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	<title>Comments on: The Who, Tommy, and a Pop Classic, May 1969</title>
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	<link>http://blog.oup.com/2009/05/the-who/</link>
	<description>Academic insights for the thinking world.</description>
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		<title>By: Gordon</title>
		<link>http://blog.oup.com/2009/05/the-who/comment-page-1/#comment-247205</link>
		<dc:creator>Gordon</dc:creator>
		<pubDate>Sat, 14 Jan 2012 18:19:33 +0000</pubDate>
		<guid isPermaLink="false">http://blog.oup.com/?p=4412#comment-247205</guid>
		<description>Wow, I need to get a digital feed to know when you folks comment on these columns.  

From my perspective, this exchange provides a great example of how different individuals can arrive at unique interpretations of the same event.  Dan certainly has his understanding, shaped by his role&#039;s objectives and his status as an outsider to the culture of the Filmore.  You saw this as a regular member of the Filmore&#039;s concert audience.  (I envy your front-row seat.)  

Dan thought his identity as a cop was obvious and that Daltry and Townshend would easily capitulate to an authority figure commandeering their stage.  I can tell you as a former musician that in many of the places I played, we would have reacted the same way.  If we didn&#039;t know who a guy was running up on stage and attempting to grab the singer&#039;s microphone, we would have piled on him in a flash and asked questions later.  Indeed, just last week in a club in NYC, I saw a jazz musician deck an audience member who had had the temerity to step up to him during the performance, lean onto the stage, and utter what the musician understood as a slur.  

Thanks to both you and Dan for your perspectives.  I&#039;ve learned from this exchange.</description>
		<content:encoded><![CDATA[<p>Wow, I need to get a digital feed to know when you folks comment on these columns.  </p>
<p>From my perspective, this exchange provides a great example of how different individuals can arrive at unique interpretations of the same event.  Dan certainly has his understanding, shaped by his role&#8217;s objectives and his status as an outsider to the culture of the Filmore.  You saw this as a regular member of the Filmore&#8217;s concert audience.  (I envy your front-row seat.)  </p>
<p>Dan thought his identity as a cop was obvious and that Daltry and Townshend would easily capitulate to an authority figure commandeering their stage.  I can tell you as a former musician that in many of the places I played, we would have reacted the same way.  If we didn&#8217;t know who a guy was running up on stage and attempting to grab the singer&#8217;s microphone, we would have piled on him in a flash and asked questions later.  Indeed, just last week in a club in NYC, I saw a jazz musician deck an audience member who had had the temerity to step up to him during the performance, lean onto the stage, and utter what the musician understood as a slur.  </p>
<p>Thanks to both you and Dan for your perspectives.  I&#8217;ve learned from this exchange.</p>
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		<title>By: Binky Philips</title>
		<link>http://blog.oup.com/2009/05/the-who/comment-page-1/#comment-224042</link>
		<dc:creator>Binky Philips</dc:creator>
		<pubDate>Wed, 06 Jul 2011 02:17:10 +0000</pubDate>
		<guid isPermaLink="false">http://blog.oup.com/?p=4412#comment-224042</guid>
		<description>I was in my usual seat, AA113, front row, directly in front of Pete&#039;s mic stand that night at the Fillmore East.
For some reason, right at the start of &quot;Summertime Blues&quot; I looked up at the follow spot. It looked like you could walk on the beam of light, the smoke in the theater was so thick. I kinda laughed to myself about all the pot being smoked.
But, about 60 seconds later, I looked up again and now the follow spot was deeply smoky. I turned to my right and saw Bill Graham talking to two fireman in the wings. I looked up at Pete to see if he&#039;d seen this. But, he hadn&#039;t. I looked back over my left shoulder to see how bad the smoke was and saw a guy charging down the left aisle from about the 15th row. He was about 30, stocky, in a white tshirt and jeans with a Marine crewcut. My first thought as he bounded up on stage was Oh shit a Viet Nam vet has gone crazy at a Who concert. Without warning or explanation, he lunged at Roger and grabbed the mic. Roger, a genuine street fighter, didn&#039;t let go and fought back good and hard. Pete, seeing this, flew at the guy and kicked him in  crotch. Two Fillmore crew guys dragged the prone &quot;Marine&quot; off staqe. The Who finished &quot;Summertime Blues&quot;.
Bill Graham then made a calm announcement about a fire &quot;across the street&quot;... and... we all left.

There is no truth whatsoever that this guy yelled &quot;Fire!&quot;.

It is also untrue that he had a visible badge. 

It is also not true that Roger handed the mic to the &quot;Marine&quot;. 
Without a word, the guy grabbed Roger&#039;s mic with both hands. 
I saw this less than 20 feet away. 
There was no badge in either hand.

I was 16. This is 42 years ago. But, I have video in my head of this whole incident.

By the next night, I&#039;d heard that the guy was a plainclothes NYPD officer.
I have often wondered what he was going to say into that microphone had Roger just said, Oh, do you need this? Please, be my guest.
It wouldn&#039;t be &#039;THERE&#039;S A FIRE NEXT DOOR EVERYONE MUST EVACUATE THIS MINUTE! I REPEAT THE BUILDING IS ON FIRE. RUN! RUN! RUN!&#039; would it?

The general demeanor of Officer DH as he charged the stage kind of came off as a guy who was way off his meds and on his way to attack a Rock Star. Which is precisely what he then did.

I have never had a problem with the NYPD. I was never an Off The Pigs kinda guy. 

One of my dearest and oldest friends (and fellow Who fan) just retired from the NYPD.
I have huge respect for that gig.

That said, Officer Dan has, according to my memory, kinda candy coated how the sh** went down.
In the (literal) heat of the moment, knowing what he knew, and what none of the rest of us knew, I can well imagine that his memories of this event are entwined with his (obviously) pure motives.

That said, as I witnessed it, it really did appear that Roger and Pete had subdued (with fists and feet) a maniac from off the Bowery.

Okay, back to 2011...</description>
		<content:encoded><![CDATA[<p>I was in my usual seat, AA113, front row, directly in front of Pete&#8217;s mic stand that night at the Fillmore East.<br />
For some reason, right at the start of &#8220;Summertime Blues&#8221; I looked up at the follow spot. It looked like you could walk on the beam of light, the smoke in the theater was so thick. I kinda laughed to myself about all the pot being smoked.<br />
But, about 60 seconds later, I looked up again and now the follow spot was deeply smoky. I turned to my right and saw Bill Graham talking to two fireman in the wings. I looked up at Pete to see if he&#8217;d seen this. But, he hadn&#8217;t. I looked back over my left shoulder to see how bad the smoke was and saw a guy charging down the left aisle from about the 15th row. He was about 30, stocky, in a white tshirt and jeans with a Marine crewcut. My first thought as he bounded up on stage was Oh shit a Viet Nam vet has gone crazy at a Who concert. Without warning or explanation, he lunged at Roger and grabbed the mic. Roger, a genuine street fighter, didn&#8217;t let go and fought back good and hard. Pete, seeing this, flew at the guy and kicked him in  crotch. Two Fillmore crew guys dragged the prone &#8220;Marine&#8221; off staqe. The Who finished &#8220;Summertime Blues&#8221;.<br />
Bill Graham then made a calm announcement about a fire &#8220;across the street&#8221;&#8230; and&#8230; we all left.</p>
<p>There is no truth whatsoever that this guy yelled &#8220;Fire!&#8221;.</p>
<p>It is also untrue that he had a visible badge. </p>
<p>It is also not true that Roger handed the mic to the &#8220;Marine&#8221;.<br />
Without a word, the guy grabbed Roger&#8217;s mic with both hands.<br />
I saw this less than 20 feet away.<br />
There was no badge in either hand.</p>
<p>I was 16. This is 42 years ago. But, I have video in my head of this whole incident.</p>
<p>By the next night, I&#8217;d heard that the guy was a plainclothes NYPD officer.<br />
I have often wondered what he was going to say into that microphone had Roger just said, Oh, do you need this? Please, be my guest.<br />
It wouldn&#8217;t be &#8216;THERE&#8217;S A FIRE NEXT DOOR EVERYONE MUST EVACUATE THIS MINUTE! I REPEAT THE BUILDING IS ON FIRE. RUN! RUN! RUN!&#8217; would it?</p>
<p>The general demeanor of Officer DH as he charged the stage kind of came off as a guy who was way off his meds and on his way to attack a Rock Star. Which is precisely what he then did.</p>
<p>I have never had a problem with the NYPD. I was never an Off The Pigs kinda guy. </p>
<p>One of my dearest and oldest friends (and fellow Who fan) just retired from the NYPD.<br />
I have huge respect for that gig.</p>
<p>That said, Officer Dan has, according to my memory, kinda candy coated how the sh** went down.<br />
In the (literal) heat of the moment, knowing what he knew, and what none of the rest of us knew, I can well imagine that his memories of this event are entwined with his (obviously) pure motives.</p>
<p>That said, as I witnessed it, it really did appear that Roger and Pete had subdued (with fists and feet) a maniac from off the Bowery.</p>
<p>Okay, back to 2011&#8230;</p>
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		<title>By: Gordon Thompson</title>
		<link>http://blog.oup.com/2009/05/the-who/comment-page-1/#comment-180256</link>
		<dc:creator>Gordon Thompson</dc:creator>
		<pubDate>Thu, 07 Oct 2010 18:34:30 +0000</pubDate>
		<guid isPermaLink="false">http://blog.oup.com/?p=4412#comment-180256</guid>
		<description>Dan,

Thanks for commenting and presenting your take on the show and what happened.  I can well imagine the scene as chaotic and that you were trying your best to insure the well-being of the audience.  I never doubted your intentions at this concert and the information you have provided are valuable.

Apologies that I did not see this sooner.  We do not receive notification if someone comments on our blogs.

Gordon</description>
		<content:encoded><![CDATA[<p>Dan,</p>
<p>Thanks for commenting and presenting your take on the show and what happened.  I can well imagine the scene as chaotic and that you were trying your best to insure the well-being of the audience.  I never doubted your intentions at this concert and the information you have provided are valuable.</p>
<p>Apologies that I did not see this sooner.  We do not receive notification if someone comments on our blogs.</p>
<p>Gordon</p>
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		<title>By: Dan Mulhearn</title>
		<link>http://blog.oup.com/2009/05/the-who/comment-page-1/#comment-161884</link>
		<dc:creator>Dan Mulhearn</dc:creator>
		<pubDate>Mon, 24 May 2010 19:59:33 +0000</pubDate>
		<guid isPermaLink="false">http://blog.oup.com/?p=4412#comment-161884</guid>
		<description>I can&#039;t believe this is on the internet; I am the NYPD Officer involved in the incident at the Fillmore East that night. I was working plainclothes assigned to trying to get &quot;mugged&quot; on the Bowery and responded to the Fillmore as a fire was reported there. The adjacent building was heavily involved in fire and the Battalion Chief from FDNY requested we evacuate the FIllmore ASAP. I went in with uniformed officer Bruce Gehrig and the theater was full of smoke; but the Who were still playing. Officer Gehrig began to usher people out the fire doors and I approached the stage, in plainclothes but with badge in hand. I thought the band understood what was going on as I was handed the microphone by Roger Daltrey. Then I was kicked in the groin area by Pete Townshend and two large gentlemen grabbed me from behind and I was thrown out the fire door backstage. I then assisted people coming out of the building and coming down fire escapes. During the entire time I was in the building the band continued to play until the kick and the Fillmore employee&#039;s were taking no action to empty the building. The Daily News account of the story says I ran down the aisle like a madman screaming &quot;Fire&quot;. That is certainly incorrect and the reporter never spoke to me before writing his story. Had I been yelling &quot;Fire&quot; or anything else; no one could have heard it above the din of the band. The Village Voice claimed I was gauche in that no one enters the stage at the Fillmore from stage left. There was no real injury as Pete missed his mark by a couple of inches, thankfully. No one was arrested due to this incident. Pete Townshend was issued a summons for simple assault. The charge should have been Felony Assault for attacking a police officer in the line of duty. However, the fix was in and supposedly the powers that be were afraid that if Mr Townshend had been charged with a felony he would have had to be arraigned that night and there would be a riot if they could not do that evening&#039;s show (this was the night after the incident at the Fillmore, as I remember.) Upon his court appearance Mr Townshend was assessed a fine and the incident was over. The good part of the whole thing was that no one was injured in the large crowd. I remember thinking on the night it happened that my sister, Patti, was in the theater; but it turned out she was part of the crowd in the street waiting for the second show. Dan Mulhearn; retired in Pipestem WV</description>
		<content:encoded><![CDATA[<p>I can&#8217;t believe this is on the internet; I am the NYPD Officer involved in the incident at the Fillmore East that night. I was working plainclothes assigned to trying to get &#8220;mugged&#8221; on the Bowery and responded to the Fillmore as a fire was reported there. The adjacent building was heavily involved in fire and the Battalion Chief from FDNY requested we evacuate the FIllmore ASAP. I went in with uniformed officer Bruce Gehrig and the theater was full of smoke; but the Who were still playing. Officer Gehrig began to usher people out the fire doors and I approached the stage, in plainclothes but with badge in hand. I thought the band understood what was going on as I was handed the microphone by Roger Daltrey. Then I was kicked in the groin area by Pete Townshend and two large gentlemen grabbed me from behind and I was thrown out the fire door backstage. I then assisted people coming out of the building and coming down fire escapes. During the entire time I was in the building the band continued to play until the kick and the Fillmore employee&#8217;s were taking no action to empty the building. The Daily News account of the story says I ran down the aisle like a madman screaming &#8220;Fire&#8221;. That is certainly incorrect and the reporter never spoke to me before writing his story. Had I been yelling &#8220;Fire&#8221; or anything else; no one could have heard it above the din of the band. The Village Voice claimed I was gauche in that no one enters the stage at the Fillmore from stage left. There was no real injury as Pete missed his mark by a couple of inches, thankfully. No one was arrested due to this incident. Pete Townshend was issued a summons for simple assault. The charge should have been Felony Assault for attacking a police officer in the line of duty. However, the fix was in and supposedly the powers that be were afraid that if Mr Townshend had been charged with a felony he would have had to be arraigned that night and there would be a riot if they could not do that evening&#8217;s show (this was the night after the incident at the Fillmore, as I remember.) Upon his court appearance Mr Townshend was assessed a fine and the incident was over. The good part of the whole thing was that no one was injured in the large crowd. I remember thinking on the night it happened that my sister, Patti, was in the theater; but it turned out she was part of the crowd in the street waiting for the second show. Dan Mulhearn; retired in Pipestem WV</p>
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		<title>By: Twitter Trackbacks for The Who, Tommy, and a Pop Classic, May 1969 : OUPblog [oup.com] on Topsy.com</title>
		<link>http://blog.oup.com/2009/05/the-who/comment-page-1/#comment-153443</link>
		<dc:creator>Twitter Trackbacks for The Who, Tommy, and a Pop Classic, May 1969 : OUPblog [oup.com] on Topsy.com</dc:creator>
		<pubDate>Wed, 02 Sep 2009 19:55:33 +0000</pubDate>
		<guid isPermaLink="false">http://blog.oup.com/?p=4412#comment-153443</guid>
		<description>[...] First Tweet May 8, 2009       oupblog Rebecca Highly Influential    It&#039;s the 40th anniversary of Tommy! http://blog.oup.com/2009/05/the-who/ See me, feel me. Touch me, heal me...   view retweet [...]</description>
		<content:encoded><![CDATA[<p>[...] First Tweet May 8, 2009       oupblog Rebecca Highly Influential    It&#8217;s the 40th anniversary of Tommy! <a href="http://blog.oup.com/2009/05/the-who/" rel="nofollow">http://blog.oup.com/2009/05/the-who/</a> See me, feel me. Touch me, heal me&#8230;   view retweet [...]</p>
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		<title>By: Gordon Thompson</title>
		<link>http://blog.oup.com/2009/05/the-who/comment-page-1/#comment-150560</link>
		<dc:creator>Gordon Thompson</dc:creator>
		<pubDate>Sat, 16 May 2009 11:41:59 +0000</pubDate>
		<guid isPermaLink="false">http://blog.oup.com/?p=4412#comment-150560</guid>
		<description>Thanks.  Such significant music should not go unrecognized.</description>
		<content:encoded><![CDATA[<p>Thanks.  Such significant music should not go unrecognized.</p>
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		<title>By: JL</title>
		<link>http://blog.oup.com/2009/05/the-who/comment-page-1/#comment-150553</link>
		<dc:creator>JL</dc:creator>
		<pubDate>Fri, 15 May 2009 19:30:27 +0000</pubDate>
		<guid isPermaLink="false">http://blog.oup.com/?p=4412#comment-150553</guid>
		<description>Excellent piece - I&#039;m glad to see someone recognize the significance of the 40-year anniversary!</description>
		<content:encoded><![CDATA[<p>Excellent piece &#8211; I&#8217;m glad to see someone recognize the significance of the 40-year anniversary!</p>
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