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Academic Insights for the Thinking World

  • Author: Constance Valis Hill

Digging into the origins of 20th-century American tap dance

To be a tap historian is to be a sleuth. It is to revel, after days of painstaking research, in newly-found bits of information as if they were nuggets of gold. At the New York State Library in Albany, New York, I found the premiere date for Darktown Follies of 1914 (3 November 1913, Lafayette Theater), a date that had eluded tap historians for many years.

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The missing scholarship of American tap dance

Tap dance, our first American vernacular dance form, and the most-cutting edge on the national and international stage, has suffered a paucity of critical, analytical, historical documentation. While there have been star-centered biographies of such tap dancers as Bill Robinson, Fred Astaire, and Savion Glover, there remains but a handful of histories exploring all aspects of the intricate musical exchange of Afro-Irish percussive step dances that produced the rhythmic complexities of jazz tap dancing.

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