As promised in the previous post, I am going from body to bottom. No one attacked my risky etymology of body. Perhaps no one was sufficiently interested, or (much more likely) the stalwarts of the etymological establishment don’t read this blog and have no idea that a week ago a mine was planted under one of their theories.
I am not sure that any lexicographer or historian of linguistics thought of writing an essay on James Murray as a speaker and journalist, though such an essay would allow the author to explore the workings of Murray’s mind and the development of his style. (Let me remind our readers that Murray, 1837-1915, died a hundred years ago.)
Few people would today have remembered the word bodkin if it had not occurred in the most famous of Hamlet’s monologues. Chaucer was the earliest author in whose works bodkin occurred. At its appearance, it had three syllables and a diphthong in the root, for it was spelled boidekin. The suffix –kin suggested to John Minsheu, our first English etymologist (1617), that he was dealing with a Dutch noun.
From baristas preparing pumpkin spiced lattes to grocery store aisles lined with bags of candy, the season has arrived for all things sweet-toothed and scary. Still, centuries after the holiday known as “Halloween” became cultural phenomenon, little is known to popular culture about its religious, artistic, and linguistic dimensions.
It so happened that I have been “gleaning” the whole month, but today I’ll probably exhaust the questions received during the last weeks. From a letter: “I have been told Norwegians would say forth and back rather that back and forth since it was logical for them to envision going away, then coming back.”
Not too long ago, I promised to return to the origin of b-d words. Today I’ll deal with Engl. bad and its look-alikes, possibly for the last time—not because everything is now clear (nothing is clear), but because I have said all I could, and even this post originated as an answer to the remarks by our correspondents John Larsson (Denmark) and Olivier van Renswoude (the Netherlands).
What is the origin of the now popular phrase in the house, as in “Ladies and gentlemen, Bobby Brown is in the house”? I don’t know, but a short explanation should be added to my response. A good deal depends on the meaning of the question “What is the origin of a certain phrase?” If the querist wonders when the phrase surfaced in writing, the date, given our resources, is usually ascertainable.
I received a question about the greatest etymologists’ active mastery of foreign languages. It is true, as our correspondent indicated, that etymologists have to cast their nets wide and refer to many languages, mainly old (the deader, the better). So would the masters of the age gone by have felt comfortable while traveling abroad, that is, not in the tenth but in the nineteenth century?
The question then is: “What does the root gu– signify?” The procedure consists in finding some word in Germanic and ideally outside Germanic in which gu– or g-, followed by another vowel and alternating with u means something compatible with the idea of “god.” Here, however, is the rub. Old Germanic guð– certainly existed, but we don’t know what it meant when it was coined centuries before it surfaced in texts.
From what was said last week it follows that pagans did not need a highly charged word for “god,” let alone “God.” They recognized a hierarchy of supernatural beings and the division of labor in that “heavenly” crowd. Some disturbed our dreams, some bereaved us of reason, and still others inflicted diseases and in general worked evil and mischief.
Why should we commemorate Samuel Taylor Coleridge? The obvious reason is his high status as a poet, but a better one might be his exuberance as a wordsmith. As a poet, after all, he is widely known for only two relatively short works: ‘The Rime of the Ancient Mariner’ and ‘Kubla Khan.’ While the academy would no doubt add four or five others prized by specialists, the total number is still small.
While dealing with the etymology of the adjective bad, I realized that an essay on good would be vapid. The picture in Germanic and Slavic with respect to good is trivial, while the word’s ties outside those two groups are bound to remain unclear. Especially troublesome is Greek agathós “good,” from which we have the given name Agatha.
For a long time the etymology of the word bad has been at the center of my attention (four essays bear ample witness to this fact), and the latest post ended with a cautious reference to the idea that Middle Engl. bad ~ badde, a noun that occurred only once in 1350 and whose meaning seems to have been “cat,” is, from an etymological point of view, identical with the adjective bad.
The authority of the OED is so great that, once it has spoken, few people are eager to contest or even modify its verdict. The Oxford Dictionary of English Etymology adds perhaps (not probably!) to Murray’s etymology, cites both bæddel and bædling (it gives length to æ in both words) and adds that there have been other, more dubious conjectures.
Quite often the first solid etymology of an English word comes from Skeat, but this is not the case with the adjective bad. In the first edition of his dictionary (1882), he could offer, with much hesitation, two Celtic cognates of bad, one of them being Irish Gaelic baodh “vain, giddy, foolish, simple.” Much later, Charles Mackay, who believed that Irish Gaelic was the source of most English words, mentioned beud “mischief, hurt” as the etymon of bad.
Slang—mocking, sneering, casting a jaundiced eye on the world’s proprieties—is by its nature sour. It finds approval hard, congratulation challenging, and affection almost impossible. Yet even if slang’s oldest meaning of “sugar” is money, and the second oldest a euphemism for the most common term for defecation, slang, for all its skepticism, cannot resist the tempting possibilities of “sweet.”