to resume his writing, having literally gotten away with murder. &nbsp;<br />
&nbsp; &nbsp;Carter now finished rereading the story, his heart thumping hard with pride and excitement. True, it needed polishing but, considering that he hadn’t written a word for more than a year, it was a glorious accomplishment. &nbsp;<br />
&nbsp; &nbsp;He was a writer once again. &nbsp;<br />
&nbsp; &nbsp;The only problem was that he couldn’t publish the story. He couldn’t even <I>show </I>it to a soul. &nbsp;<br />
&nbsp; &nbsp;For the simple reason, of course, that it wasn’t fiction; every word was true. Andy Carter himself was the homicidal author. &nbsp;<br />
&nbsp; &nbsp;Still, he thought, as he erased the entire story from his computer, publishing it didn’t matter one bit. The important thing was that by writing it he’d managed to kill his writer’s block as ruthlessly and efficiently as he’d murdered Bob Fletcher and Howard Desmond and the two women in Greenville. And, even better, he knew too how to make sure that he’d never be blocked again: From now on he’d give up fiction and pursue what he’d realized he was destined to write: true crime. &nbsp;<br />
&nbsp; &nbsp;What a perfect solution this was! He’d never want for ideas again; TV news, magazines and the papers would provide dozens of story leads he could choose from. &nbsp;<br />
&nbsp; &nbsp;And, he reflected, limping downstairs to make a pot of coffee, if it turned out that there were no crimes that particularly interested him &#8230;well, Andy Carter knew that he was fully capable of taking matters into his own hands and whipping up a bit of inspiration all by himself.</p>
<p> </FONT></p>
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		<title>Serial Blogging: &#8220;Copycat&#8221; &#8211; Part 5</title>
		<link>http://blog.oup.com/2006/04/serial_blogging2/</link>
		<comments>http://blog.oup.com/2006/04/serial_blogging2/#comments</comments>
		<pubDate>Fri, 07 Apr 2006 14:03:00 +0000</pubDate>
		<dc:creator>Rebecca Ford</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Serial Blogging]]></category>

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		<guid isPermaLink="false">http://216.110.190.15/2006/04/serial_blogging_copycat_-_part_5/</guid>
		<description><![CDATA[This week in Serial Blogging &#8211; part five of Jeffery Deaver&#8217;s &#8220;Copycat,&#8221; which was first published in A New Omnibus of Crime. Read from the beginning of the story by clicking here!

&#160; &#160;&#160; &#160;&#160; &#160;XI 
&#160; &#160;The detective had found something in Desmond’s wallet and was staring at it—a business card—when he heard the snap [...]]]></description>
			<content:encoded><![CDATA[<p>This week in Serial Blogging &#8211; part five of <a href="http://www.jefferydeaver.com/index.html" target="_new">Jeffery Deaver</a>&#8217;s &#8220;Copycat,&#8221; which was first published in <A HREF="http://service.bfast.com/bfast/click?bfmid=2181&#038;sourceid=41583844&#038;bfpid=0195182146&#038;bfmtype=book" TARGET="_top">A New Omnibus of Crime</a>. Read from the beginning of the story by <a href="http://blog.oup.com/wp-content/oupblog/2006/03/serial_blogging.html">clicking here!</a><br />
<span id="more-209"></span><br />
<FONT FACE="Arial" SIZE=2><P ALIGN="CENTER">&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;XI </P><br />
&nbsp; &nbsp;The detective had found something in Desmond’s wallet and was staring at it—a business card—when he heard the snap of a twig behind him and, alarmed, turned.<br />
&nbsp; &nbsp;A silhouette of a figure was standing in the doorway. He seemed to be holding his hands at chest level.<br />
&nbsp; &nbsp;Blinded by the glare, Altman gasped, &quot;Who’re—?&quot;<br />
&nbsp; &nbsp;A huge flash filled the room.<br />
&nbsp; &nbsp;The detective stumbled backward, groping for his pistol.<br />
&nbsp; &nbsp;&quot;Damn,&quot; came a voice he recognized.<br />
&nbsp; &nbsp;Altman squinted against the back lighting. &quot;Wallace! You goddamn son of a bitch! What the hell’re you doing here?&quot;<br />
&nbsp; &nbsp;The reporter scowled and held up the camera in his hand, looking just as unhappy as Altman. &quot;I was trying to get a candid of you on the job. But you turned around. You ruined it.&quot;<br />
&nbsp; &nbsp;&quot;<I>I </I>ruined it? I told you not to come. You can’t—<br />
&nbsp; &nbsp;&quot;I’ve got a first amendment right to be here,&quot; the man snapped. &quot;Freedom of the press.&quot;<br />
&nbsp; &nbsp;&quot;And I’ve got a right to throw your ass in jail. This’s a crime scene.&quot;<br />
&nbsp; &nbsp;&quot;Well, that’s why I want the pictures,&quot; he said petulantly. Then he frowned. &quot;What’s that smell?&quot; The camera sagged and the reporter started to breathe in shallow gasps. He looked queasy.<br />
&nbsp; &nbsp;&quot;It’s Desmond. Somebody murdered him. He’s in the coal bin.&quot;<br />
&nbsp; &nbsp;&quot;Murdered <I>him</I>? So he’s not the killer?&quot;<br />
&nbsp; &nbsp;Altman lifted his radio and barked to Randall, &quot;We’ve got visitors back here.&quot;<br />
&nbsp; &nbsp;&quot;What?&quot;<br />
&nbsp; &nbsp;&quot;We’re in the garage.&quot;<br />
&nbsp; &nbsp;The young officer showed up a moment later, trotting fast. A disdainful look at Wallace. &quot;Where the hell did you come from?&quot;<br />
&nbsp; &nbsp;&quot;How’d you let him get past?&quot; Altman snapped.<br />
&nbsp; &nbsp;&quot;Not his fault,&quot; the reporter said, shivering at the smell. &quot;I parked up the road. How ’bout we get some fresh air?&quot;<br />
&nbsp; &nbsp;Angry, Altman took perverse pleasure in the reporter’s discomfort. &quot;I oughta throw you in jail.&quot;<br />
&nbsp; &nbsp;Wallace held his breath and started for the coal bin, raising the camera.<br />
&nbsp; &nbsp;&quot;Don’t even think about it,&quot; Altman growled and pulled the reporter away.<br />
&nbsp; &nbsp;&quot;Who did it?&quot; Randall asked, nodding at the body.<br />
&nbsp; &nbsp;Altman didn’t share that for a moment he’d actually suspected Wallace Gordon himself. Just before the photo op incident he’d found a stunning clue as to who Desmond’s—and the two women’s killer—probably was. He held up a business card. &quot;I found this on the body.&quot;<br />
&nbsp; &nbsp;On the card was written, &quot;Detective Sergeant Robert Fletcher, Greenville Police Department.&quot;<br />
&nbsp; &nbsp;&quot;Bob?&quot; Randall whispered in shock.<br />
&nbsp; &nbsp;&quot;I don’t want to believe it,&quot; Altman muttered slowly, &quot;but back at the office he didn’t let on he even knew about Desmond, let alone that they’d met at some point.&quot;<br />
&nbsp; &nbsp;&quot;True.&quot;<br />
&nbsp; &nbsp;&quot;And,&quot; he continued, nodding at the mallet, &quot;Bob does all that metal work—his hobby, remember? That could be one of his.&quot;<br />
&nbsp; &nbsp;Randall looked uneasily at the murder weapon.<br />
&nbsp; &nbsp;Altman’s heart pounded furiously at the betrayal. He now speculated about what had happened. Fletcher bobbled the case intentionally—because <I>he </I>was the killer, probably destroying any evidence that led to him. A loner, a history of short, difficult relationships, obsessed with violence and military history and artifacts and hunting&#8230;.He’d lied to them about not about reading <I>Two Deaths </I>and <I>had </I>used it as a model to kill those women. Then—<I>after </I>the killings—Desmond happened to read the book too, underlined the passages and, being a good citizen, contacted case officer Fletcher, who was none other than the killer himself. The sergeant murdered him, dumped the body here and then destroyed the library’s computer. Of course, he never made any effort to pursue the vandalism investigation.<br />
&nbsp; &nbsp;Alarmed, Quentin Altman had another thought. He turned to the reporter. &quot;Where was Fletcher when you left the office? Did you see him at the station?&quot; The detective’s hand strayed to his pistol as he looked around the tall grass, wondering if the sergeant had followed him here and intended to kill them as well. Fletcher was a crack rifle shot.<br />
&nbsp; &nbsp;But Randall replied, &quot;He was in the conference room with Andy Carter.&quot;<br />
&nbsp; &nbsp;No! Altman realized that they weren’t the only ones at risk; the author was a witness too—and therefore a potential victim of Fletcher’s. Altman grabbed his cell phone and called the central dispatcher. He asked for Carter.<br />
&nbsp; &nbsp;&quot;He’s not here, sir,&quot; the woman said.<br />
&nbsp; &nbsp;&quot;What?&quot;<br />
&nbsp; &nbsp;&quot;It was getting late so he decided to get a hotel room for the night.&quot;<br />
&nbsp; &nbsp;&quot;Which one’s he staying at?&quot;<br />
&nbsp; &nbsp;&quot;I think it’s the Sutton Inn.&quot;<br />
&nbsp; &nbsp;&quot;You have the number?&quot;<br />
&nbsp; &nbsp;&quot;I do, sure. But he’s not there right now.&quot;<br />
&nbsp; &nbsp;&quot;Where is he?&quot;<br />
&nbsp; &nbsp;&quot;He went out to dinner. I don’t know where but if you need to get in touch with him you can call Bob Fletcher’s phone. They were going together.&quot;<br />
<P ALIGN="CENTER"></P><br />
<P ALIGN="CENTER">&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;XII </P><br />
&nbsp; &nbsp;Twenty minutes from town, driving at twice the posted limit.<br />
&nbsp; &nbsp;Altman tried again to call Fletcher but the sergeant wasn’t answering. There wasn’t much Altman could do except try to reason with the sergeant, have him give himself up, plead with him not to kill Carter too. He prayed that the cop hadn’t already done so.<br />
&nbsp; &nbsp;Another try. Still no answer.<br />
&nbsp; &nbsp;He skidded the squad car through the intersection at Route 202, nearly sideswiping one of the dairy tankers that were ubiquitous in these parts.<br />
&nbsp; &nbsp;&quot;Okay, that was exciting,&quot; Randall whispered, removing his sweaty palm from the dashboard as the truck’s horn brayed in angry protest behind them.<br />
&nbsp; &nbsp;Altman was about to call Fletcher’s phone again when a voice clattered over the car’s radio, &quot;All units. Reports of shots fired on Route 128 just west of Ralph’s grocery. Repeat, shots fired. All units respond.&quot;<br />
&nbsp; &nbsp;&quot;You think that’s them?&quot;<br />
&nbsp; &nbsp;&quot;We’re three minutes away. We’re about to find out.&quot; Altman called in their position and then pushed the accelerator to the floor; they broke into three-digit speed.<br />
&nbsp; &nbsp;After a brief, harrowing ride, the squad car crested a hill. Randall called breathlessly, &quot;Look!&quot;<br />
&nbsp; &nbsp;Altman could see Bob Fletcher’s Police Interceptor half on, half off the road. He skidded to a stop nearby and the two officers jumped out, Wallace’s car—which’d been hitching an illegal ride on their light bar and siren, braked to a stop fifty feet behind them. The reporter too jumped out, ignoring the detective’s shout to stay back.<br />
&nbsp; &nbsp;Altman felt Randall grip his arm. The young officer was pointing at the shoulder about fifty feet away. In the dim light they could just make out the form of Andrew Carter lying face down in a patch of bloody dirt.<br />
&nbsp; &nbsp;Oh, goddamnit! They weren’t in time; the sergeant had added the author to the list of his victims.<br />
&nbsp; &nbsp;Crouching beside the car, Altman whispered to Randall, &quot;Head up the road that way. Look out for Fletcher. He’s someplace close.&quot;<br />
&nbsp; &nbsp;Scanning the bushes, in a crouch, Altman ran toward the author’s body. As he did he happened to glance to his left and gasped. There was Bob Fletcher on the ground, holding a sheriff ’s department shotgun.<br />
&nbsp; &nbsp;He shouted to Randall, &quot;Look out!&quot; And dropped flat. But as he swung the gun toward Fletcher he noted that the sergeant wasn’t moving. The detective hit the man with his flashlight beam. Fletcher’s eyes were glazed over and there was blood on his chest.<br />
&nbsp; &nbsp;Wallace was crouching over Carter. The reporter called, &quot;He’s alive!&quot;<br />
&nbsp; &nbsp;The detective rose, pulled the scattergun out of Fletcher’s lifeless hands and trotted over to the author. Fletcher had shot him and he was unconscious.<br />
&nbsp; &nbsp;&quot;Andy, stay with us!&quot; Altman called, pressing his hand onto the bloody wound in the author’s belly. Over the crest of the road the detective could see the flashing lights and hear sirens, growing steadily louder. He leaned down and whispered into the man’s ear, &quot;Hang in there! You’ll be all right, you’ll be all right, you’ll be all right. . . .&quot; </FONT></p>
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		<title>Jeffery Deaver&#8217;s &#8220;Copycat&#8221; &#8211; Part 4</title>
		<link>http://blog.oup.com/2006/03/jeffery_deavers/</link>
		<comments>http://blog.oup.com/2006/03/jeffery_deavers/#comments</comments>
		<pubDate>Fri, 31 Mar 2006 14:28:00 +0000</pubDate>
		<dc:creator>Rebecca Ford</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Serial Blogging]]></category>

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		<guid isPermaLink="false">http://216.110.190.15/2006/03/jeffery_deavers_copycat_-_part_4/</guid>
		<description><![CDATA[This week in Serial Blogging &#8211; part four of Jeffery Deaver&#8217;s &#8220;Copycat,&#8221; which was first published in A New Omnibus of Crime. Read from the beginning of the story by clicking here!

&#160; &#160;&#160; &#160;&#160; &#160;VII  
&#160; &#160;Lake Muskegon was a large but shallow body of water bordered by willow, tall grass, and ugly pine. [...]]]></description>
			<content:encoded><![CDATA[<p>This week in Serial Blogging &#8211; part four of <a href="http://www.jefferydeaver.com/index.html" target="_new">Jeffery Deaver</a>&#8217;s &#8220;Copycat,&#8221; which was first published in <A HREF="http://service.bfast.com/bfast/click?bfmid=2181&#038;sourceid=41583844&#038;bfpid=0195182146&#038;bfmtype=book" TARGET="_top">A New Omnibus of Crime</a>. Read from the beginning of the story by <a href="http://blog.oup.com/wp-content/oupblog/2006/03/serial_blogging.html">clicking here!</a><br />
<span id="more-205"></span><br />
<FONT FACE="Arial" SIZE=2><P ALIGN="CENTER">&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;VII  </p>
<p>&nbsp; &nbsp;Lake Muskegon was a large but shallow body of water bordered by willow, tall grass, and ugly pine. Altman didn’t know the place well. He’d brought his family here for a couple of picnics over the years and he and Bob Fletcher had come to the lake once on a half-hearted fishing expedition, of which Altman had only vague memories: gray, drizzly weather and a nearly empty creel at the end of the day.<br />
&nbsp; &nbsp;As he and Randall drove north through the increasingly deserted landscape he briefed the young man. &quot;Now, I’m ninety-nine percent sure Desmond’s not here. But what we’re going to do first is clear the house—I mean closet by closet—and then I want you stationed in the front to keep an eye out while I look for evidence. Okay?&quot;<br />
&nbsp; &nbsp;&quot;Sure, boss.&quot;<br />
&nbsp; &nbsp;They passed Desmond’s overgrown driveway and pulled off the road, then eased into a thick tangle of forsythia stalks.<br />
&nbsp; &nbsp;Together, the men cautiously made their way down the weedy drive toward the &quot;vacation house,&quot; a dignified term for the tiny, shabby cottage sitting in a three-foot-high sea of grass and brush. A path had been beaten through the foliage—somebody had been here recently—but it might not have been Desmond; Altman had been a teenager once himself and knew that nothing attracts adolescent attention like a deserted house.<br />
&nbsp; &nbsp;They drew their weapons and Altman pounded on the door, calling, &quot;Police. Open up.&quot;<br />
&nbsp; &nbsp;Silence.<br />
&nbsp; &nbsp;He hesitated a moment, adjusted the grip on his gun and kicked the door in.<br />
&nbsp; &nbsp;Filled with cheap, dust-covered furniture, buzzing with stuporous fall flies, the place appeared deserted. They checked the four small rooms carefully and found no sign of Desmond. Outside, they glanced in the window of the garage and saw that it was empty. Then Altman sent Randall to the front of the driveway to hide in the bushes and report anybody’s approach.<br />
&nbsp; &nbsp;He then returned to the house and began to search, wondering just how hot the cold case was about to become.<br />
<P ALIGN="RIGHT"></P><br />
<P>&nbsp;</P><br />
<P ALIGN="CENTER">&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;VIII </P><br />
&nbsp; &nbsp;Two hundred yards from the driveway that led to Howard Desmond’s cottage a battered, ten-year-old Toyota pulled onto the shoulder of Route 207 and then eased into the woods, out of sight of any drivers along the road.<br />
&nbsp; &nbsp;A man got out and, satisfied that his car was well hidden, squinted into the forest, getting his bearings. He noticed the line of the brown lake to his left and figured the vacation house was in the ten-o’clock position ahead of him. Through dense underbrush like this it would take him about fifteen minutes to get to the place, he estimated.<br />
&nbsp; &nbsp;That’d make the time pretty tight. He’d have to move as quickly as he could and still keep the noise to a minimum.<br />
&nbsp; &nbsp;The man started forward but then stopped suddenly and patted his pocket. He’d been in such a hurry to get to the house he couldn’t remember if he’d taken what he wanted from the glove compartment. But, yes, he had it with him.<br />
&nbsp; &nbsp;Hunched over and picking his way carefully to avoid stepping on noisy branches, Gordon Wallace continued on toward the cabin where, he hoped, Detective Altman was lost in police work and would be utterly oblivious to his furtive approach.<br />
<P ALIGN="CENTER"></P><br />
<P ALIGN="CENTER">&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;IX </P><br />
&nbsp; &nbsp;The search of the house revealed virtually nothing that would indicate that Desmond had been here recently—or where the man might now be. Quentin Altman found some bills and cancelled checks. But the address on them was Desmond’s apartment in Warwick.<br />
&nbsp; &nbsp;He decided to check the garage, thinking he might come across something helpful the killer had tossed out of the car and forgotten about—maybe a sheet containing directions or a map or receipt.<br />
&nbsp; &nbsp;Altman discovered something far more interesting than evidence, though; he found Howard Desmond himself.<br />
&nbsp; &nbsp;That is to say, his corpse.<br />
&nbsp; &nbsp;The moment Altman opened the old-fashioned double doors of the garage he detected the smell of decaying flesh. He knew where it had to be coming from: a large coal bin in the back. Steeling himself, he flipped up the lid.<br />
&nbsp; &nbsp;The mostly skeletal remains of a man about six feet tall were inside, lying on his back, fully clothed. He’d been dead about six months—just around the time Desmond disappeared, Altman recalled.<br />
&nbsp; &nbsp;DNA would tell for certain if this was the vet tech but Altman discovered the man’s wallet in his hip pocket and, sure enough, the driver’s license inside was Desmond’s. DNA or dental records would tell for certain.<br />
&nbsp; &nbsp;The man’s skull was shattered; the cause of death was probably trauma to the head by a blunt object. There was no weapon in the bin itself but after a careful examination of the garage he found a heavy mallet wrapped in a rag and hidden in the bottom of a trash filled oil drum. There were some hairs adhering to the mallet that resembled Desmond’s. Altman set the tool on a workbench, wondering what the hell was going on.<br />
&nbsp; &nbsp;Somebody had murdered the Strangler. Who? And why? Revenge?<br />
&nbsp; &nbsp;But then Altman did one of the things he did best—let his mind run free. Too many detectives get an idea into their heads and can’t see past their initial conclusions. Altman, though, always fought against this tendency and he now asked himself: But what if Desmond <I>wasn’t </I>the Strangler?<br />
&nbsp; &nbsp;They knew for certain that he was the one who’d underlined the passages in the library’s copy of <I>Two Deaths in a Small Town. </I>But what if he’d done so <I>after </I>the killings? The letter Desmond had written to Carter was undated. Maybe— just like the reporter Gordon Wallace himself had done—he’d read the book after the murders and been struck by the similarity. He’d started to investigate the crime himself and the Strangler had found out and murdered him.<br />
&nbsp; &nbsp;But then who was the killer?<br />
<I>&nbsp; &nbsp;Just like Gordon Wallace had done&#8230;.<br />
</I>&nbsp; &nbsp;Altman felt another little tap in his far-ranging mind as fragments of facts lined up for him to consider—facts that all had to do with the reporter. For instance, Wallace was physically imposing, abrasive, temperamental. At times he could be threatening, scary. He was obsessed with crime and he knew police and forensic procedures better than most cops, which also meant that he knew how to anticipate investigators’ moves (He’d sure blustered his way right into the middle of the reopened case just the other day, Altman reflected.) Wallace owned a Motorola police scanner and would’ve been able to listen in on calls about the victims. His apartment was a few blocks from the college where the first victim was killed.<br />
&nbsp; &nbsp;The detective considered: Let’s say that Desmond had read the passages, become suspicious and circled them, then made a few phone calls to find out more about the case. He might’ve called Wallace, who, as the <I>Tribune</I>’s crime reporter, would be a logical source for more information.<br />
&nbsp; &nbsp;Desmond had met with the reporter, who’d then killed him and hid the body here.<br />
&nbsp; &nbsp;Impossible. &#8230;Why, for instance, would Gordon have brought the book to the police’s attention?<br />
&nbsp; &nbsp;Maybe to preempt suspicion?<br />
&nbsp; &nbsp;Altman returned to the disgusting, impromptu crypt once again to search it more carefully, trying to unearth some answers.  </p>
<p>&nbsp; </p>
<p><P ALIGN="CENTER">&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;X  </p>
<p>&nbsp; &nbsp;Gordon Wallace caught a glimpse of Altman in the garage.<br />
&nbsp; &nbsp;The reporter had crept up to a spot only thirty feet away and was hiding behind a bush. The detective wasn’t paying any attention to who might be outside, apparently relying on Josh Randall to alert him to intruders. The young detective was at the head of the driveway, a good 200 feet away, his back to the garage.<br />
&nbsp; &nbsp;Breathing heavily in the autumn heat, the reporter started through the grass in a crouch. He stopped beside the building and glanced into the side window fast, noting that Altman was standing over a coal bin in the rear of the garage, squinting at something in his hand.<br />
&nbsp; &nbsp;Perfect, Wallace thought and, reaching into his pocket, eased to the open doorway, where his aim would be completely unobstructed.</P></FONT></p>
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		<title>Serial Blogging: &#8220;Copycat&#8221; &#8211; Part 3</title>
		<link>http://blog.oup.com/2006/03/serial_blogging3/</link>
		<comments>http://blog.oup.com/2006/03/serial_blogging3/#comments</comments>
		<pubDate>Fri, 24 Mar 2006 14:30:00 +0000</pubDate>
		<dc:creator>Rebecca Ford</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Serial Blogging]]></category>

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		<guid isPermaLink="false">http://216.110.190.15/2006/03/serial_blogging_copycat_-_part_3/</guid>
		<description><![CDATA[This week in Serial Blogging &#8211; part three of Jeffery Deaver&#8217;s &#8220;Copycat,&#8221; which was first published in A New Omnibus of Crime. Read from the beginning of the story by clicking here!

&#160; &#160;&#160; &#160;&#160; &#160;V 
&#160; &#160;Andy Clark did indeed make the journey to Greenville.
&#160; &#160;He turned out not to resemble either a sinister artist [...]]]></description>
			<content:encoded><![CDATA[<p>This week in Serial Blogging &#8211; part three of <a href="http://www.jefferydeaver.com/index.html" target="_new">Jeffery Deaver</a>&#8217;s &#8220;Copycat,&#8221; which was first published in <A HREF="http://service.bfast.com/bfast/click?bfmid=2181&#038;sourceid=41583844&#038;bfpid=0195182146&#038;bfmtype=book" TARGET="_top">A New Omnibus of Crime</a>. Read from the beginning of the story by <a href="http://blog.oup.com/wp-content/oupblog/2006/03/serial_blogging.html">clicking here!</a><br />
<span id="more-200"></span><br />
<FONT FACE="Arial" SIZE=2><P ALIGN="CENTER">&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;V </P><br />
<P>&nbsp; &nbsp;Andy Clark did indeed make the journey to Greenville.<br />
&nbsp; &nbsp;He turned out not to resemble either a sinister artist or a glitzy celebrity but rather any one of the hundreds of white, middle-aged men who populated this region of the Northeast. Thick, graying hair, neatly trimmed. A slight paunch (much slighter than Altman&#8217;s own, thanks to the cop&#8217;s fondness for his wife&#8217;s casseroles). His outfit wasn&#8217;t an arm-patch sports jacket or any other authorial garb, but an L. L. Bean windbreaker, Polo shirt, and corduroy slacks.<br />
&nbsp; &nbsp;It had been two days since Altman had spoken to Carter. The man now stood uneasily in the cop&#8217;s office, taking the coffee that the young detective Josh Randall offered and nodding greetings to the cops and to Gordon Wallace. Carter slipped off his windbreaker, tossing it on an unoccupied chair. The author&#8217;s only moment of ill ease in this meeting was when he glanced on Altman&#8217;s desk and blinked as he saw the case file that was headed, <I>Banning, Kimberly-Homicide #13-04. </I>A brief look of dismay filled his face. Quentin Altman was grateful that he&#8217;d had the foresight to slip the crime scene photos of the victim&#8217;s body to the bottom of the folder.<br />
&nbsp; &nbsp;They made small talk for a minute or two and then Altman nodded at a large white envelope in the author&#8217;s hand. &quot;You find some letters you think might be helpful?&quot;<br />
&nbsp; &nbsp;&quot;Helpful?&quot; Carter asked, rubbing his red eyes. &quot;I don&#8217;t know. You&#8217;ll have to decide that.&quot; He handed the envelope to the detective.<br />
&nbsp; &nbsp;Altman opened it envelope and, donning latex gloves, pulled out what must&#8217;ve been about two hundred or so sheets.<br />
&nbsp; &nbsp;The detective led the men into the department conference room and spread the letters out on the table. Randall joined them.<br />
&nbsp; &nbsp;Some of them were typed or printed out from a computer-but these were signed, offering a small sample of the correspondent&#8217;s handwriting. Some were written in cursive, some in block letters. They were on many different types and sizes of paper and colors of ink or pencil. Crayons too.<br />
&nbsp; &nbsp;For an hour the men, each wearing rubber gloves, pored over the letters. Altman could understand the author&#8217;s dismay. Many of them were truly vicious. Finally he divided them into several piles. First, the email, none of which seemed to have been written by potential killers. Second were the handwritten letters that seemed like the typical innocent opinions of readers. None of these asked for details about how he&#8217;d researched the novel or seemed in any way incriminating, though some were angry and some were disturbingly personal (&quot;Come and see us in Sioux City if your in town and the wife and me will treat you to our special full body massage outside on the deck behind our trailer.&quot;)<br />
&nbsp; &nbsp;&quot;Ick,&quot; said young officer Randall.<br />
&nbsp; &nbsp;The final pile, Altman explained, &quot;included letters that were reasonable and calm and cautious. . . . Just like the Strangler. See, he&#8217;s an organized offender. He&#8217;s not going to give anything away by ranting. If he has any questions he&#8217;s going to ask them politely and carefully-he&#8217;ll want some detail but not too much; that&#8217;d arouse suspicion.&quot; Altman gathered up this stack-about ten letters-placed them in an evidence envelope and handed them to the young detective. &quot;Over to the county lab, stat.&quot;<br />
&nbsp; &nbsp;A man stuck his head in the door-Detective Bob Fletcher. The even-keeled sergeant introduced himself to Carter. &quot;We never met but I spoke to you on the phone about the case,&quot; the cop said.<br />
&nbsp; &nbsp;&quot;I remember.&quot; They shook hands.<br />
&nbsp; &nbsp;Fletcher nodded at Altman, smiling ruefully. &quot;He&#8217;s a better cop than me. I never thought that the killer might&#8217;ve tried to write you.&quot;<br />
&nbsp; &nbsp;The sergeant, it turned out, had contacted Carter not about fan mail but to ask if the author&#8217;d based the story on any previous true crimes, thinking there might be a connection between them and the Strangler murders. It had been a good idea but Carter had explained that the plot for <I>Two Deaths </I>was a product of his imagination.<br />
&nbsp; &nbsp;The sergeant&#8217;s eyes took in the stacks of letters. &quot;Any luck?&quot; he asked.<br />
&nbsp; &nbsp;&quot;We&#8217;ll have to see what the lab finds.&quot; Altman then nodded toward the author. &quot;But I have to say that Mr. Carter here&#8217;s been a huge help. We&#8217;d be stymied for sure, it wasn&#8217;t for him.&quot;<br />
&nbsp; &nbsp;Appraising Carter carefully, Fletcher said, &quot;I have to admit I never got a chance to read your book but I always wanted to meet you. An honest-to-God famous author. Don&#8217;t think I&#8217;ve ever shook one&#8217;s hand before.&quot;<br />
&nbsp; &nbsp;Carter gave an embarrassed laugh. &quot;Not very famous to look at my sales figures.&quot;<br />
&nbsp; &nbsp;&quot;Well, all I know is my girlfriend read your book and she said it was the best thriller she&#8217;d read in years.&quot;<br />
&nbsp; &nbsp;Carter said, &quot;I appreciate that. Is she around town? I could autograph her copy.&quot;<br />
&nbsp; &nbsp;&quot;Oh,&quot; Fletcher said hesitantly, &quot;well, we&#8217;re not going out any more. She left the area. But thanks for the offer.&quot; He headed back to Robbery.<br />
&nbsp; &nbsp;There was now nothing to do but wait for the lab results to come back so Wallace suggested coffee at Starbucks. The men wandered down the street, ordered, and sat sipping the drinks, as Wallace pumped Carter for information about breaking into fiction writing, and Altman simply enjoyed the feel of the hot sun on his face.<br />
&nbsp; &nbsp;The men&#8217;s recess ended abruptly, though, fifteen minutes later when Altman&#8217;s cell phone rang.<br />
&nbsp; &nbsp;&quot;Detective,&quot; came the enthusiastic voice of his youthful assistant, Josh Randall, &quot;we&#8217;ve got a match! The handwriting in one of Mr. Carter&#8217;s fan letters matches the notes in the margins of the book. The ink&#8217;s the same too.&quot;<br />
&nbsp; &nbsp;The detective said, &quot;Please tell me there&#8217;s a name and address on the letter.&quot;<br />
&nbsp; &nbsp;&quot;You bet there is. Howard Desmond&#8217;s his name. And his place is over in Warwick.&quot; A small town twenty minutes from the sites of both of the Greenville Strangler&#8217;s attacks.<br />
&nbsp; &nbsp;The detective told his assistant to pull together as much information on Desmond as he could. He snapped the phone shut and, grinning, announced. &quot;We&#8217;ve found him. We&#8217;ve got our copycat.&quot; </P><br />
<P ALIGN="CENTER">&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;VI </P><br />
<P>&nbsp; &nbsp;But, as it turned out, they didn&#8217;t have him at all.<br />
&nbsp; &nbsp;At least not the flesh-and-blood suspect.<br />
&nbsp; &nbsp;Single, 42-year-old Howard Desmond, a veterinary technician, had skipped town six months before, leaving in a huge hurry. One day he&#8217;d called his landlord and announced that he was moving. He&#8217;d left virtually overnight, abandoning everything in the apartment but his valuables. There was no forwarding address. Altman had hoped to go through whatever he&#8217;d left behind but the landlord explained that he&#8217;d sold everything to make up for the lost rent. What didn&#8217;t sell he&#8217;d thrown out. The detective called the state public records departments to see if they had any information about him.<br />
&nbsp; &nbsp;Altman spoke to the vet in whose clinic Desmond had worked and the doctor&#8217;s report was similar to the landlord&#8217;s. In April Desmond had called and quit his job, effective immediately, saying only that he was moving to Oregon to take care of his elderly grandmother. He&#8217;d never called back with a forwarding address for his last check, as he said he would.<br />
&nbsp; &nbsp;The vet described Desmond as quiet and affectionate to the animals in his care but with little patience for people.<br />
&nbsp; &nbsp;Altman contacted the authorities in Oregon and found no record of any Howard Desmonds in the DMV files or on the property or income tax rolls. A bit more digging revealed that all of Desmond&#8217;s grandparents-his parents too-had died years before; the story about the move to Oregon was apparently a complete lie.<br />
&nbsp; &nbsp;The few relatives the detective could track down confirmed that he&#8217;d just disappeared and they didn&#8217;t know where he might be. They echoed his boss&#8217;s assessment, describing the man as intelligent but a recluse, one who-significantly-loved to read and often lost himself in novels, appropriately for a killer who took his homicidal inspiration from a book.<br />
&nbsp; &nbsp;&quot;What&#8217;d his letter to Andy say?&quot; Wallace asked.<br />
&nbsp; &nbsp;With an okaying nod from Altman, Randall handed it to the reporter, who then summarized out loud. &quot;He asks how Mr. Carter did the research for his book. What were the sources he used? How did he learn about the most efficient way a murderer would kill someone? And he&#8217;s curious about the mental makeup of a killer. Why did some people find it easy to kill while others couldn&#8217;t possibly hurt anyone?&quot;<br />
&nbsp; &nbsp;Altman shook his head. &quot;No clue as to where he might&#8217;ve gone. We&#8217;ll get his name into NCIC and VICAP but, hell, he could be anywhere. South America, Europe, Singapore. . . .&quot;<br />
&nbsp; &nbsp;Since Bob Fletcher&#8217;s Robbery Division would&#8217;ve handled the vandalism at the Greenville library&#8217;s Three Pines Branch, which they now knew Desmond was responsible for, Altman sent Randall to ask the sergeant if he&#8217;d found any leads as part of the investigation that would be helpful.<br />
&nbsp; &nbsp;The other men found themselves staring at Desmond&#8217;s fan letter as if it were a corpse at a wake, silence surrounding them.<br />
&nbsp; &nbsp;Altman&#8217;s phone rang and he took the call. It was the county clerk, who explained that Desmond owned a small vacation home about sixty miles from Greenville, on the shores of Lake Muskegon, tucked into the backwater, piney wilderness.<br />
&nbsp; &nbsp;&quot;You think he&#8217;s hiding out there?&quot; Wallace asked.<br />
&nbsp; &nbsp;&quot;I say we go find out. Even if he&#8217;s hightailed it out of the state, though, there could be some leads there as to where he did go. Maybe airline receipts or something, notes, phone message on an answering machine.&quot;<br />
&nbsp; &nbsp;Wallace grabbed his jacket and his reporter&#8217;s notebook. &quot;Let&#8217;s go.&quot;<br />
&nbsp; &nbsp;&quot;No, no, no,&quot; Quentin Altman said firmly. &quot;You get an exclusive. You don&#8217;t get to go into the line of fire.&quot;<br />
&nbsp; &nbsp;&quot;Nice of you to think of me,&quot; Wallace said sourly.<br />
&nbsp; &nbsp;&quot;Basically I just don&#8217;t want to get sued by your newspaper if Desmond decides to use you for target practice.&quot;<br />
&nbsp; &nbsp;The reporter gave a scowl and dropped down into an officer chair.<br />
&nbsp; &nbsp;Josh Randall returned to report that Sergeant Bob Fletcher had no helpful information in the library vandalism case.<br />
&nbsp; &nbsp;But Altman said, &quot;Doesn&#8217;t matter. We&#8217;ve got a better lead. Suit up, Josh.&quot;<br />
&nbsp; &nbsp;&quot;Where&#8217;re we going?&quot;<br />
&nbsp; &nbsp;&quot;For a ride in the country. What else on a nice fall day like this?&quot; </P></FONT></p>
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		<title>Serial Blogging: &#8220;Copycat&#8221; &#8211; Part 2</title>
		<link>http://blog.oup.com/2006/03/serial_blogging4/</link>
		<comments>http://blog.oup.com/2006/03/serial_blogging4/#comments</comments>
		<pubDate>Fri, 17 Mar 2006 14:45:00 +0000</pubDate>
		<dc:creator>Rebecca Ford</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Serial Blogging]]></category>

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		<guid isPermaLink="false">http://216.110.190.15/2006/03/serial_blogging_copycat_-_part_2/</guid>
		<description><![CDATA[In our second Serial Blogging post, part two of &#8220;Copycat&#8221; by famed mystery writer Jeffery Deaver.  The story was first published in A New Omnibus of Crime. Read last week&#8217;s installment by clicking here!

&#160; &#160;&#160; &#160;&#160; &#160;III 
&#160; &#160;The library near Gordon Wallace&#8217;s apartment, where he&#8217;d checked out the novel Two Deaths in a [...]]]></description>
			<content:encoded><![CDATA[<p>In our second Serial Blogging post, part two of &#8220;Copycat&#8221; by famed mystery writer <a href="http://www.jefferydeaver.com/index.html" target="_new">Jeffery Deaver</a>.  The story was first published in <A HREF="http://service.bfast.com/bfast/click?bfmid=2181&#038;sourceid=41583844&#038;bfpid=0195182146&#038;bfmtype=book" TARGET="_top">A New Omnibus of Crime</a>. Read last week&#8217;s installment by <a href="http://blog.oup.com/wp-content/oupblog/2006/03/serial_blogging.html">clicking here!</a><br />
<span id="more-196"></span><br />
<FONT FACE="Arial" SIZE=2><P ALIGN="CENTER">&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;III </P><br />
<P>&nbsp; &nbsp;The library near Gordon Wallace&#8217;s apartment, where he&#8217;d checked out the novel <I>Two Deaths in a Small Town, </I>was a branch in the Three Pines neighborhood of Greenville, so named because legend had it that three trees in a park here had miraculously survived the fire of 1829, which had destroyed the rest of the town. It was a nice area, populated mostly by businessmen, professionals, and educators; the college was nearby (the same school where the first Strangler victim had been a student).<br />
&nbsp; &nbsp;Altman followed Wallace inside and the reporter found the head of the branch, introduced her to the detective. Mrs. McGiver was a trim woman dressed in stylish gray; she looked more like a senior executive with a high-tech company than a librarian.<br />
&nbsp; &nbsp;The detective explained how they suspected the book had been used by a copycat as a model for the killings. Shock registered on the woman&#8217;s face as she realized that the Strangler was somebody who&#8217;d been to her library. Perhaps he was even someone she knew.<br />
&nbsp; &nbsp;&#8221;I&#8217;d like a list of everybody who checked out that book.&#8221; Altman had considered the possibility that the killer might not have checked it out but had merely looked through it here, in the library itself. But that meant he&#8217;d have to underline the passages in public and risk drawing the attention of librarians or patrons. He concluded that the only safe way for the Strangler to do his homework was at home.<br />
&nbsp; &nbsp;&#8221;I&#8217;ll see what I can find,&#8221; she said.<br />
&nbsp; &nbsp;Altman had thought that it might take days to pull together this information but Mrs. McGiver was back in minutes. Altman felt his gut churning with excitement as he gazed at the sheets of paper in her hand, relishing the sensations of the thrill of the hunt and pleasure at finding a fruitful lead.<br />
&nbsp; &nbsp;But as he flipped through the sheets, he frowned. Every one of the thirty or so people checking out <I>Two Deaths </I>had done so recently-within the last six months. They needed the names of those who&#8217;d checked it out <I>before </I>the killings eight months ago. He explained this to her.<br />
&nbsp; &nbsp;&#8221;Oh, but we don&#8217;t have records that far back. Normally we would, but about six months ago our computer was vandalized.&#8221;<br />
&nbsp; &nbsp;&#8221;Vandalized?&#8221;<br />
&nbsp; &nbsp;She nodded, frowning. &#8220;Somebody poured battery acid or something into the hard drives. Ruined them and destroyed all our records. The backup too. Somebody from your department handled the case. I don&#8217;t remember who.&#8221;<br />
&nbsp; &nbsp;Wallace said, &#8220;I didn&#8217;t hear about it.&#8221;<br />
&nbsp; &nbsp;&#8221;They never found who did it. It was very troubling but more of an inconvenience than anything. Imagine if he&#8217;d decided to destroy the books themselves.&#8221;<br />
&nbsp; &nbsp;Altman caught Wallace&#8217;s eye. &#8220;Dead end,&#8221; the cop angrily. Then he asked the librarian, &#8220;How &#8217;bout the names of everybody who had a library card then? Were their names in the computer too?&#8221;<br />
&nbsp; &nbsp;She nodded. &#8220;Prior to six months ago, they&#8217;re gone too. I&#8217;m sorry.&#8221;<br />
&nbsp; &nbsp;Forcing a smile onto his face, he thanked the librarian and walked to the doorway. But he stopped so suddenly that Wallace nearly slammed into his back.<br />
&nbsp; &nbsp;&#8221;What?&#8221; the reporter asked.<br />
&nbsp; &nbsp;Altman ignored him and hurried back to the main desk, calling out, &#8220;Mrs. McGiver! Hold up there! I need you to find out something for me.&#8221;<br />
&nbsp; &nbsp;Drawing glares and a couple of harsh <I>shhhh</I>&#8217;s from readers. </P><br />
<P ALIGN="CENTER">&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;IV </P><br />
<P>&nbsp; &nbsp;The author of <I>Two Deaths in a Small Town, </I>Andrew M. Carter, lived in Hampton Station, near Albany, about two hours away from Greenville.<br />
&nbsp; &nbsp;Mrs. McGiver&#8217;s copy of <I>Who&#8217;s Who in Contemporary Mystery Writing </I>didn&#8217;t include street addresses or phone numbers, but Altman called the DMV and they tracked down the specifics.<br />
&nbsp; &nbsp;The idea that occurred to Altman as he was leaving the library was that Carter might&#8217;ve gotten a fan letter from the Strangler. Maybe he&#8217;d written to express some admiration, maybe he&#8217;d asked for more information or how the author had done his research. If there was such a letter the county forensic handwriting expert could easily link the notation with the fan, who-if they were lucky-might have signed his real name to the letter and included his address.<br />
&nbsp; &nbsp;Mentally crossing his fingers he placed a call to the author. A woman answered. &#8220;Hello?&#8221;<br />
&nbsp; &nbsp;&#8221;I&#8217;m Detective Altman with the Greenville Police Department,&#8221; he said. &#8220;I&#8217;d like to speak to Andrew Carter.&#8221;<br />
&nbsp; &nbsp;&#8221;I&#8217;m his wife,&#8221; she said. &#8220;He&#8217;s not available.&#8221; The matter-of-fact tone in her voice suggested that this was her knee-jerk response to all such calls.<br />
&nbsp; &nbsp;&#8221;When will he be available?&#8221;<br />
&nbsp; &nbsp;&#8221;This is about the murders, isn&#8217;t it?&#8221;<br />
&nbsp; &nbsp;&#8221;That&#8217;s right, ma&#8217;am.&#8221;<br />
&nbsp; &nbsp;A hesitation. &#8220;The thing is. . . .&#8221; Her voice lowered and Altman suspected that her unavailable husband was in a nearby room. &#8220;He hasn&#8217;t been well.&#8221;<br />
&nbsp; &nbsp;&#8221;I&#8217;m sorry,&#8221; Altman said. &#8220;Is it serious?&#8221;<br />
&nbsp; &nbsp;&#8221;You bet it&#8217;s serious,&#8221; she said angrily. &#8220;When the news got out that Andy&#8217;s book, you know, inspired somebody to kill those girls he got real depressed. He cut himself off from everybody. He stopped writing.&#8221; She hesitated. &#8220;He stopped <I>everything</I>. He just gave up.&#8221;<br />
&nbsp; &nbsp;&#8221;Must&#8217;ve been difficult, Mrs. Carter,&#8221; Altman said sympathetically, reflecting that reporter Wallace wasn&#8217;t the first person to wonder if the novel had inspired a copycat.<br />
&nbsp; &nbsp;&#8221;You have no idea. I told him it was just a coincidence—those women getting killed like he wrote in the book. Just a weird coincidence. But these reporters and, well, <I>everybody</I>, friends, neighbors. . . . They kept yammering on and on about how Andy was to blame.&#8221;<br />
&nbsp; &nbsp;Altman supposed she wasn&#8217;t going to like the fact he&#8217;d found proof that her husband&#8217;s book had probably been the model for the killings.<br />
&nbsp; &nbsp;She continued, &#8220;He&#8217;s been getting better lately. Anything about the case could set him back.&#8221;<br />
&nbsp; &nbsp;&#8221;I do understand that, ma&#8217;am, but you have to see my situation. We&#8217;ve got a possibility of catching the killer and your husband could be real helpful. . . .&#8221;<br />
&nbsp; &nbsp;The sound on the other end of the line grew muffled and Altman could hear her talking to someone else.<br />
&nbsp; &nbsp;Quentin Altman wasn&#8217;t surprised when she said, &#8220;My husband just got back. I&#8217;ll put him on.&#8221;<br />
&nbsp; &nbsp;&#8221;Hello?&#8221; came a soft, uneasy voice. &#8220;This&#8217;s Andy Carter.&#8221;<br />
&nbsp; &nbsp;Altman identified himself.<br />
&nbsp; &nbsp;&#8221;Were you the policeman I talked to a while back?&#8221;<br />
&nbsp; &nbsp;&#8221;Me? No. That might&#8217;ve been the case detective. Sergeant Bob Fletcher.&#8221;<br />
&nbsp; &nbsp;&#8221;Right. That was the name.&#8221;<br />
&nbsp; &nbsp;So Fletcher <I>had </I>talked to the author. There was no reference in the case file that he recalled. He must&#8217;ve missed it. He reiterated to Carter what he&#8217;d told the author&#8217;s wife and the man said immediately, &#8220;I can&#8217;t help you. And frankly, I don&#8217;t <I>want </I>to&#8230;. This&#8217;s been the worst time of my life.&#8221;<br />
&nbsp; &nbsp;&#8221;I appreciate that, sir. But that killer&#8217;s still free. And-&#8221;<br />
&nbsp; &nbsp;&#8221;But I don&#8217;t <I>know </I>anything. I mean, what could I possible tell you that-&#8221;<br />
&nbsp; &nbsp;&#8221;We may have a sample of the killer&#8217;s handwriting-we found some notes in a copy of your book that make us think he might&#8217;ve written them. And we&#8217;d like to compare it to any letters from fans you might&#8217;ve received.&#8221;<br />
&nbsp; &nbsp;There was a long pause. Finally the author whispered, &#8220;So he <I>did </I>use my book as a model.&#8221;<br />
&nbsp; &nbsp;In a kind voice Altman said, &#8220;It&#8217;s looking that way, Mr. Carter. The underlined passages are the ones that fit the M.O. of the two murders. I&#8217;m afraid they&#8217;re identical.&#8221;<br />
&nbsp; &nbsp;Altman heard nothing for a moment then he asked, &#8220;Sir, are you all right?&#8221;<br />
&nbsp; &nbsp;The author cleared his throat. &#8220;I&#8217;m sorry. I can&#8217;t help you. I just. &#8230;It&#8217;d be too much for me.&#8221;<br />
&nbsp; &nbsp;Quentin Altman often told young officers who worked for him that a detective&#8217;s most important trait is persistence. He said in an even voice, &#8220;You&#8217;re the only one who can help us trace the book back to the killer. He destroyed the library computer so we don&#8217;t have the names of who checked out your book. There&#8217;s no match on the fingerprints either&#8230;.I want to catch this man real bad. And I suspect you do too, Mr. Carter. Don&#8217;t you, now?&#8221;<br />
&nbsp; &nbsp;There was no response. Finally the faint voice continued, &#8220;Do you know that <I>strangers </I>sent me clippings about the killings? Perfect strangers. Hundreds of them. They blamed <I>me. </I>They called my book a &#8216;blueprint for murder.&#8217; I had to go into the hospital for a month afterwards, I was so depressed. &#8230;I <I>caused </I>those murders! Don&#8217;t you understand that?&#8221;<br />
&nbsp; &nbsp;Altman looked up at Wallace and shook his head.<br />
&nbsp; &nbsp;The reporter gestured for the phone. Altman figured, Why not?<br />
&nbsp; &nbsp;&#8221;Mr. Carter, there&#8217;s a person here I&#8217;m going to put on the line. I&#8217;d like him to have a word with you.&#8221;<br />
&nbsp; &nbsp;&#8221;Who?&#8221;<br />
&nbsp; &nbsp;The cop handed the receiver over and sat back, listening to the one-sided conversation.<br />
&nbsp; &nbsp;&#8221;Hello, Mr. Carter.&#8221; The reporter&#8217;s gaunt frame hunched over the phone and he gripped the receiver in astonishingly long, strong fingers. &#8220;You don&#8217;t know me. My name is Wallace Gordon. I&#8217;m a fan of your book-I loved it. I&#8217;m a reporter for the <I>Tribune </I>here in Greenville. &#8230;I got that. I understand how you feel-my colleagues step over a lot of lines. But I don&#8217;t operate that way. And I know you&#8217;re reluctant to get involved here. I&#8217;m sure you&#8217;ve been through a tough time but let me just say one thing: I&#8217;m no talented novelist like you- I&#8217;m just a hack journalist-but I <I>am </I>a writer and if I have any important belief in my life it&#8217;s in the freedom to write whatever moves us. Now&#8230;.No, please, Mr. Carter, let me finish. I heard that you stopped writing after the murders. . . . Well, you and your talent were as much a victim of those crimes as those women were. You exercised your God-given right to express yourself and a terrible accident happened. That&#8217;s how I&#8217;d look at this madman: an act of God. You can&#8217;t do anything about those women. But you can help yourself and your family to move on. . . And there&#8217;s something else to consider: You&#8217;re in a position to make sure nobody else ever gets hurt by this guy again.&#8221;<br />
&nbsp; &nbsp;Altman lifted an impressed eyebrow at the reporter&#8217;s sales pitch. Wallace held the receiver to his ear for a moment, listening. Finally he nodded and glanced at Altman. &#8220;He wants to talk to you.&#8221;<br />
&nbsp; &nbsp;Altman took the phone. &#8220;Yessir?&#8221;<br />
&nbsp; &nbsp;&#8221;What exactly would you want me to do?&#8221; came the tentative voice through phone.<br />
&nbsp; &nbsp;&#8221;All I need is to go through the fan mail you got about the book.&#8221;<br />
&nbsp; &nbsp;A bitter laugh. &#8220;Hate mail, you mean. That&#8217;s mostly what I got.<br />
&nbsp; &nbsp;&#8221;Whatever you received. We&#8217;re mostly interested in handwritten letters, so we can match physical evidence. But any emails you got, we&#8217;d like to see too.&#8221;<br />
&nbsp; &nbsp;A pause. Was he going to balk? Then the detective heard the man say, &#8220;It&#8217;ll take me a day or two. I kind of stopped. &#8230;Well, let me just say things haven&#8217;t been too organized around my office lately.&#8221;<br />
&nbsp; &nbsp;&#8221;That&#8217;s fine.&#8221; Altman gave the author the directions to the police station and told him to wear kitchen gloves and handle the handwritten letters by the edges to make sure he didn&#8217;t mess up the fingerprints.<br />
&nbsp; &nbsp;&#8221;All right,&#8221; Carter said sullenly.<br />
Altman wondered if he&#8217;d really come. He started to tell the author how much he appreciated the help but after a moment he realized that the man had hung up and he was listening to dead air.</P></FONT></p>
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		<title>Serial Blogging: &#8220;Copycat&#8221; &#8211; Part 1</title>
		<link>http://blog.oup.com/2006/03/serial_blogging5/</link>
		<comments>http://blog.oup.com/2006/03/serial_blogging5/#comments</comments>
		<pubDate>Fri, 10 Mar 2006 15:29:00 +0000</pubDate>
		<dc:creator>Rebecca Ford</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Serial Blogging]]></category>

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		<description><![CDATA[OUP Blog does fiction &#8211; Classic stories in serialized form
In our inaugural Serial Blogging posts, we present a story by famed mystery writer, Jeffery Deaver, whose 1997 novel The Bone Collector was made into a movie starring Denzel Washington and Angelina Jolie. Our story, &#8220;Copycat,&#8221; was first published in A New Omnibus of Crime. Every [...]]]></description>
			<content:encoded><![CDATA[<p>OUP Blog does fiction &#8211; Classic stories in serialized form</p>
<p>In our inaugural Serial Blogging posts, we present a story by famed mystery writer, <a href="http://www.jefferydeaver.com/index.html" target="_new">Jeffery Deaver</a>, whose 1997 novel <i>The Bone Collector</i> was made into a movie starring Denzel Washington and Angelina Jolie. Our story, &#8220;Copycat,&#8221; was first published in <A HREF="http://service.bfast.com/bfast/click?bfmid=2181&#038;sourceid=41583844&#038;bfpid=0195182146&#038;bfmtype=book" TARGET="_top">A New Omnibus of Crime</a>. Every Friday for the next five weeks we&#8217;ll feature a new installment of &#8220;Copycat.&#8221; Enjoy!<br />
<span id="more-191"></span><br />
<FONT FACE="Arial" SIZE=3>&#8220;Copycat&#8221;<br />by Jeffery Deaver</font></p>
<p><FONT FACE="Arial" SIZE=2><P ALIGN="CENTER">&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;I </p>
<p></FONT><FONT FACE="Arial" SIZE=1>
<p>&nbsp; &nbsp;DETECTIVE </FONT><FONT FACE="Arial" SIZE=2>Quentin Altman rocked back, his chair squealing with the telltale caw of aging government furniture, and eyed the narrow, jittery man sitting across from him. &#8220;Go on,&#8221; the cop said.<br />
&nbsp; &nbsp;&#8221;So I check out this book from the library. Just for the fun of it. I never do that, just read a book for the fun of it. I mean, <I>never. </I>I don&#8217;t get much time off, you know.&#8221;<br />
&nbsp; &nbsp;Altman hadn&#8217;t known this but he could certainly have deduced it. Wallace Gordon was the Greenville <I>Tribune</I>&#8217;s sole crime reporter and must&#8217;ve spent sixty, seventy hours a week banging out copy, to judge by the number of stories appearing under his byline every day.<br />
&nbsp; &nbsp;&#8221;And I&#8217;m reading along and-&#8221;<br />
&nbsp; &nbsp;&#8221;What is it you&#8217;re reading?&#8221;<br />
&nbsp; &nbsp;&#8221;A novel-a murder mystery. I&#8217;ll get to that. . . . I&#8217;m reading along and I&#8217;m irritated,&#8221; the reporter continued, &#8220;because somebody&#8217;d circled some passages. In a <I>library </I>book.&#8221;<br />
&nbsp; &nbsp;Altman grunted distractedly. He was head of Homicide in a burgh with a small-town name but big-city crime statistics. The fifty-something detective was busy and he didn&#8217;t have much time for reporters with crackpot theories. There were twenty-two folders of current cases on his desk and here Wallace was delivering some elliptical message about defaced books.<br />
&nbsp; &nbsp;&#8221;I don&#8217;t pay much attention at first but I go back and reread one of the circled paragraphs. It jogs my memory. Anyway, I checked the morgue-&#8221;<br />
&nbsp; &nbsp;&#8221;Morgue?&#8221; Altman frowned, rubbing his wiry red hair, which showed not a strand of gray.<br />
&nbsp; &nbsp;&#8221;<I>Our </I>morgue, not yours. In the newspaper office. All the old stories.&#8221;<br />
&nbsp; &nbsp;&#8221;Got it. How &#8217;bout getting to the point?&#8221;<br />
&nbsp; &nbsp;&#8221;I found the articles about the Kimberly Banning murder.&#8221;<br />
&nbsp; &nbsp;Quentin Altman grew more attentive. Twenty-eight-year-old Kimberly had been strangled to death eight months ago. The murder occurred two weeks after a similar killing-of a young female grad student. The two deaths appeared to be the work of the same person but there were few forensic leads and no motive that anyone could determine. The cases prompted a taskforce investigation but eventually the suspects were cleared and the case grew cold.<br />
&nbsp; &nbsp;Tall and gaunt, with tendons and veins rising from his pale skin, reporter Wallace tried-usually unsuccessfully-to tone down his intimidating physique and face with brown tweed jackets, corduroy slacks and pastel shirts. He asked the cop, &#8220;You remember how the whole town was paranoid after the first girl was killed? And how everybody was double locking their doors and never letting strangers into their houses?&#8221;<br />
&nbsp; &nbsp;Altman nodded.<br />
&nbsp; &nbsp;&#8221;Well, look at this.&#8221; The reporter pulled latex gloves out of his pocket and put them on.<br />
&nbsp; &nbsp;&#8221;Why the gloves, Wallace?&#8221;<br />
&nbsp; &nbsp;The man ignored the question and dug a book out of his battered briefcase. Altman got a look at the title. <I>Two Deaths in a Small Town. </I>He&#8217;d never heard of it.<br />
&nbsp; &nbsp;&#8221;This was published six months <I>before </I>the first killing.&#8221; He opened the book to a yellow Post-it tab and pushed it forward. &#8220;Read those paragraphs.&#8221; The detective pulled on his CVS drugstore glasses and leaned forward. </p>
<p>
<blockquote></FONT><I><FONT FACE="Arial" SIZE=2>&nbsp; &nbsp;The Hunter knew that now that he&#8217;d killed once, the town would be more alert than ever. Its soul would be edgier, its collective nerves would be as tense as an animal trap&#8217;s blue-steel spring. Women would not stroll the streets alone and those who did would be looking around constantly, alert for any risk. Only a fool would let a stranger into her house and the Hunter did not enjoy killing fools.  <br />
&nbsp; &nbsp;So on Tuesday night he waited until bedtime-11:00 p.m.-and then slipped onto Maple Street. There, he doused a parked convertible&#8217;s roof with gasoline and ignited the pungent, amber liquid. A huge whoosh. . . . He hid in the bushes and, hypnotized by the tornado of flames and ebony smoke swirling into the night sky above the dying car, he waited. In ten minutes behemoths of fire trucks roared up the street, their wailing sirens drawing people from their homes to find out what the excitement might be.  <br />
&nbsp; &nbsp;Among those on the sidewalk was a young, demure blonde with a heart-shaped face, Clara Steading. This was the woman the Hunter knew he had to possess-possess completely. She was love incarnate, Amore herself, she was Beauty, she was Passion. . . . And she was also completely ignorant of her role as the object of his demented desire. Clara shivered in her bathrobe, standing on the sidewalk, along with a clutch of chattery neighbors, as they watched the firemen extinguish the blaze and offered words of sympathy to the dismayed owner of the car, who lived a few doors away.  <br />
&nbsp; &nbsp;Finally the onlookers grew bored, or repulsed by the bitter smell of the burnt rubber and plastic, and they returned to their beds or their late-night snacks or their mind-numbing TV. But their vigilance didn&#8217;t flag; the moment they stepped inside, every one of them locked their doors and windows carefully-to make certain that the strangler would not wreak his carnage in their homes.  <br />
&nbsp; &nbsp;Though in Clara Steading&#8217;s case, her diligence in securing the deadbolt and chains had a somewhat different effect: locking the Hunter inside with her.</I></font></p></blockquote>
<p></FONT><FONT FACE="Arial" SIZE=2>&nbsp; &nbsp;&#8221;Jesus,&#8221; Altman muttered. &#8220;That&#8217;s just what happened in the Kimberly Banning case, how the perp got inside. He set fire to a car.&#8221;<br />
&nbsp; &nbsp;&#8221;A convertible,&#8221; Wallace added. &#8220;And then I went back and found some passages that&#8217;d been marked. One of them was about how the killer had stalked his victim by pretending to work for the city and trimming the plants in a park across from her apartment.&#8221;<br />
&nbsp; &nbsp;This was just how the first victim of the Greenville Strangler, the pretty grad student, had been stalked.<br />
&nbsp; &nbsp;Wallace point out several other passages, marked with asterisks. There were margin notes too. One said, &#8220;Check this one out. Important.&#8221; Another jotting was &#8220;Used distraction.&#8221; And: &#8220;Disposing of body. Note this.&#8221;<br />
&nbsp; &nbsp;&#8221;So the killer&#8217;s a copycat,&#8221; Altman murmured. &#8220;He used the novel for research.&#8221;<br />
&nbsp; &nbsp;Which meant that there could be evidence in the book that might lead to the perp: fingerprints, ink, handwriting. Hence, the reporter&#8217;s <I>CSI </I>gloves.<br />
&nbsp; &nbsp;Altman stared at the melodramatic dust jacket on the novel-a drawing of a man&#8217;s silhouette peering into the window of a house. The detective pulled on his own latex gloves and slipped the book into an evidence envelope. He nodded at the reporter and said a heartfelt, &#8220;Thanks. We haven&#8217;t had a lead on this one in over eight months.&#8221;<br />
&nbsp; &nbsp;Walking into the office next to his-that of his assistant, a young crew-cut detective named Josh Randall-he instructed the man to take the book to the county lab for analysis. When he returned, Wallace was still sitting expectantly in the hard chair across from Altman&#8217;s desk.<br />
&nbsp; &nbsp;Altman wasn&#8217;t surprised he hadn&#8217;t left. &#8220;And the quid pro quo?&#8221; the detective asked. &#8220;For your good deed?&#8221;<br />
&nbsp; &nbsp;&#8221;I want an exclusive. What else?&#8221;<br />
&nbsp; &nbsp;&#8221;I figured.&#8221;<br />
&nbsp; &nbsp;Altman didn&#8217;t mind this in theory; cold cases were bad for the department&#8217;s image and solving cold cases was good for a cop&#8217;s career. Not to mention that there was still a killer out there. He&#8217;d never liked Wallace, though, who always seemed a little out of control in a spooky way and was as irritating as most crusaders usually are.<br />
&nbsp; &nbsp;&#8221;Okay, you&#8217;ve got an exclusive,&#8221; Altman said. &#8220;I&#8217;ll keep you posted.&#8221; He rose, then paused. Waited for Wallace to leave.<br />
&nbsp; &nbsp;&#8221;Oh, I&#8217;m not going anywhere, my friend.&#8221;<br />
&nbsp; &nbsp;&#8221;This&#8217;s an official investigation-&#8221;<br />
&nbsp; &nbsp;&#8221;And it wouldn&#8217;t've been one without me. I want to write this one from the inside out. Tell my readers how a homicide investigation works from your point of view.&#8221;<br />
&nbsp; &nbsp;Quentin Altman argued some more but in the end he gave in, feeling he had no choice. &#8220;All right. But just don&#8217;t get in my way. You do that, you&#8217;re out of here.&#8221;<br />
&nbsp; &nbsp;&#8221;Wouldn&#8217;t think of it.&#8221; Wallace frowned an eerie look into his long, toothy face. &#8220;I might even be helpful.&#8221; Maybe it was a joke but there was nothing humorous about the delivery. He then looked up at the detective. &#8220;So whatta we do next?&#8221;<br />
&nbsp; &nbsp;&#8221;Well, <I>you&#8217;re </I>going to cool your heels. <I>I&#8217;m </I>going to review the case file.&#8221;<br />
&nbsp; &nbsp;&#8221;But-&#8221;<br />
&nbsp; &nbsp;&#8221;Relax, Wallace. Investigations take time. Sit back, take your jacket off. Enjoy our wonderful coffee.&#8221;<br />
&nbsp; &nbsp;Wallace glanced at the closet that served as the police station&#8217;s canteen. He rolled his eyes and the ominous tone of earlier was replaced with a laugh. &#8220;Funny. I didn&#8217;t know they still made instant.&#8221;<br />
&nbsp; &nbsp;The detective winked and ambled down the hall on his aching bones. </p>
<p><P ALIGN="CENTER">&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;II</p>
<p><P><FONT FACE="Arial" SIZE=2>&nbsp; &nbsp;Quentin Altman hadn&#8217;t run the Greenville Strangler case.<br />
&nbsp; &nbsp;He&#8217;d worked on it some-the whole department&#8217;d had a piece of the case- but the officer in charge had been Bob Fletcher, a sergeant who&#8217;d been on the force forever. Fletcher, who&#8217;d never remarried after his wife left him some years before and was childless, had devoted his life to his job after the divorce and seemed to take his inability to solve the Strangler case hard; the soft-spoken man had actually given up a senior spot in Homicide and transferred to Robbery. Altman was now glad for the sergeant&#8217;s sake that there was a chance to nail the killer who&#8217;d eluded him.<br />
&nbsp; &nbsp;Altman wandered down to Robbery with the news about the novel and to see if Fletcher knew anything about it. The sergeant, though, was out in the field at the moment and so Altman left a message and then dove into the cluttered and oppressively hot records room. He found the Strangler files easily; the folders sported red stripes on the side, a harsh reminder that, while this might&#8217;ve been a cold case, it was still very much open.<br />
&nbsp; &nbsp;Returning to his office, he sat back, sipping the, yeah, disgusting instant coffee, and read the file, trying to ignore Wallace&#8217;s incessant scribbling on his steno pad, the scratchy noise irritatingly audible throughout the office. The events of the murders were well documented. The perp had broken into two women&#8217;s apartments and strangled them. There&#8217;d been no rape, sexual molestation or postmortem mutilation. Neither woman had ever been stalked or threatened by former boyfriends and, though Kimberly had recently purchased some condoms, none of her friends knew that she&#8217;d been dating. The other victim, Becky Winthrop, her family said, hadn&#8217;t dated for over a year.<br />
&nbsp; &nbsp;Sergeant Fletcher had carried out a by-the-book investigation but most killings of this sort, without witnesses, motive, or significant trace found at the scene, are generally not solved without the help of an informant-often a friend or acquaintance of the perp. But, despite extensive press coverage of the investigation and pleas on TV by the mayor and Fletcher, no one had come forward with any information about possible suspects.<br />
&nbsp; &nbsp;An hour later, just as he closed the useless file, Altman&#8217;s phone rang. The documents department had blown up images of the handwriting and was prepared to compare these to any samplers found elsewhere, though until such specimens were found the officers could do nothing.<br />
&nbsp; &nbsp;The techs had also checked for any impression evidence-to see if the killer had written something on, say, a Post-it note on top of one of the pages-but found nothing.<br />
&nbsp; &nbsp;A ninhydrin analysis revealed a total of nearly two hundred latent fingerprints on the three pages on which the marked paragraphs appeared and another eighty on the jacket. Unfortunately many of them were old and only fragments. Technicians had located a few that were clear enough to be identified and had run them through the FBI&#8217;s integrated automated fingerprint identification system in West Virginia. But all the results had come back negative.<br />
&nbsp; &nbsp;The cover of the book, wrapped in print-friendly cellophane, yielded close to four hundred prints but they too were mostly smudges and fragments. IAFIS had provided no positive IDs for these either.<br />
&nbsp; &nbsp;Frustrated, Altman thanked the technician and hung up.<br />
&nbsp; &nbsp;&#8221;So what was that about?&#8221; Wallace asked, looking eagerly at the sheet of paper in front of Altman, which contained both notes on the conversation he&#8217;d just had-and a series of compulsive doodles.<br />
&nbsp; &nbsp;He explained to the reporter about the forensic results.<br />
&nbsp; &nbsp;&#8221;So no leads,&#8221; Wallace summarized and jotted a note, leaving the irritated detective to wonder why the reporter&#8217;d actually found it necessary to write this observation down.<br />
&nbsp; &nbsp;As he gazed at the reporter an idea occurred to Altman and he stood up abruptly. &#8220;Let&#8217;s go.&#8221;<br />
&nbsp; &nbsp;&#8221;Where?&#8221;<br />
&nbsp; &nbsp;&#8221;Your crime scene.&#8221;<br />
&nbsp; &nbsp;&#8221;Mine?&#8221; Wallace asked, scrabbling to follow the detective as he strode out the door. </p>
<p></FONT></p>
<p><P><a href="http://blog.oup.com/wp-content/oupblog/2006/03/serial_blogging_1.html">Click to read Part 2</a></P></p>
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