When the first production of On the Town in 1944 featured the Japanese American ballerina Sono Osato as its star, as part of a cast that also included whites and blacks, it aimed for a realistic depiction of the diversity among US citizens during World War II.
THE DATE: 18 September 2014, Fateful Day of Scotland’s Independence Referendum
THE PLACE: A Sceptred Isle
DRAMATIS PERSONAE: Alexander the Great, First Minister of Scotland; Daveheart, Prime Minister of the Britons [...]
As we celebrate the golden anniversary of the Civil Rights Act of 1964, a significant aspect of the struggle for racial equality often gets ignored: racial activism in performance. Actors, singers, and dancers mobilized over the decades, pushing back against racial restrictions that shifted over time, and On the Town of 1944 marked an auspicious but little-recognized moment in that history.
Michael Kennedy has described Job as one of Vaughan Williams’s mightiest achievements. It is a work which, in a full production, combines painting (the inspiration for the work came from a scenario drawn up by Geoffrey Keynes based on William Blake’s Illustrations of the Book of Job), literature (the King James Bible), music, and dance.
Rising to prominence at lightning speed during World War II, Leonard Bernstein quickly became one of the most famous musicians of all time, gaining notice as a conductor and composer of both classical works and musical theater. One day he was a recent Harvard graduate, struggling to earn a living in the music world.
When Leonard Bernstein first arrived in New York, he was unknown, much like the artists he worked with at the time, who would also gain international recognition. Bernstein Meets Broadway: Collaborative Art in a Time of War looks at the early days of Bernstein’s career during World War II, and is centered around the debut in 1944 of the Broadway musical On the Town and the ballet Fancy Free.
Oxford University Press is saddened to hear of the passing of Broadway legend Elaine Stritch. We’d like to present a brief extract from Eddie Shapiro’s interview with Elaine Stritch in November/December 2008 in Nothing Like a Dame.
As Richard Barrios sees it, movie musicals can go one way or the other — some of them end up as cultural touchstones, and others as train wrecks. In his book Dangerous Rhythm: Why Movie Musicals Matter, Barrios goes behind-the-scenes to uncover the backstories of these fabulous hits and problematic (if not exactly forgettable) flops.
By Ruth Feldstein
In February, fans learned that Diahann Carroll had withdrawn from “A Raisin in the Sun.” The most recent revival of Lorraine Hansberry’s award-winning 1959 drama opened in April, and is now nominated for five Tony awards.
By Liz Wollman
Awards season bring out everyone’s inner analyst. The moment that nominations are announced, everyone starts trying to figure out what the list of nominees says about the state of whatever medium is being lauded.
By Melanie Zeck
Perhaps Ernest Hemingway knew best when he claimed that Josephine Baker was the “most sensational woman anybody ever saw. Or ever will.” Indeed, Josephine Baker was sensational–as an African American coming of age in the 1920s, she took Paris by storm in La Revue Nègre and relished a career in entertainment that spanned fifty years. On what would be her 108th birthday, Baker’s fans on both sides of the Atlantic still celebrate her legendary charisma.
By Rebecca Rossen
On February 27, 1932, the American modern dancer Pauline Koner presented a concert at New York City’s Town Hall. For the occasion, Koner, who was Jewish, premiered Chassidic Song and Dance, a solo in which she portrayed a young Hasidic Jew.
William Shakespeare was born 450 years ago this month, in April 1564, and to celebrate Oxford Scholarly Editions Online is testing your knowledge on Shakespeare quotes. Do you know your sonnets from your speeches? Find out…
April 2014 sees Shakespeare mature to the ripe old age of 450, and to celebrate we have collected a multitude of quotes from the famous bard in the below graphic, crafting his features with his own words.
By Tim Allen
Josephine Baker, the mid-20th century performance artist, provocatrix, and muse, led a fascinating transatlantic life. I recently had the opportunity to pose a few questions to Anne A. Cheng, Professor of English and African American Literature at Princeton University and author of the book Second Skin: Josephine Baker & the Modern Surface, about her research into Baker’s life, work, influence, and legacy.
By Joseph Harris
One of the most intriguing developments in recent psychology, I feel, has been the recognition of the role played by irrationality in human thought. Recent works by Richard Wiseman, Dan Ariely, Daniel Kahneman, and others have highlighted the irrationality that can inform and shape our judgements, decision-making, and thought more generally. But, as the title of Ariely’s book Predictably Irrational reminds us, our ‘irrationality’ is not necessarily random for all that.