Marcus Aurelius’s Meditations is a remarkable phenomenon, a philosophical diary written by a Roman emperor, probably in 168-80 AD, and intended simply for his own use. It offers exceptional insights into the private thoughts of someone who had a very weighty public role, and may well have been composed when he was leading a military campaign in Germany.
Last we left off the narrator had moved into a reported haunted boarding house. After a month of waiting for something eerie to happen, the boarders were beginning to believe there was nothing supernatural at all in the residence…
Edgar Allan Poe died 165 years ago today in the early morning of 7 October 1849. Only a few details of the illness that extinguished his “bright but unsteady light”4 are known because his physician, Dr. John Joseph Moran, used the illness to promote his own celebrity and in the process denied posterity an accurate clinical description.
We’re getting ready for Halloween this month by reading the classic horror stories that set the stage for the creepy movies and books we love today. Check in every Friday this October as we tell Fitz-James O’Brien’s tale of an unusual entity in What Was It?, a story from the spine-tingling collection of works in Horror Stories: Classic Tales from Hoffmann to Hodgson, edited by Darryl Jones.
This year is the 250th anniversary of Horace Walpole’s The Castle of Otranto, first published on Christmas Eve 1764 as a seasonal ghost story. The Castle of Otranto is often dubbed the “first Gothic novel” due to Walpole describing it as a “Gothic story,” but for him the Gothic meant very different things from what it might do today.
Thou shall not plagiarize. Warnings of this sort are delivered to students each fall, and by spring at least a few have violated this academic commandment. The recent scandal involving Senator John Walsh of Montana shows how plagiarism can come back to haunt.
THE DATE: 18 September 2014, Fateful Day of Scotland’s Independence Referendum
THE PLACE: A Sceptred Isle
DRAMATIS PERSONAE: Alexander the Great, First Minister of Scotland; Daveheart, Prime Minister of the Britons [...]
I want an independent Scotland that is true to the ideals of egalitarianism articulated in some of the best poetry of Robert Burns. I want a pluralist, cosmopolitan Scotland accountable to its own parliament and allied to the European Union. My vote goes to Borgen, not to Braveheart. I want change.
Not every scholar of medieval English has the privilege of translating a major poetic text, and fewer still have the chance to do it all over again, eighteen years later. My first edition of the Poetic Edda was published in 1996 and about two years ago, I was invited to think about a second edition, one which would expand the number of poems and which could be brought up to date in other ways.
In a week’s time, the residents of Scotland (not the Scottish people: Scots resident south of the border are ineligible to vote) will decide whether or not to destroy the UK as currently constituted. The polls are on a knife edge; and Alex Salmond, the leader of the separatists, has a track record as a strong finisher. If he gets his way, the UK will lose 8% of its citizens and a third of its land mass; and Scotland, cut off, at least initially, from every international body (the UN Security Council, NATO, the EU) and every UK institution (the Bank of England, the pound sterling, the BBC, the security services), will face a bleak and uncertain future.
What could be more fun than an internet quiz about cats? We sat down with Oxford Scholarly Editions Online, and fired up the search, looking for cats stalking the pages of literature. We found some lovely stuff, and something more – a literary reflection of the cat’s unstoppable gambol up the social ladder: a mouser and rat-catcher in the seventeenth century, he springs up the stairs in the eighteenth century to become the plaything of smart young ladies and companion of literary lions such as Cowper, Dr Johnson, and Horace Walpole.
Yes, this is Post 450. The present blog was launched on March 1, 2006 and has appeared every Wednesday ever since, rain or shine. Another short year, and the jubilant world will celebrate the great number 500.
As the first year of the World War I centenary continues, here is a selection of classic literature inspired by the conflict. Some of it was written in the years after the war, while some of it was completed as the conflict was in progress.
‘Poetry’, Wordsworth reminds us, ‘is the spontaneous overflow of powerful feelings’, and there can be no area of human experience that has generated a wider range of powerful feelings than war. Below is an extract of two poems from The New Oxford Book of War Poetry.
With carefree summer winding to a close, we’ve pulled together some reading recommendations to put you in a studious mood. Check out these Oxford World’s Classics suggestions to get ready for another season of books and papers. Even if you’re no longer a student, there’s something on this list for every literary enthusiast.
Browsing my parents’ bookshelves recently, in the dog days that followed sending Anna Karenina off to press, I found myself staring at a row of small hardback volumes all the same size. One in particular, with the words Romola and George Eliot embossed in gold on the dark green spine, caught my attention.