Oxford University Press's
Academic Insights for the Thinking World

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Video didn’t kill the radio star – she’s hosting a podcast

Podcasters P.J. Vogt, host of Reply All, and Starlee Kine, host of Mystery Show, addressed sold-out sessions at the Sydney Writers’ Festival last month, riding the wave of popularity engendered by Serial, the 2014 US true crime podcast series whose 100 million downloads galvanised the audio storytelling world.

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A technophile embraces oral history in the digital age

Since this is an oral historian origin story, I feel I need to begin this post with a bit of a confession. Even though I earned a bachelor’s degree in History from Baylor University, it was not until the summer of 2011, the term before I was to begin my graduate work at Baylor in the Museum Studies program

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Queering oral history

In their substantial essay from OHR 43.1 on the peculiarities of queer oral history, authors Kevin Murphy, Jennifer Pierce, and Jason Ruiz suggest some of the ways that queer methodologies are useful and important for oral history projects.

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Listening to the Queer Archive — a conversation with Marion Wasserbauer

The current issue of the OHR invites diverse authors to share their experiences listening to and learning from LGBTQ lives. This week, we bring you a short interview with one of the contributors, Marion Wasserbauer, whose article “‘That’s What Music Is About—It Strikes a Chord’: Proposing a Queer Method of Listening to the Lives and Music of LGBTQs” suggests that music is an integral tool for listening to a narrator’s voice.

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Queer history happens everywhere

With the summer issue of the Oral History Review just around the corner, we are bringing you a sneak peak of what’s to come. Issue 43.1 is our LGBTQ special issue, featuring oral history projects and stories from around the country.

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Summer school for oral historians

When I joined UC Berkeley’s Oral History Center (OHC) in late 2013, I quickly began work designing, planning, and running the Advanced Oral History Summer Institute (SI), which is organized around the life cycle of the interview. Because leading the SI is one of my most important roles at the OHC, it’s hard for me to be objective about its value (I think our week is a robust resource and provides excellent formal training).

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Launching into oral history

I was introduced to oral history while completing my Master’s in Library Science at the University of North Texas. I needed to fulfill my practicum requirement, and I took a chance on an advertisement to intern at NASA-Johnson Space Center. (I grew up wanting to be an astronaut, but in high school I met AP Calculus and that dream was indefinitely deferred.)

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Putting oral history on the map

Oral history has always been concerned with preserving the voices of the voiceless, and new technologies are enabling oral historians to preserve and present these memories in new and exciting ways. Audio projects can now turn to mapping software to connect oral histories with physical locations, bringing together voices and places.

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Challenges in exhibiting oral history

I am a curator at a mid-sized museum in Texas. My job includes overseeing the oral history program, which was founded in 1970, two years after the museum opened. Today, the collection is home to over 1,000 oral histories on topics ranging from the ethnic groups of Texas, Texas military history, local history, traditional folk arts, immigration, and farming and ranching.

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Confessions of an audiophile

With Valentine’s Day barely a week behind us, we want to celebrate our love of oral history. To help us out, we asked Dana Gerber-Margie to tell us how she ended up in the audio world and why she loves oral history.

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Q&A with audio transcriptionist Teresa Bergen

As you may have heard, Wisconsinites love the people who can quickly turn our spoken words into written text. Transcriptionists are the unsung heroes of the oral history world, helping to make sure the incredible audio information stored in archives across the globe is accessible to the largest audience possible.

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