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Octavia Butler

Black Women in AmericaButler, Octavia (b. 22 June 1947 – d. 24 February 2006), science-fiction author. Butler was one of the most thoughtful and imaginative authors of her time. One of the few black writers in the science-fiction field, she took full advantage of the speculative freedom that the genre allows writers to explore her interest in sociology, biology, race relations, American history, and the future of humanity. She was a pioneer in bringing black people into the imagined future that is the most common focus of science fiction, and in telling the story of that future in the voices of black women.

Octavia Estelle Butler was born in Pasadena, California, to Laurice and Octavia M. (Guy) Butler. Her father was a shoeshine man who died when she was a baby, and her mother was a maid. Although they lived in a racially mixed community, her mother took her to work with her when no child care was available, and there the young Octavia observed the condescension and lack of respect that black servants of the time were expected to accept.

An only child, she did not get along easily with other children, and at school she tended to withdraw into shyness and the worlds of reading and imagination. By the time she was ten, she was producing her own short stories. Watching a bad science fiction movie on television one day convinced her that she could write something better, and she immediately set out to prove it. The stories that resulted laid the groundwork for the later development of her first series of novels.

Butler grew tall quickly as a child, and her height increased her sense of self-consciousness and isolation. Afflicted by a form of dyslexia, which was not recognized at the time, she did not succeed in school and thought of herself as not very bright until she was in eighth grade. Being called on to read or recite in front of a classroom was a torment, and unsympathetic teachers frequently treated her as if she were unwilling to do the work. Not all of her teachers were uncaring or blind to her abilities, however, and when she was thirteen one of them took it upon himself to type out the first short story she submitted to a science fiction magazine.

After graduating from John Muir High School in Pasadena in 1965, Butler worked during the day and attended college at night, completing a two-year degree program at Pasadena City College, where her studies included writing fiction. After graduating, she entered California State College in Los Angeles. She continued to work at a series of temporary jobs and left California State for the University of California at Los Angeles, where she took more writing courses. At the same time, she attended writing workshops sponsored by the Writers Guild of America. One of the Writers Guild teachers was Harlan Ellison, a well-known science-fiction writer and an innovative editor with a keen interest in encouraging new and original voices in the field. Ellison provided what Butler later referred to as her “first honest criticism” and saw to it that she was invited to participate in the Clarion Writers’ Workshop in Clarion, Pennsylvania, in 1970. The six-week program for aspiring science fiction writers exposed her to the teaching of a variety of successful writers and the support and encouragement of fellow novices, and it later produced an anthology that included her first published story.

Initially, success eluded Butler, but she continued to work at various blue-collar jobs and to get up in the early hours of the morning to practice her craft. Finally, in 1974, she began work on what was to become the novel Patternmaster, which was published by Doubleday in 1976. Patternmaster was followed by Mind of My Mind (1977), Survivor (1978), Wild Seed (1980), and Clay’s Ark (1984).

The five books are linked by story lines and characters and the constant struggle between a power-hungry race of telepaths, the Patternmasters, and a breed of grossly mutated posthumans known as Clayarks. The books in the series also read well independently of each other, describing intertwined stories of multiple characters and jumping back and forth through time, from centuries in the past to millennia in the future. Among the major themes they cover are racial and gender-based animosity, the ethical implications of biological engineering, the question of what it means to be human, ethical and unethical uses of power, and how the assumption of power changes people.

Between the fourth and fifth books in the Patternmaster series, Butler wrote Kindred (1979), an entirely different kind of book. Inspired by a flippant remark from a friend about previous generations of African Americans and keenly aware of the indignities her mother endured in order to provide for her, Butler set out to illustrate the sacrifices that generations of black Americans made to give their descendants a better life. The book tells the story of a young black woman in 1976 who keeps getting pulled back in time to the early nineteenth century in Maryland, where she repeatedly has to save the life of a white slave-owning ancestor. The appeal of this book, Butler’s most successful novel, which is taught in high schools and colleges, stretches far beyond the usual science fiction audience. Originally published in 1979, it was reissued in 1988 and in a special twenty-fifth anniversary edition in 2004.

Dawn, Adulthood Rites, and Imago, the three novels making up the Xenogenesis trilogy, appeared from 1987 to 1989. Devastated by nuclear war, a weakened human race must decide whether to survive at the cost of crossbreeding with an alien species. Parable of the Sower (1993) opens in the year 2024 in a world where the economic gap between rich and poor has increased to the point that the social order is on the verge of collapse. Parable of the Talents, which won the Science Fiction Writers of America’s Nebula Award as the Best Science Novel of 1999, is a continuation of the same story.

Butler believed in the possibility of travel to the stars. But in both her fiction and her interviews, she suggests that it would take a very strong external impetus to propel such a program into reality, the way that the arms race of the 1950s and 1960s stimulated the development of the space program.

Much of her work reflects a wide-ranging interest in the physical sciences and the study of human behavior. She kept up with developments in biology and genetics and believed that if humanity is to survive we must learn to coexist with microorganisms. Such coexistence would involve taking advantage of the beneficial properties and behaviors of many microbial organisms that are just beginning to be learned about. This echoes developments in Xenogenesis, where humanity survives by working with a race of aliens, changing into something different in the process.

Although she is best known for her novels, Butler also published short stories, and her 1984 novella, Blood Child, won the Hugo and Nebula Awards. Her 1980 novel Wild Seed won the James Tiptree Jr. Award. In 1995 she became the first science-fiction writer to receive the MacArthur Foundation’s “genius grant.” A resident of Pasadena for most of her life, she moved to Seattle in 1999.

From Black Women in America, Edited by Darlene Clark Hine

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Recent Comments

  1. Pacia

    I cannot express the effect that Octavia Butler’s writing has had on my life, my view, and my own writing career. In 1999 a stranger walked into the cafe where I worked in college and passed me a very worn copy of “Parable of the Sower” (he said I “looked” like I would enjoy the read), I have been on a mission to read everything I could get my hands on by this phenomenal woman. Since then I have aimed to pass on her work to any and everyone who is interested. In the past 12 months I only cried twice. Once for Katrina; and again for Octavia–not because she had passed (because let’s face it, if anyone was at peace with dying, it was probably her). I cried because now 4 of the 5 literary loves/influences/icons of my life were now physicaly gone. I cried for the people who would never pilgrimage to their local bookstore or mega-entertainment-chain to stand in line for an autograph…a glimpse of the unexpected image of this black “science fiction” writer. I cried for “Parable of the Trickster” (or whatever the new book would have been named), which I may or may not ever be able to read. I cried because she affected me in ways I would never be able to tell her. Even if the world will not miss her, I will honor her memory until I too hop on my spaceship and fly away.

  2. Chuck

    I am so hurt right now that Octavia has passed away. The excitement that I felt whenever I picked up any of her work was like puppy love…a giddiness you feel the first time you held a girl’s hand. Octavia, I will miss you, and I thank you for the many wonderful hours you let me spend with you. Every page you wrote was wonderful.

  3. Caxe

    Without a doubt, Octavia E. Butler was my favorite writer of all time, and probably one of the most influential Black women of all time. It’s been well over a month since she died, and it still depresses me a great deal that I will never read another orginal work by her. I was waiting with bated breath for “Parable of the Trickster.” I was waiting with bated breath for anything else she would have produced in the next few years. Although I’m extremely saddened by her passing (I admit to occasionally crying about it still–all these weeks later), I’m very grateful that I was exposed to her in the first place. Her writing changed my life, influenced my own writing styles, and gave me something to be proud of.

  4. Garrett Mason

    AFTER i READ the book “Kindred” it made me a little interested in more of her writings. But I am really shocked, due to her sudden death and will be missed!

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