Between 1986 and 1988, the jazz musician and experimental music pioneer George Lewis created the first version of Voyager. After spending some time making work that involved compositional programmes in Paris, Lewis returned to the US and began work on Voyager. His aspiration was not simply to use computers as a tool or raw material, but to create software that could take an equal improvisational role to the other (human) musicians in the performance.
The world’s biggest book fair is opening its doors soon and, as a native “Frankfurter” working in the publishing industry, it’s the time of year that my colleagues start asking me about my hometown. Sadly, the most common thing I hear is that there is little that they know beyond Frankfurt airport and the exhibition centre.
Mark Twain is reputed to have quipped, “Reports of my death have been greatly exaggerated.” Such hyperbole aptly applies to predictions that digital reading will soon triumph over print.
In late 2012, Ben Horowitz (co-founder of Andreessen Horowitz Venture Capital) declared, “Babies born today will probably never read anything in print.” Now four years on, the plausibility of his forecast has already faded.
On this day, sixty years ago, Republicans celebrated President Dwight D. Eisenhower’s upcoming birthday with a star-studded televised tribute on CBS. As part of his re-election campaign, Ike Day was a nationwide celebration of Ike: communities held dinners and parades, there were special halftime shows at college football games, and volunteers collected thousands of signatures from citizens pledging to vote.
This week, Oxford University Press (OUP) and The Reader announced an exciting new partnership, working together to build a core classics library and to get great literature into the hands of people who need it most, with the Oxford World’s Classics series becoming The Reader’s “house brand” for use in their pioneering Shared Reading initiatives.
Pope Francis recently said in the former Soviet Republic of Georgia, and on several occasions over the last year, that Western nations are exporting an idea that gender is a choice. Pope Francis asserts that this “gender ideology” is the enemy of the family. Here the pope disappoints many in America and Europe, who hoped that he might free Catholics from the heritage of homophobia and repression of women that has been protected and promoted for millennia by the Roman Catholic Church.
As a young woman, Virginia Woolf toured London’s National Portrait Gallery and grieved to find that almost all the portraits in the collection were of men. Woolf was so resentful that she later refused to sit for a drawing commissioned by the gallery, seemingly renouncing an opportunity to add her own portrait to its walls.
On Sixty Minutes, when filmmaker Nate Parker was asked if Birth of a Nation was historically accurate, he noted, “There’s never been a film that was 100 percent historically accurate. That’s why they say based on a true story and doesn’t say, ‘A true story.’” Hollywood may not be the best place to learn one’s history, but here are ten things that the new movie Birth of a Nation got right about Nat Turner’s revolt:
Have you ever wanted to control sound waves? Or spook your friends with an eerie melody? If you answered yes, check out OUP’s instrument of the month, the theremin.
From the publication of the Origin, Darwin enthusiasts have been building a kind of secular religion based on its ideas, particularly on the dark world without ultimate meaning implied by the central mechanism of natural selection.
Insults have lately been making headline news. Last year, the world witnessed an attack on the offices of the French satirical newspaper Charlie Hebdo.
At the start of the 1800s, American cities had only a few public dining options such as taverns or hotels; by the end of the century, restaurants had become “a central part of the fabric of cities.” In the 19th century, the landscape of food consumption in America greatly changed. The modern concepts of retail food shops, restaurants, industrial food systems, and diverse food options emerged.
Biography chooses us when there is alchemy between biographer and subject—a perfect fit of interlocking puzzle pieces. In my case, a lifelong fascination with objects and the craftsmen who make them led me to the story of a pioneering violinmaker—American Luthier: Carleen Hutchins—the Art and Science of the Violin.
“Come and put your name on it,” is the first line in Rihanna’s song “Birthday Cake.” She is referring to her female anatomy as she dances in a hip-centered motion, reminiscent of Caribbean movement. Across the globe, reactions to the song’s connotation and the provocative dancing varied greatly, each individual interpreting the sequence of events based on their own experiences, culture, race and gender.
All simplistic hypothesis about “what drives terrorists” falter when there is suddenly in front of you human faces and complex life stories. The tragedy of contemporary policies designed to handle or rather crush movements who employ terrorist tactics, are prone to embrace a singular explanation of the terrorist motivation, disregarding the fact that people can be in the very same movement for various reasons.
Salafism, often referred to as ‘Wahhabism’, is widely regarded as a fundamentalist interpretation of Islam that fuels Jihadism and subjugates women. Some even lump ISIS and Salafism together—casting suspicion upon the thousands of Muslims who identify as Salafi in the West. After gaining unprecedented access to Salafi women’s groups in London, I discovered the realities behind the myths.