‘The seed of a story’: The Hidden Kingdom
By Ian Beck
It is often difficult to remember exactly the initial seed, the faint stirrings of an idea that sets off the beginning of writing a long story. The root of the idea for The Hidden Kingdom is certainly muddled but it must surely begin with my long interest in Oriental art; in particular, Japanese woodblock prints and the anime films of Hiyao Miyazaki’s Studio Ghibli.