Season Six of Game of Thrones is about to air. One of the great pleasures of watching the show is the way in which George R. R. Martin, the author of the A Song of Ice and Fire series, and the show-producers, David Benioff and Dan Weiss, build their imagined world from the real and imagined structures of medieval history and literature.
Forever demanding new performers to interpret them for new audiences under new circumstances, and continuing to elicit a rich worldwide profusion of editions, translations, commentaries, adaptations and spin-offs, Shakespeare’s works have never behaved like unchanging monuments about which nothing new remains to be said.
The story of four teenagers on a quest to locate their ailing musical idol requires a mix of nostalgia, myth, apathy and disillusionment. Played out across the vast urban expanse that is the City of Mexico, Güeros is conceived in the alternative deadpan style of Jim Jarmusch’s early films or, perhaps, Wim Wenders’ mid-1970s road movie triology.
In a brief scene in the 1931 Warner Bros. horror film, Svengali, an aging heiress takes voice lessons, falls in love with her teacher, and upon finding her love unrequited and her voice uninspired, throws herself in the river. That the film hastily banishes her for these infractions isn’t much of a surprise, for we don’t tend to remember bad voices, nor do we dwell on older women who would dare possess them. In fact, were it up to Hollywood, we’d hardly dwell on older women at all.
Lewis Carroll, J.R.R. Tolkein, and Philip Pullman are three of the many great writers to come out of Oxford, whose stories are continually reimagined and enjoyed through the use of media and digital technologies. The most obvious example for Carroll’s Alice in Wonderland are the many adaptations in […]
Like all true Trollopians I carry in my mind a vivid picture of Barsetshire and its people. For me it is a landscape of rolling countryside with ancient churches and great houses, with Barchester a compact cathedral city of great elegance, as if Peterborough cathedral had been miraculously transported ten miles into Stamford.
“The answers are in Washington’s Bible!” Katrina shouts as Moloch stirs the dark, swirling clouds that will seal her once again in Purgatory. Her husband, Ichabod Crane, stands watching, unable to help as his wife is swallowed up in a world that he can only reach in dreams and visions. Ichabod has been resurrected from the dead in the twenty-first century and faces Death himself in the form of the headless horseman of Sleepy Hollow.
The newest knockout competition on British television is The Great Pottery Throw Down (GPTD), in which an initial ten potters produce a variety of ceramic work each week, the most successful being declared Top Potter, and the least successful being ‘asked to leave’. The last four then compete in a final […]
Think the life of a doctor is dull? Think again! In a previous post, I recommended ten books by medical men which all doctors should read. Today, it’s the turn of medical movies. By focusing on the extremes of human life – birth, death, suffering, illness, and health – such films provide insight into the human condition and the part that we as doctors play in this never-ending theatre.
The most striking aspect of Shakespeare in India today is that it seems to have at last got over its colonial hangover. It is well known that Shakespeare was first introduced to Indians under the aegis of colonialism: first as an entertainer for the expatriates, then soon incorporated into the civilizing mission of the empire. This resulted in Indians being awed by Shakespeare, taking him too respectfully, especially in academia.
The film Risen retells the story of Jesus’ resurrection and ascension through the fictional Roman tribune Clavius, who supervises both Jesus’ crucifixion and the investigation into what happened to his missing body.
In 1996, decades before the trending hashtag, Reverend Jesse Jackson led a boycott protesting the lack of diversity at the Oscars. Having encouraged attendees to wear a rainbow ribbon in support of the issue, he was ridiculed for his efforts.
When the Academy of Motion Picture Arts and Sciences announced its nominees for the 2015 Academy Awards, the James Franco/Seth Rogen comedy The Interview wasn’t on the list. That Oscar spurned this “bromance” surprised nobody. Most critics hated the film and even Rogen’s fans found it one of his lesser works. Those audiences almost didn’t have a chance to see the film.
For some time now, I have been among those who have argued that the fandom associated with the Star Wars franchise is akin to a religion. There are those who will quarrel with the word choice, but it is hard to gainsay the dedication of fans to the original films
London. Michaelmas term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill.
Nowhere is media’s influence on social attitudes more evident than among the millions of fans following Star Wars. Decades after the franchise’s creator, George Lucas, made his first iteration of the fictional galaxy filled with aliens, Stormtroopers, and the Force, his vision has captivated fans with countless iconic moments.