With the recent surge of interest in Conrad’s text following the programme airing in July, one needs to question the contribution that BCC’s adaption offers to the oeuvre of Conrad’s criticism. Tony Marchant’s adaption is acutely aware of global relevance of this text, noting that the “contemporaneity just hit[s]” you “in the face”. Yet, his production precisely fails in this presentation of terrorism.
As a first-time attendee of the Charleston Library Conference earlier this month, I knew I was headed for a few idea-charged days, but was overwhelmed by the amount of things I learned from the conference. The conference, according to its website, “is designed to be a collegial gathering of individuals from different areas who discuss the same issues in a non-threatening, friendly, and highly informal environment.”
Few have heard of him today, but Jacob Tonson the Elder (1656?-1736) was undoubtedly one of the most important booksellers in the history of English literature. He numbered Addison, Behn, Congreve, Dryden, Echard, Oldmixon, Prior, Steele, and Vanbrugh among those canonical authors whom he published. His reputation was international, and the quality and range of his classical editions remained a benchmark throughout the eighteenth century.
We all know the classic Shakespearean lines – “To be or not to be,” “O Romeo, Romeo! Wherefore art thou Romeo?” or “Shall I compare thee to a summer’s day?” — but how would these famous lines have sounded to Elizabethan audiences? Are we currently misinterpreting the Bard? This question has been on the mind of Shakespeare scholars, directors, actors, and audiences for a long time, and has proved a tricky problem.
Voltaire had numerous passionate affairs, and engaged in an enormous amount of private correspondence with his lovers, much of which has been kept for posterity. Providing a fascinating insight into Voltaire’s inner-most emotions, his letters give a glimpse of his friendships, sorrows, joys, and passionate desires…
Thanksgiving has many historical roots in American culture. While it is typically a day spent surrounded by family and showing appreciation for what we are thankful for, we would all be lying if we did not admit that our favorite part is consuming an abundance of delicious food until we slip into a food coma.
Social media is one of the best ways to reach a wide audience in this digital day and age. There are plenty of examples of fantastic feeds being run by librarians, but how can you replicate their success? We asked Claire Pickering, Library Officer at Wakefield Council to share her ten top tips.
Ireland is home to many great writers, from Bram Stoker and Jonathan Swift to Oscar Wilde and James Joyce. In this slideshow, Molly Grote, OUP publicist with a degree in British and Irish literature, takes us on a literary tour of Dublin.
At the intersection of State and Washington Streets in the Warehouse District of downtown Peoria, a city of about 116,000 that sits halfway between Chicago and St. Louis, stands a nine-foot-tall bronze likeness of the city’s most infamous native son. If you were a visitor, in town to hang out along the up-and-coming riverfront or to visit Caterpillar, the only Fortune 500 company headquartered in the city, you would be forgiven for thinking this makes sense, that of course Peoria would memorialize Richard Pryor arguably the most culturally significant Peorian of all time, and inarguably one of the most significant figures in African American cultural history of the twentieth century.
We have always known already that Shakespeare was a collaborator; he was a man of the theatre which is an inherently very collaborative, social art. The news is that he also collaborated as a writer much more than we used to think he did. We can now say with a high degree of certainty that upward of third of his plays were co-written in some sense or other. In most film portrayals, Shakespeare seems to produce his plays in isolation.
What constitutes a person’s identity: family, country, religion? How do we resolve conflict: military action, strategy, negotiation? What turns a good man into a traitor?
I just found out that a scientist whom I greatly admire is writing his first book. Only he’s not. He’s hired a writer to do the heavy lifting. The hired writer’s name won’t appear on the cover. He’s signed on the dotted line in the invisible ink. Ghostwriters don’t write about ghosts, but waft around in the background like them. Unlike real ghosts, such behind-the-scenes authors deal in reality, turning the ideas of ‘living’ authors into words for them to take credit for.
How does an avowedly nonpartisan news organization like the New York Times cover an outrageous but media-savvy and factuality-challenged candidate like Donald Trump? In a recent interview, Times’ executive editor Dean Baquet explained that the press was at first flustered by Trump, that “everybody went in a little bit shell-shocked in the beginning, about how you cover a guy who makes news constantly.
When we read Shakespeare’s Complete Works we are primarily, of course, reading Shakespeare. But as a bonus we also get, in the same volume, an excellent anthology of most of the important playwrights who were his collaborators. Shakespeare collaborated for the same reason that most people do: different members of the team are especially good at different tasks.
The recent media furore surrounding the publication of new findings about the authorship of Shakespeare’s works reassures us of one thing: people care about Shakespeare. Or, perhaps better stated, people care about caring about Shakespeare. A momentary venture into the ‘comments’ section to any of these news stories (a risky move at the best of times) reveals at least three camps of commentators.
I am in Palermo, sitting on the floor of the puppet museum with a circle of teenagers. Around us hang gaudy, dormant marionettes of characters from the Orlando Furioso: the valiant Orlando and his horse Brigliadoro, his rival Rinaldo, his beloved the beautiful Angelica. Their stories are amazing, the stuff of epic and romance; but in fact the teenagers around me, all boys, have been through adventures no less extraordinary, though harsh and real.