Oxford University Press's
Academic Insights for the Thinking World
We’re delighted to announce that the Oxford University Press Museum, based at OUP’s Oxford publishing office, reopens today following extensive refurbishment. Archivist Martin Maw celebrates the occasion by taking a look at the historic links between OUP and Jericho, the local area.
How does being a guest on The Colbert Report compare to being a guest on The Daily Show? Here’s a breakdown!
More Face Time with Everyone: Backstage at The Daily Show was a blur; I had no sooner arrived than I was in make-up, met Jon, and was heading out into the lights. By contrast, I had lots of time at The Colbert Report to see the stage, meet the producers, and chat with sundry tech people.
The New York office’s 13th floor conference room — a quiet, large space with no outside light — functions surprisingly well as miniature studio. Within a few hours of the film crew arriving, the office chairs and table have been removed, a green screen unfurled, camera, lights, and mic all assembled, and the Publisher of Scholarly and Online Reference is sitting in the spotlight, prepped for his interview.
By John L. Heilbron
Galileo is not a fresh subject for a biography. Why then another? The character of the man, his discovery of new worlds, his fight with the Roman Catholic Church, and his scientific legacy have inspired many good books, thousands of articles, plays, pictures, exhibits, statues, a colossal tomb, and an entire museum. In all this, however, there was a chink.
By Jim Baggott
The 4 July discovery announcement makes it clear that the new particle is consistent with the long-sought Higgs boson. The next step is therefore reasonably obvious. Physicists involved in the ATLAS and CMS detector collaborations at the LHC will be keen to push ahead and fully characterize the new particle. They will want to know if this is indeed the Higgs boson. How can they tell?
By Mark Dodgson and David Gann
If you have ever been lucky enough to design and build a home, you would in the past have been confronted by technical drawings that are incomprehensible to anyone but trained architects. Nowadays you can have a computerised model of your house that lets you move around it in virtual reality so that you get a high fidelity sense of the layout and feel of rooms. That’s innovation.
Today sees the launch of a major new publishing initiative from Oxford University Press – Oxford Scholarly Editions Online (OSEO). OSEO will provide trustworthy and reliable critical online editions of original works by some of the most important writers in the humanities, such as William Shakespeare and Ben Jonson, as well as works from lesser-known writers such as Shackerley Marmion.
By Max Saunders
This year’s televisualization of Parade’s End has led to an extraordinary surge of interest in Ford Madox Ford. The ingenious adaptation by Sir Tom Stoppard; the stellar cast, including Benedict Cumberbatch, Rebecca Hall, Alan Howard, Rupert Everett, Miranda Richardson, Roger Allam; the flawlessly intelligent direction by award-winning Susanna White, have not only created a critical success, but reached Ford’s widest audience for perhaps fifty years.
By Liz Wollman
Colony Records, which will close on Saturday, September 15th after 64 years of business, is no mere record store. A cavernous, crowded, and never particularly tidy place, Colony has kept one foot firmly in its Tin Pan Alley past, and the other in its media-saturated present. The largest and easily most famous provider of sheet music in New York City, Colony also houses cassettes, CDs, DVDs, karaoke recordings, an absolutely enormous collection of records, and all kinds of memorabilia
By Jim Baggott
Through thousands of years of speculative philosophy and hundreds of years of hard empirical science, we have tended to think of mass as an innate property (a ‘primary quality’) of material substance. We figured that, whatever they might be, the basic building blocks of matter would surely consist of microscopic lumps of some kind of ‘stuff’.
By David Biale
Two years ago, I agreed to serve as the head of an international team of nine scholars from the US, UK, Poland and Israel who are attempting to write a history of Hasidism, the eighteenth-century Eastern European pietistic movement that remains an important force in the Orthodox Jewish world today. I was perhaps not the obvious choice for this role: although I’ve written several articles and book chapters on Hasidism, it has not been my main area of research.
By Anatoly Liberman
Here, for a change, I will present two words (cuss and bust) whose origin is known quite well, but their development will allow us to delve into the many and profound mysteries of r. Both Dickens and Thackeray knew (that is, allowed their characters to use) the verb cuss, and no one had has ever had any doubts that cuss means “curse.” Bust is an Americanism, now probably understood everywhere in the English-speaking world. The change of curse and burst to cuss and bust seems trivial only at first sight.
Clint Eastwood took the stage at the Republican convention last week and gave a… well, let’s call it a memorable performance. I’m not sure if there’s ever been such a bizarre prime time address given at a national convention. The celebrated actor/director spent eleven minutes in a mumbling debate with an empty chair representing President Obama. Political conventions are highly scripted events. Eastwood’s extended, failed ad lib was anything but scripted.
By Jim Baggott
Experimental physicists are by nature very cautious people, often reluctant to speculate beyond the boundaries defined by the evidence at hand. Although the Higgs mechanism is responsible for the acquisition of mass, the theory does not give a precise prediction for the mass of the Higgs boson itself.
The Internet has two faces. For every exercised freedom of speech and shared idea, there’s an act of fraud, counterfeiting, and copyright infringement. How is the law – in particular the English legal system – attempting to stem the tide of the last problem – online infringement – and take pirates down?
By Elvin Lim
The Republicans’ convention bump for Mitt Romney appears to be muted. Why? There was a lot of bad luck. Holding the convention before the Labor Day weekend caused television viewership to go down by 30 percent, as did the competing and distracting news about Hurricane Isaac. The Clint Eastwood invisible chair wasn’t a disaster, but a wasted opportunity that Romney’s advisors should have vetted. V