Homer’s epic poem The Odyssey recounts the 10-year journey of Odysseus from the fall of Troy to his return home to Ithaca. The story has continued to draw people in since its beginning in an oral tradition, through the first Greek writing and integration into the ancient education system, the numerous translations over the ages, and modern retellings.
Every Ancient Greek knew their names: Odysseus, Penelope, Telemachas, Nestor, Helen, Menelaos, Ajax, Kalypso, Nausicaä, Polyphemos, Ailos… The trials and tribulations of these characters occupied the Greek mind so much that they found their way into ancient art, whether mosaics or ceramics, mirrors or sculpture.
The Ancient Greeks were incredibly imaginative and innovative in their depictions of scenes from The Odyssey which were usually painted onto vases, kylikes, wine jugs, or mixing bowls.
The Ancient Greek gods are all the things that humans are — full of emotions, constantly making mistakes — with the exception of their immortality. It makes their lives and actions often comical or superficial — a sharp contrast to the humans that are often at their mercy. The gods can show their favor, or displeasure; men and women are puppets in their world.
By Jessica H. Clark
Just east of downtown Tallahassee, Florida, there is a small city park known as “Old Fort.” It contains precisely that – a square of softly eroding earthworks (all that’s left of the fort) along with a few benches placed benignly in the shade of nearby oak and pine trees.
Homer’s epic poem The Odyssey is a classic adventure filled with shipwrecks, feuds, obstacles, mythical creatures, and divine interventions. But how to visualize the thrilling voyage? The map below traces Odysseus’s travel as recounted to the Phaeacians near the end of his wandering across the Mediterranean.
By Ian Worthington
Recent events in Iraq, as the militant group ISIS (or ISIL) strives to establish an Islamic state in the country that threatens to undo everything that western involvement achieved there after 9/11, illustrates well the volatility of the entire region and the interplay of religion and politics.
How do you hear the call of the poet to the Muse that opens every epic poem? The following is extract from Barry B. Powell’s new free verse translation of The Odyssey by Homer. It is accompanied by two recordings: one of the first 105 lines in Ancient Greek, the other of the first 155 lines in the new translation. How does your understanding change in each of the different versions?
By Peter Heather
After the collapse of the Roman Empire, the Western world went through a turbulent and dramatic period during which a succession of kingdoms rose, grew, and crumbled in spans of only a few generations. The wars and personalities of the dark ages are the stuff of legend, and all led toward the eventual reunification of Europe under a different kind of Roman rule — this time, that of the Church. Below, historian Peter Heather selects ten moments from the period upon which the fate of Europe hinged.
By Peter Heather
The Roman Empire at its peak was the first great hemispherical power in human history. Over the years, though, this mighty society was torn apart by internal strife and attacks by rival powers. Below, the renowned historian Peter Heather describes the ten most critical turning points which led to the fall of the Empire and the beginning of the Dark Ages.
This sequence of photos roughly outlines the progress of the Roman takeover of Greece, from the first beginnings in Illyris (modern Albania) in 230 BCE to the infamous “destruction” of Corinth in 146 BCE. The critical figures of this swift takeover were two Macedonian kings, Philip V and Perseus, who were determined to resist Roman aggression.
Alexander the Great (356-323 BCE), King of Macedonia, ruled an empire that stretched from Greece in the west to India in the east and as far south as Egypt. The Macedonian Empire he forged was the largest in antiquity until the Roman, but unlike the Romans, Alexander established his vast empire in a mere decade.
By Zara Martirosova Torlone
In 1979 one of the most prominent Russian classical scholars of the later part of the twentienth century, Mikhail Gasparov stated: “Virgil did not have much luck in Russia: they neither knew nor loved him . . .”. This lack of interest in Virgil on Russian soil Gasparov mostly blamed on the absence of canonical Russian translations of Virgil, especially the Aeneid.
By William Allan
One of the most striking aspects of classical literature is its highly developed sense of genre. Of course, a literary work’s genre remains an important factor today: we too distinguish broad categories of poetry, prose, and drama, but also sub-genres (especially within the novel, now the most popular literary form) such as crime, romantic or historical fiction. And we do the same in other creative media, such as film, with thrillers, horrors, westerns, and so on. But classical authors were arguably even more aware than writers of genre fiction are today what forms and conventions applied to the genre they were writing in.
By J. C. McKeown
The National September 11 Memorial Museum will be opened in a few weeks. On the otherwise starkly bare wall at the entrance is a 60-foot-long inscription in 15-inch letters made from steel salvaged from the twin towers: NO DAY SHALL ERASE YOU FROM THE MEMORY OF TIME. This noble sentiment is a quotation from Virgil’s Aeneid, one of mankind’s highest literary achievements, but its appropriateness has been questioned.
By Robin Waterfield
The region known as Illyris (Albania and Dalmatia, in today’s terms) was regarded at the time as a barbarian place, only semi-civilized by contact with its Greek and Macedonian neighbours. It was occupied by a number of different tribes, linked by a common culture and language (a cousin of Thracian). From time to time, one of these tribes gained a degree of dominance over some or most of the rest, but never over all of them at once. Contact with the Greek world had led to a degree of urbanization, especially in the south and along the coast, but the region still essentially consisted of many minor tribal dynasts with networks of loyalty. At the time in question, the Ardiaei were the leading tribe, and in the 230s their king, Agron, had forged a kind of union, the chief plank of which was alliances with other local magnates from central Illyris, such as Demetrius, Greek lord of the wealthy island of Pharos, and Scerdilaidas, chief of the Illyrian Labeatae.