Roman literature often derived from Greek sources, but took Greek models and made them its own. It includes some of the best known classical authors such as Ovid and Virgil, as well as a Roman emperor who found time to write down his philosophical reflections.
Poor old king Tut has made the news again – for all the wrong reasons, again. In a documentary that aired on the BBC two weeks ago, scientists based at the EURAC-Institute for Mummies and the Iceman unveiled a frankly hideous reconstruction of Tutankhamun’s mummy, complete with buck teeth, a sway back, Kardashian-style hips, and a club foot.
This selection of ancient Greek literature includes philosophy, poetry, drama, and history. It introduces some of the great classical thinkers, whose ideas have had a profound influence on Western civilization.
The ancient writers of Greece and Rome are familiar to many, but what do their voices really tell us about who they were and what they believed? In Twelve Voices from Greece and Rome, Christopher Pelling and Maria Wyke provide a vibrant and distinctive introduction to twelve of the greatest authors from ancient Greece and Rome, writers whose voices still resonate strongly across the centuries.
A human eyeball shoots out of its socket, and rolls into a gutter. A child returns from the dead and tears the beating heart from his tormentor’s chest. A young man has horrifying visions of his mother’s decomposing corpse. A baby is ripped from its living mother’s womb. A mother tears her son to pieces, and parades around with his head on a stick.
How rapidly does medical knowledge advance? Very quickly if you read modern newspapers, but rather slowly if you study history. Nowhere is this more true than in the fields of neurology and psychiatry. It was believed that studies of common disorders of the nervous system began with Greco-Roman Medicine, for example, epilepsy, “The sacred disease” (Hippocrates) or “melancholia”, now called depression.
The development of linguistics as a scientific discipline is one of the greatest achievements of contemporary thought, as it has led to the discovery of some fundamental principles about the functioning of language. However, most of its recent discoveries have not yet reached the general audience of educated people beyond the specialists. Scholars of classics, in particular, have found it difficult to become involved in the debate, since many recent studies in linguistics have been driven by the necessity to free themselves from the subordination to Latin grammar.
This summer saw the release of Hercules (Radical Studios, dir. Brett Ratner). Dwayne “The Rock” Johnson took his place in the long line of strongmen to portray Greece’s most enduring icon. It was a lot of fun, and you should go see it. But, as one might expect from a Hollywood piece, the film takes a revisionist approach to the world of Greek myth, especially to its titular hero.
Hadrian’s Wall has been in the news again recently for all the wrong reasons. Occasional wits have pondered on its significance in the Scottish Referendum, neglecting the fact that it has never marked the Anglo-Scottish border, and was certainly not constructed to keep the Scots out. Others have mistakenly insinuated that it is closed for business, following the widely reported demise of the Hadrian’s Wall Trust.
Playing Man (Homo Ludens), the trail-blazing work by Johan Huizinga, took sport seriously and showed how it was essential in the formation of civilizations. Adult playtime for many pre-industrial cultures served as the crucible in which conventions and boundaries were written for a culture. Actions were censured for being “beyond the pale”, a sports metaphor for being “out of bounds”.
On 12 August 2014 at precisely 2:58 a.m., a 5.1 earthquake struck, centered at the hilltop lightning huaca San Catequilla de Pichincha. Since this initial earthquake, there were fifty-seven aftershocks, all centered at or close to this hill. Cerro Catequilla is situated where the Río Monjas empties into the Río Guayllabamba, approximately 15 km north of Quito in the Pomasqui Valley directly east of the town of San Antonio.
The gods and various mythological creatures — from minor gods to nymphs to monsters — play an integral role in Odysseus’s adventures. They may act as puppeteers, guiding or diverting Odysseus’s course; they may act as anchors, keeping Odysseus from journeying home; or they may act as obstacles, such as Cyclops, Scylla and Charbidis, or the Sirens.
Homer’s epic poem The Odyssey recounts the 10-year journey of Odysseus from the fall of Troy to his return home to Ithaca. The story has continued to draw people in since its beginning in an oral tradition, through the first Greek writing and integration into the ancient education system, the numerous translations over the ages, and modern retellings.
Every Ancient Greek knew their names: Odysseus, Penelope, Telemachas, Nestor, Helen, Menelaos, Ajax, Kalypso, Nausicaä, Polyphemos, Ailos… The trials and tribulations of these characters occupied the Greek mind so much that they found their way into ancient art, whether mosaics or ceramics, mirrors or sculpture.
The Ancient Greeks were incredibly imaginative and innovative in their depictions of scenes from The Odyssey which were usually painted onto vases, kylikes, wine jugs, or mixing bowls.
The Ancient Greek gods are all the things that humans are — full of emotions, constantly making mistakes — with the exception of their immortality. It makes their lives and actions often comical or superficial — a sharp contrast to the humans that are often at their mercy. The gods can show their favor, or displeasure; men and women are puppets in their world.